El hijo del diablo

If you too like to watch a movie just for a bed-time story you know the kind - it can't be complete crap, because you won't get into the story in the first minutes, but can't be too good too, 'cause you won't fall asleep during the rest of it. Magic category. And not so numerous as it looks like. "Whisper" seemed to fit, but - surprise - it doesn't.

A quite good Ransom-Omen-Shining mix story provides actors some good dialogues to play and apart from few flaws it holds the level. Solid, creative directing (which could be even better if wasn't so "present", so "hey!-this-cut-was-a-director's-idea!") draws the tension properly. Convincing acting, without embarrassing moments (especially the kid earns respect) and very good dark music harmonized with cinematography in few mood-building panoramas (don't know why I remembered this) complete the work - WE HAVE A GOOD MOVIE HERE (and we can't sleep).

The cast is largely unknown at least to me but they do a superb and unforgettable job bringing this story to life about a kidnapping that goes horribly wrong from the first instant. The three kidnappers, two men and a woman who are somewhat a love triangle, kidnap an eight year old boy named David SAnborn but not just any eight year old boy. David acts bizarre, drawing disturbing images, whispering evil into their ears, and creating a sense of fear among his own kidnappers. The tragedy is what happens to the kidnappers who don't deserve their fate. David is like Damien from the Omen but we're not really sure if he is the angel or demon or son of the Devil but he does act like one. The film is a good thriller but leaves some flaws in it. I kind of liked the film overall.

When it comes to the characterisation of children, Hollywood doesn't really have much of a gray area: a kid can be either unbearably cute and sweet or, alternately, a supernatural Hitler. That's pretty much it. When you go for the second option (which I encourage), your movie pretty much stands or falls with the child's acting performance. I'm glad to say "Whisper" really hits a bulls-eye in that field, because Blake Woodruff is an intensely frightening kid who nails every scene he's in. He's almost as scary as Harvey Stephens from "The Omen", the movie "Whisper" so transparently tries to ape. In fact Woodruff is almost too good, because it's incredibly frustrating how nobody ever picks up on his evilness. You know that scene from every slasher ever where you're supposed to yell "don't go in there!" when a character's being stupid? "Whisper" gives you that feeling for pretty much its entire running time, and nobody listens here either. Doesn't change the fact that it's quite entertaining though, because the scares are very well-done (despite the overuse of dream sequences) and the finale gives you everything you could want from this kind of B-movie. Just don't expect anything really creative.

It is one of those movies that look ordinary and start slow but catch up fast. I admit some of its plots look predictable but that is also the whole point. Human beings are all the same and all have similar weaknesses. I was particularly impressed with Josh Holloway's performance. He has talent and provided the right opportunity he can deliver. I can't say the same about Sarah Wayne Callies, she appeared to be struggling. It seemed a little light on horror for its story but otherwise gives a chilling experience nevertheless. And the ending was also good.

Overall a movie with character.

In this terror film, the most inept band of kidnappers in world history abducts the child from hell, an eight year old adopted boy from a very wealthy family in New England who's in fact the Antichrist or something. One by one, the kidnappers will pay for their deed. The film looks like an unauthorized knock off of The Omen, and while mildly entertaining, is hardly a great film. Made with a no name cast (except perhaps for Michael Rooker, who twenty years ago has a cult hit in Henry, Portrait of a serial killer) the good scenery from New England in winter and a good hand in the directing adds a little to this passable movie. Just don't take it too seriously.