Una expedición de espeleología sale terriblemente mal, ya que los exploradores quedan atrapados y finalmente son perseguidos por una extraña raza de depredadores.Una expedición de espeleología sale terriblemente mal, ya que los exploradores quedan atrapados y finalmente son perseguidos por una extraña raza de depredadores.Una expedición de espeleología sale terriblemente mal, ya que los exploradores quedan atrapados y finalmente son perseguidos por una extraña raza de depredadores.
- Dirección
- Guionista
- Elenco
- Premios
- 8 premios ganados y 22 nominaciones en total
Stephen Lamb
- Crawler
- (as Steve Lamb)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
When I read that "The Descent" featured an all women cast I expected a T+A extravaganza with spelunkers in too tight T-shirts and panties cavorting beneath the earth. I was disappointed. What I saw was a scary movie. I am not by nature claustrophobic but a few scenes of the close quarters they were climbing through left me squirming in my seat. I can't continue the review without issuing a SPOILER alert since I will be discussing critical movie facts. The movie was very spookily lit with looming shadows and false colors and was expertly designed. The creatures living below ground were creepy and scary since often they were only glimpsed in the shadows. I hadn't expected the death count to be so high nor the movie to be so bloody. I flinched often during the movie due to the sudden appearance of the creatures or from the wounds suffered by the cast. The pace of the movie once they began the cave exploration was very fast and of course with this type of movie a deeper examination of the facts reveals some plot holes but events move too fast for reflection. I can't say I liked or agreed with some events in the end of the movie. I think Juno, maybe not the best person in the group, was unfairly judged and condemned. None the less the movie was very effective in scaring me and holding my attention. The fact that it had, primarily, an all women cast was hardly noticeable. This is not a chick flic. Worth seeing.
The Descent is a little Alien, some Predator, and quite an amount of The Texas Chainsaw Massacre. The story involves a group of cave explorers' journey through a deep cave, two miles underground. They don't necessarily make a great team-they seem unplanned, and we would go on to the third act, and figure out that they lack strategy as well. That is when some of the members become badass heroines, joining the bloodfest in the cave, where the unknown lies await.
Simplistic as it is, The Descent offers an excellent atmosphere and very creative moments. The opening shows a shocking event that becomes a minor plot device. The entire first half is a better adventure film than a horror one; the team's first enemy is the landscape. There are lots of "setup" shots showing items that will inevitably appear later. Writer/Director Neil Marshall has an impressive style, especially for some amazingly lighted claustrophobic scenes.
The thing is, these wonderful 50 minutes set my expectation high, that I found the latter half underwhelming. Fake jumpscares are a prominent element in the movie. There is so much of it that the real ones are less effective. The tone makes a 180-degree shift, changing to a lot of gory fights and killings. They should be thrilling experiences, but the problem is I simply can't see what's going on, because: 1. The scenes are extremely dark, which is realistic but unworkable for fight sequences. 2. The team all have the same gear, look, and voice. I have a hard time distinguishing them. 3. The editing makes a shift as well; the cuts are intensely quick, making my eye sore by looking at it for too long.
But The Descent is a sufficient horror movie, because it is so interestingly constructed, and Marshall has great talents. Watching the characters, the situation and the film itself descend into madness is of great fun.
Simplistic as it is, The Descent offers an excellent atmosphere and very creative moments. The opening shows a shocking event that becomes a minor plot device. The entire first half is a better adventure film than a horror one; the team's first enemy is the landscape. There are lots of "setup" shots showing items that will inevitably appear later. Writer/Director Neil Marshall has an impressive style, especially for some amazingly lighted claustrophobic scenes.
The thing is, these wonderful 50 minutes set my expectation high, that I found the latter half underwhelming. Fake jumpscares are a prominent element in the movie. There is so much of it that the real ones are less effective. The tone makes a 180-degree shift, changing to a lot of gory fights and killings. They should be thrilling experiences, but the problem is I simply can't see what's going on, because: 1. The scenes are extremely dark, which is realistic but unworkable for fight sequences. 2. The team all have the same gear, look, and voice. I have a hard time distinguishing them. 3. The editing makes a shift as well; the cuts are intensely quick, making my eye sore by looking at it for too long.
But The Descent is a sufficient horror movie, because it is so interestingly constructed, and Marshall has great talents. Watching the characters, the situation and the film itself descend into madness is of great fun.
The concept of crawling through tight, winding, unfamiliar tunnels is scary enough. But, of course, this movie moves far beyond that.
This movie has a great setup with a close group of long time friends having fun and reuniting for different outdoor adventures.
From the beginning the directing is great. You really get a sense of adventure and the anxiety/excitement that goes into exploring a cave. It portrays it well and brings home the endeavor that cave exploration is.
The story is engaging as it builds. They run into natural trouble that's bad enough. But then the dire situation becomes far worse.
This movie is genuinely suspenseful. The gore is well done. The characters are sympathetic. The emotion builds to a fever pitch.
There are some shocking elements to the ending.
It is a great movie and there is no way it should be rated anything less than an 8 out of 10.
It really is well done. With relatable characters you can actually care about. It's considered a classic by many for a reason. It's legitimately uncomfortable, suspenseful and scary. And well directed. It's just a great movie.
This movie has a great setup with a close group of long time friends having fun and reuniting for different outdoor adventures.
From the beginning the directing is great. You really get a sense of adventure and the anxiety/excitement that goes into exploring a cave. It portrays it well and brings home the endeavor that cave exploration is.
The story is engaging as it builds. They run into natural trouble that's bad enough. But then the dire situation becomes far worse.
This movie is genuinely suspenseful. The gore is well done. The characters are sympathetic. The emotion builds to a fever pitch.
There are some shocking elements to the ending.
It is a great movie and there is no way it should be rated anything less than an 8 out of 10.
It really is well done. With relatable characters you can actually care about. It's considered a classic by many for a reason. It's legitimately uncomfortable, suspenseful and scary. And well directed. It's just a great movie.
10enoonmai
With Dog Soldiers, Neil Marshall created a tight and claustrophobic atmosphere then added the scares to create a very good horror film. However, the tension was often released with humour and the audience were allowed to catch their breath and relax. At no point in The Descent are you allowed to relax as Marshall grabs your attention within the first few minutes and doesn't let go until the credits roll at the end.
With the film set almost entirely underground, the lack of light is used to wonderful effect and Marshall keeps you on edge for 100 minutes; if you liked Dog Soldiers, 28 Days Later and/or Haute Tension and are sick of the formulaic rubbish being pumped out of Hollywood then The Descent is likely to be right up your street.
With the film set almost entirely underground, the lack of light is used to wonderful effect and Marshall keeps you on edge for 100 minutes; if you liked Dog Soldiers, 28 Days Later and/or Haute Tension and are sick of the formulaic rubbish being pumped out of Hollywood then The Descent is likely to be right up your street.
The Descent is an exceptionally good film. I just wanted to state that at the start of this review, because it is easy to dismiss a film like The Descent as having some good gore scenes, but little else to commend it from a directorial or cinematographic point of view. However, with what must have been a budget that pales into insignificance when compared to films like Ring 2, the film packs in top class gore with exquisitely detailed 'creatures' and brilliantly claustrophobic cinematography.
Films with great gore abound, for example Jason X, with the audience just waiting for the next gruesome killing to end the tedium in between. However, The Descent keeps you at the edge of your seat throughout, struggling for breath as you feel the walls in the cinema closing in. This is a film to watch in a very dark cinema with great surround sound. You almost feel the creatures closing in around you.
I would have given 10 out of 10, but some of the acting is not top class, so that brings it down to 9 out of 10 for me. That aside, this is a must watch film for those who complain that horror films just aren't scary anymore. Just make sure that whoever you take with you is prepared for the experience. Word of mouth is sure to make this film a success.
Films with great gore abound, for example Jason X, with the audience just waiting for the next gruesome killing to end the tedium in between. However, The Descent keeps you at the edge of your seat throughout, struggling for breath as you feel the walls in the cinema closing in. This is a film to watch in a very dark cinema with great surround sound. You almost feel the creatures closing in around you.
I would have given 10 out of 10, but some of the acting is not top class, so that brings it down to 9 out of 10 for me. That aside, this is a must watch film for those who complain that horror films just aren't scary anymore. Just make sure that whoever you take with you is prepared for the experience. Word of mouth is sure to make this film a success.
¿Sabías que…?
- TriviaTwenty-one separate cave sets were built for the film. These were carefully reused with different camera angles, set dressing and lighting to suggest a nearly endless collection of interconnected tunnels and caverns. For realism, the makers often limited the lighting of the sets to light sources that the protagonists brought with them, such as flashlights, helmet lights and light sticks.
- ErroresAll of the spines in the various bone piles throughout the movie have the spines intact and the inter vertebral disks still present in the spines. Inter vertebral disks, however, are cartilage, not bone, and would have decayed (especially given that there is no clothing, hair, or fur in the bone piles, meaning that the bones are quite old). The spine segments should be scattered and in pieces, not in long segments.
- Créditos curiososThe creature's snarling sound can be heard at the end of the credits.
- Versiones alternativasSPOILER: The endings of the US and European versions differ. In the end, Sarah wakes up at the bottom of the cave, crawls out, and makes her way back to the car. When she is driving away, she pulls over and vomits, and when she leans back into the car, she is startled by the ghost of Juno sitting in the passenger seat. The US version cuts to the credits here. In the European version, this apparition causes Sarah to wake up for real at the bottom of the cave, revealing her escape to be just a dream. She then has a vision of her daughter's birthday cake, which we see is just her torch. The camera backs out, the voices of the creatures can be heard again and are increasing in strength as they are closing in on her, and the movie ends. This ending was considered "too dark" for US audiences.
- ConexionesEdited into The Descent: Deleted and Extended Scenes (2006)
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idiomas
- También se conoce como
- The Descent
- Locaciones de filmación
- Perth and Kinross, Escocia, Reino Unido(on location)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- GBP 3,500,000 (estimado)
- Total en EE. UU. y Canadá
- USD 26,024,456
- Fin de semana de estreno en EE. UU. y Canadá
- USD 8,911,330
- 6 ago 2006
- Total a nivel mundial
- USD 57,130,027
- Tiempo de ejecución
- 1h 39min(99 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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