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Hemingway & Gellhorn

  • Película de TV
  • 2012
  • TV-MA
  • 2h 35min
CALIFICACIÓN DE IMDb
6.3/10
11 k
TU CALIFICACIÓN
Nicole Kidman and Clive Owen in Hemingway & Gellhorn (2012)
BiographyDramaRomance

Agrega una trama en tu idiomaA drama centered on the romance between Ernest Hemingway and World War II correspondent Martha Gellhorn, Hemingway's inspiration for For Whom the Bell Tolls, and the only woman who ever aske... Leer todoA drama centered on the romance between Ernest Hemingway and World War II correspondent Martha Gellhorn, Hemingway's inspiration for For Whom the Bell Tolls, and the only woman who ever asked for a divorce from the writer.A drama centered on the romance between Ernest Hemingway and World War II correspondent Martha Gellhorn, Hemingway's inspiration for For Whom the Bell Tolls, and the only woman who ever asked for a divorce from the writer.

  • Dirección
    • Philip Kaufman
  • Guionistas
    • Jerry Stahl
    • Barbara Turner
  • Elenco
    • Nicole Kidman
    • Clive Owen
    • David Strathairn
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.3/10
    11 k
    TU CALIFICACIÓN
    • Dirección
      • Philip Kaufman
    • Guionistas
      • Jerry Stahl
      • Barbara Turner
    • Elenco
      • Nicole Kidman
      • Clive Owen
      • David Strathairn
    • 62Opiniones de los usuarios
    • 63Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
    • Ganó 2 premios Primetime Emmy
      • 7 premios ganados y 46 nominaciones en total

    Fotos56

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    Elenco principal99+

    Editar
    Nicole Kidman
    Nicole Kidman
    • Martha Gellhorn
    Clive Owen
    Clive Owen
    • Ernest Hemingway
    David Strathairn
    David Strathairn
    • John Dos Passos
    Rodrigo Santoro
    Rodrigo Santoro
    • Paco Zarra
    Molly Parker
    Molly Parker
    • Pauline Hemingway
    Parker Posey
    Parker Posey
    • Mary Welsh Hemingway
    Tony Shalhoub
    Tony Shalhoub
    • Mikhail Koltsov
    Santiago Cabrera
    Santiago Cabrera
    • Robert Capa
    Lars Ulrich
    Lars Ulrich
    • Joris Ivens
    Peter Coyote
    Peter Coyote
    • Maxwell Perkins
    Joan Chen
    Joan Chen
    • Madame Chiang Kai Shek
    Saverio Guerra
    Saverio Guerra
    • Sidney Franklin
    Mark Pellegrino
    Mark Pellegrino
    • Max Eastman
    Remy Auberjonois
    Remy Auberjonois
    • John Ferno
    Anthony Brandon Wong
    Anthony Brandon Wong
    • Chou En-lai
    Keone Young
    Keone Young
    • Mr. Ma
    Larry Tse
    • Chiang Kai Shek
    Alfred Rubin Thompson
    Alfred Rubin Thompson
    • Skinner
    • Dirección
      • Philip Kaufman
    • Guionistas
      • Jerry Stahl
      • Barbara Turner
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios62

    6.310.9K
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    Opiniones destacadas

    4gradyharp

    Some of the right ingredients but the cake fell

    Philip Kaufman who directed this long and boring mess of a film knows better (The Unbearable Lightness of Being, Twisted, etc) and the idea of reflecting on the relationship between Ernest Hemingway and Martha Gellhorn which took place during so many important historical events (Spanish Civil War in Franco's Spain, WW II complete with the Allied Invasion of Europe at Normandy Beach, the Russian Invasion of Finland, the turmoil in China as Communism rose in reaction to the Japanese invasion, the strange position of Cuba in all of this). But the screenplay is so mediocre to very bad (screenwriters Jerry Stahl and Barbara Turner) and the level of acting is so superficial that it simply falls flat.

    Martha Gellhorn, the Collier's reporter who becomes a war correspondent and marries Ernest Hemingway as she travels up the ladder of fame, is by far the main character here. A very well made-up aged Martha (Nicole Kidman) opens the story as she is being interviewed for a TV program. We immediately are in flashbacks to how this stern woman met Hemingway in a Key West bar, matched him quip for poorly written quip and finally follows him in a very phony setup: Hemingway (Clive Owens in a shoddy performance) is traveling with John Dos Passos (David Strathairn), Spanish patriot Paco Zarra (Rodrigo Santoro) and crew to shoot a film by Joris Ivens (Lars Ulrich) to show the public the atrocities of Franco in the Spanish Revolution - a tiresomely overused gimmick. Everyone drinks a lot and Hemingway finally seduces Gellhorn to his bed in Madrid (he is currently married to the very Catholic Pauline (Molly Parker) who upon discovery his adultery refuses to divorce him). As the situation in Spain falls down, Hemingway and Gellhorn take their need to write - Hemingway to complete FOR WHOM THE BELL TOLLS and Martha flies off to various war fronts to be a war correspondent. Together they fight their way through experiences in China and other hot spots until ultimately Hemingway remains drunk in Cuba 'fighting off German U boats' and Gellhorn gives up on him.

    Nicole Kidman gives the only remarkable performance; Clive Owens could have phoned in his role. Others in the huge cast of miniscule parts are Robert Duval , embarrassingly bad as a Russian General, Joan Chen as Madame Chiang, Tony Shalhoub as the Russian spy Koltsov, an excellent Santiago Cabrera as the famous war photographer Robert Capa, Peter Coyote (don't blink), Diane Baker, Parker Posey, and Connie Nielsen. The film runs 2 ½ hours on HBO and could easily have been edited down to an hour and a half. The only real saving grace (meaning the only reason to watch it0 is the very artistic way the film is a blend between contemporary cinematography and real film footage from the events in the story. That part is Magical. Otherwise, this is a snooze fest.

    Grady Harp
    7jeaniesa

    I didn't learn much about the lives of the two lead characters

    Visually, a cinematic masterpiece on the big screen (San Francisco Castro Theater, May 27, 2012). The old, historical footage blended artistically and imaginatively with the new. The music! Moving and memorable. Nicole Kidman is beautiful as ever. (Can I get the name of her plastic surgeon?) The opening immediately catches your attention, with Ms. Gellhorn telling the story, as a woman of a certain age who is looking back.

    On the other hand, I was disappointed to learn so little about their life together and their professions, especially hers. The in-your-face sex left nothing to the imagination. I simply got tired of watching Nicole Kidman and Clive Owen faking it.
    4tpaladino

    Really not very good

    I wanted to enjoy this film very much, and was looking forward to seeing it.

    Unfortunately it doesn't deliver in any way other than visually. It was shot and edited beautifully, and had a lot of potential. But that's where it ends.

    The story is boring and meandering, and never really gives you anything to sink your teeth into. The character development is shockingly superficial, as though we're automatically supposed to care about Hemingway and Gellhorn simply because they're Hemmingway and Gellhorn. Sadly, it just doesn't work like that; the notoriety of he subject matter isn't enough to carry the story without competent writing to back it up.

    Ultimately we're left with a disappointingly empty portrayal of one of the most colorful and dynamic individuals in history.
    5mille-383-947313

    Ambitious but without direction

    The movie left me flat. I was interested in the history and intrigued to see how it was portrayed. Skipping back and forth between the sepia, black and white and colour formats was disruptive. Further I don't think that the two principals did their roles justice. Like Hemingway they tried, almost painfully at times, to be larger than life and it resulted in inconsistent portrayals of these remarkable characters....both are good actors...probably a function of bad direction. The love affair didn't work at all....I guess a combination of things got in the way of my enjoying the movie. Several times I commented "this is not a very good flick" as we watched...and yet we watched it to the end...knowing how it would end....a strange viewing experience. I wanted it to be better and it had such potential to be so.
    6lupanarreview

    Not engaging

    Two great actors and a good rea life story, but it just doesn't work. For me it was how artificial and americanized it felt. The Spain they paint is clearly a set, not at all Madrid but a romantic idea of someone who doesn't know it. Everyone speaks in English, then the cliché of the gorgeous flamenco singer, etc. It just didn't feel authentic at all. It's hard to get into the story which has a lot of common places - and Hemingway is such a macho that he makes it really hard to root for their relationship.

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    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      Robin Wright was originally cast to play Martha Gellhorn.
    • Errores
      Actors are seen smoking filtered cigarettes. These didn't become widely available until the 1960s.
    • Citas

      Martha Gellhorn: I do not see myself as a footnote to someone else's life.

    • Conexiones
      Featured in The 64th Primetime Emmy Awards (2012)
    • Bandas sonoras
      Tutti Mi Chiamaro Bionda
      (Traditional Song)

      Performed by,Clive Owen, Nicole Kidman and Parker Posey

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    Detalles

    Editar
    • Fecha de lanzamiento
      • 28 de mayo de 2012 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • Văn Hào Trên Chiến Trận
    • Locaciones de filmación
      • Livermore, California, Estados Unidos(as Spain)
    • Productoras
      • Attaboy Films
      • For Whom Productions
      • Home Box Office (HBO)
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 19,500,000 (estimado)
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      2 horas 35 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital
    • Relación de aspecto
      • 1.78 : 1

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