Agrega una trama en tu idiomaIn this politically charged homage to Medium Cool, a photographer covers the urban guerrilla war on New York streets during the RNC.In this politically charged homage to Medium Cool, a photographer covers the urban guerrilla war on New York streets during the RNC.In this politically charged homage to Medium Cool, a photographer covers the urban guerrilla war on New York streets during the RNC.
Vija Zvers
- Mousy
- (as Vija Brigita Grosgalvis)
Jim Titus
- Music Producer
- (as James T. Williams II)
Juan Carlos Hernández
- Cruz Santiago
- (as Juan Hernandez)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I saw this film tonight at the Beyond TV festival in Swansea, S. Wales and I was very impressed. As well as being an intelligent expose of the Big Brother state that the US has become, the film is also very enjoyable at all levels, and I think it would appeal to a wider audience. The protest scenes at the beginning really set the pace for the film which never lets up until the end. Its great to see a film about the real America without the Hollywood glitz. I'd happily recommend anyone seeing this film, and I'm glad to hear that it's coming out on DVD. I'd be interested to know how much of an airing it gets in the US.
If you are a Bush-Cheney supporter who believes in conservative values, this movie may not be for you. The conservative point of view is presented but mostly to be ridiculed or criticized. Those who served in the military are respected and praised, but why they were serving is another matter.
Of course the protesters are more than just lazy people looking for an excuse to make trouble as some of the conservatives think. But they are working hard to take a stand and drive change. If they were lazy they'd just back down from all the adversity.
Rosario Dawson does a great job as a mother who is trying to cope and seems reasonably happy considering her circumstances. And she is pushing her son to be more than she is.
Nathan Crooker does a good job as an idealistic journalist.
The real stars of the movie are the ordinary people. Most appear to be merely actors but they come across as more. And there is a lot of what appears to be real footage.
And of course the convention itself was real. According to this movie, though, Bush didn't speak at night, but I guess that's a minor criticism. Maybe it wasn't safe to film that part of the powerful climactic scene during the day.
The ending is pretty amazing if disturbing.
There is some violence, but it's not too bad. I'm so glad I saw this movie cleaned up for TV, because the sound went out a lot.
It's not what we would like to see, and it's not necessarily the truth, but it's what we need to see. If only to make us think.
Of course the protesters are more than just lazy people looking for an excuse to make trouble as some of the conservatives think. But they are working hard to take a stand and drive change. If they were lazy they'd just back down from all the adversity.
Rosario Dawson does a great job as a mother who is trying to cope and seems reasonably happy considering her circumstances. And she is pushing her son to be more than she is.
Nathan Crooker does a good job as an idealistic journalist.
The real stars of the movie are the ordinary people. Most appear to be merely actors but they come across as more. And there is a lot of what appears to be real footage.
And of course the convention itself was real. According to this movie, though, Bush didn't speak at night, but I guess that's a minor criticism. Maybe it wasn't safe to film that part of the powerful climactic scene during the day.
The ending is pretty amazing if disturbing.
There is some violence, but it's not too bad. I'm so glad I saw this movie cleaned up for TV, because the sound went out a lot.
It's not what we would like to see, and it's not necessarily the truth, but it's what we need to see. If only to make us think.
Director Stephen Marshall is best known for his documentaries, including some that are Sundance winners. This is his first foray into fictional mainstream films, and it is a promising effort. I am mystified by some of the negativity I read here; granted, Marshall is no Costa-Gravas (yet), but I doubt even Costa-Gravas was Costa-Gravas in his first movie. Working under extreme deadline pressures with a cast of mostly unknowns and a limited budget, he has exemplified making lemonade out of lemons. Since many of his principals are non-actors, the fact that he gets good performances from them speaks well of his directing skills. He also has a painter's eye: there is one scene with Rosario Dawson and her fictional son, shot at sunset as they pretend to fly like the pigeons soaring around them, that is starkly beautiful. The street scenes pulse with life, no doubt because they are real. There are some amusing vignettes on the street that add piquancy to the mix. The modestly named rapper "Immortal Technique" has some interesting scenes, but for some puzzling reason appears to be identifying himself as black, when he is clearly hispanic. "Technique" also rips off the Brahms third symphony (third movement, trust me on this) for his rap, but no shoutouts to Johannes can be found in the credits to enhance his street-cred. I would like to see more character development, but given Marshall's background in documentaries this is not surprising. The motivation of some of the characters was hazy also, and anyone who has been to Times Square knows the big TV screens there are mute. But so what? These are minor issues, and he will learn. I saw the final cut at Sundance in January, and there was a large and enthusiastic crowd. Marshall spoke to us afterward, and came across very well. I look forward to more from this most interesting young director.
This movie offers true insight into the plight of the "real" average American. It depicts a hard core reality, and helps to clarify what system is keeping us down and who "The Man" really is! Working in the South Bronx of New York, I can testify that the reality of the situation (as accurately portrayed by "This Revolution") is harsh, and often times something middle America doesn't realize, or is blinded to seeing, either because they reject it, agree with it, just plain don't know.... I gave it a nine because the acting isn't that great at times, but the message more than makes up for it... for those who know, it's powerful, for those who don't know, it might just fly right over their heads....
This Revolution is a remarkably smart, relevant and timely take on media and personal responsibility in an era of the Patriot Act and fear of terrorism. Shot in a somewhat gritty style, the cinematography and editing offers a front line perspective in a beautiful and effective way. Footage from the actual Republican National Convention is disturbing and effective. It is able to humanize certain aspects of the media. Nate Crooker, as the character Jake Cassevetes, has the ability to take the audience through the ethical challenges that those in the media must face when reporting on highly charged and controversial topics. There is a fantastic dynamic among the cast and the emotions ring true.
¿Sabías que…?
- TriviaDuring filming of a scene August 29, 2004 a block away from the Republican National Convention, Rosario Dawson, Vija Zvers and director Stephen Marshall were arrested. Dawson and Zvers allegedly refused to yield to police and were wearing bandannas as masks, in violation of local law regarding public demonstrations. When Marshall protested the arrests and showed police the film's permits, he also was arrested. The last 15 minutes of the film were changed to incorporate the incident into the movie including using actual footage of the arrests. All charges were dropped in March 2005 after video showed that the filming did not cause any obstruction and that Dawson and company obeyed all police directives.
- ConexionesReferences Poder que mata (1976)
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Эта революция
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 2,000,000 (estimado)
- Tiempo de ejecución1 hora 35 minutos
- Color
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