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Anlat Istanbul

  • 2005
  • 1h 39min
CALIFICACIÓN DE IMDb
7.3/10
7.1 k
TU CALIFICACIÓN
Erkan Can, Altan Erkekli, Mehmet Günsür, Güven Kiraç, Fikret Kuskan, Yelda Reynaud, Nurgül Yesilçay, Idil Üner, Çetin Tekindor, Özgü Namal, Erdem Akakçe, Sevket Çoruh, Ismail Hacioglu, Ahmet Mümtaz Taylan, Azra Akin, Nejat Isler, Vahide Perçin, Hilal Arslan, Bülent Çarikçi, and Mehmet Selim Akgul in Anlat Istanbul (2005)
Drama

Agrega una trama en tu idiomaFive interconnected stories set in modern-day Istanbul based on the fairy tales Snow White, Cinderella, Pied Piper, Sleeping Beauty and Little Red Riding Hood.Five interconnected stories set in modern-day Istanbul based on the fairy tales Snow White, Cinderella, Pied Piper, Sleeping Beauty and Little Red Riding Hood.Five interconnected stories set in modern-day Istanbul based on the fairy tales Snow White, Cinderella, Pied Piper, Sleeping Beauty and Little Red Riding Hood.

  • Dirección
    • Ömür Atay
    • Selim Demirdelen
    • Kudret Sabanci
  • Guionistas
    • Özgü Namal
    • Ümit Ünal
  • Elenco
    • Altan Erkekli
    • Özgü Namal
    • Mehmet Günsür
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.3/10
    7.1 k
    TU CALIFICACIÓN
    • Dirección
      • Ömür Atay
      • Selim Demirdelen
      • Kudret Sabanci
    • Guionistas
      • Özgü Namal
      • Ümit Ünal
    • Elenco
      • Altan Erkekli
      • Özgü Namal
      • Mehmet Günsür
    • 8Opiniones de los usuarios
    • 5Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
    • Premios
      • 12 premios ganados y 4 nominaciones en total

    Fotos17

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    Elenco principal56

    Editar
    Altan Erkekli
    Altan Erkekli
    • Hilmi (segment "Fareli Köyün Kavalcisi")
    Özgü Namal
    Özgü Namal
    • Senay (segment "Fareli Köyün Kavalcisi")
    Mehmet Günsür
    Mehmet Günsür
    • Rifki (segment "Fareli Köyün Kavalcisi")
    Erkan Can
    Erkan Can
    • Darbukaci (segment "Fareli Köyün Kavalcisi")
    Çetin Tekindor
    Çetin Tekindor
    • Ihsan (segment "Pamuk Prenses ve Yedi Cüceler")
    Azra Akin
    • Idil (segment "Pamuk Prenses ve Yedi Cüceler")
    Nejat Isler
    Nejat Isler
    • Ramazan (segment "Pamuk Prenses ve Yedi Cüceler")
    Vahide Perçin
    Vahide Perçin
    • Hürrem (segment "Pamuk Prenses ve Yedi Cüceler")
    • (as Vahide Gördüm)
    Hilal Arslan
    • 8. Cüce (segment "Pamuk Prenses ve Yedi Cüceler")
    Yelda Reynaud
    Yelda Reynaud
    • Banu (segment "Külkedisi")
    Güven Kiraç
    • Mimi (segment "Külkedisi")
    Sevket Çoruh
    Sevket Çoruh
    • Recep (segment "Külkedisi")
    Ismail Hacioglu
    Ismail Hacioglu
    • Fiko (segment "Külkedisi")
    Bülent Çarikçi
    • VJ (segment "Külkedisi")
    • (as Vj Bülent)
    Hasibe Eren
    Hasibe Eren
    • Birsu (segment "Külkedisi")
    Selen Uçer
    Selen Uçer
    • Rahsan (segment "Külkedisi")
    Ihsan Bilsev
    Ihsan Bilsev
    • Patron (segment "Külkedisi")
    Nurgül Yesilçay
    Nurgül Yesilçay
    • Saliha (segment "Uyuyan Güzel")
    • Dirección
      • Ömür Atay
      • Selim Demirdelen
      • Kudret Sabanci
    • Guionistas
      • Özgü Namal
      • Ümit Ünal
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios8

    7.37.1K
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    Opiniones destacadas

    5sinanonline

    Original But Lacks Integrity and Professional Casting

    The striking quality of the movie is the originality. The striking failure is the lack of integrity. The plot is composed of five subplots unsuccessfully merged together. The actors are mostly renowned but a terrible mix: The unprofessional and insufficient bunch of the "TV-series boom" in Turkey and professional Turkish actors from the German cinema.

    The plot is insufficient to say the least. The movie is composed of five intertwined subplots. However, the subplots are poorly merged; and each subplot is directed with different concerns in mind. The only common theme of the subplots is the mafia in Istanbul - that is a strong theme; however, insufficient as the only common denominator. In the "Hilmi & Senay" plot, we have (too much) drama. In the "Snowhite" plot, we have action abruptly turned to absurd fantasy. In the "Fiko & Banu" plot, we have romance. In the "hungry Kurdish man" plot, we have absurdity at its best. In the "Melek" plot we have psychology with a horrible twist. The plots intersect at absurd points, specifically the ending is unrealistic and overly dramatic in a naive way. It is not like watching subplots merging cleverly together a la Tarantino, but more like watching five different movies with only one theme in common all at the same time.

    The best subplots are "Melek" and the "hungry Kurdish man." The twist in the "Melek" subplot is striking, unexpected and haunting, made stronger by professional and convincing acting of renowned Uner, and also by powerful directing. The "hungry Kurdih man" subplot, resembling Tunc Okan movies is hilarious, absurd yet believable. The other subplots are simple and shallow. "Fiko and Banu" plot is literally left incomplete: We never learn Recep's reaction to Banu! Neither do we learn the eventual fate of Idil.

    The movie lacks a climax. Of course, we have a minor climax when Musa meets Saliha, and another - stronger - climax during the Melek's flashback. However, these all have a lower level of suspense than the action scenes in the beginning in the "Snowhite" plot. The suspense level is fluctuating wildly, as well as the mood: The movie jumps from action to drama, from laughter to tragedy, from harsh realism to absolute fantasy abruptly and repeatedly. This confuses the audience and distorts the integrity (or lack thereof) of the plot. It appears as if each of the subplots have been directed by a different director and bundled together hastily.

    The acting is varied yet generally insufficient. There is some very professional acting alongside absolute amateur acting. Kirac fails to play the homosexual Mimi; he has essentially one gesture that he keeps repeating to remind the audience that he is acting gay: Hand raised to chin, small finger pointing upwards. Other than that, he does little to act out a convincing homosexual role. Isler, Uner and Reynaud are all very convincing, specially Reynaud's difficult character is very well acted out. Isler develops a very believable character with real emotions from a mafia bodyguard that otherwise would get little attention in the plot. (I get the impression that he wrote scripts for the character that the director forgot to write.) Rest of the characters are not presented in depth.

    The movie is a nice try, and certainly original, although somehow "inspired" by "Pulp Fiction-type" of plot line. The movie also deserves attention because we have the Turkish state backing a movie including heavy profanity; we see the Turkish government beginning to adjust to the 21st century at last. However, the movie lacks integrity, lacks professional casting. (5 out of 10, and three of that comes from Isler, Uner and Reynaud.)
    5cenksaracoglu

    Attempted Smartness but a Failure

    With its lack of integrity and coherence; and an explicit inability to deepen the stories and bad acting except some actors, I think a user rating close to 8 is very very unrealistic. The director plays the smart by attempting to link five stories, but the links are very simplistic. Unable to provide a realistic picture of the social life in Turkey. It seems that rather than the content and good acting, the director gave too much emphasis upon the sensational "popularity" of the actors, each of which is very well known by Turkish public. This intention of making these "famous" faces to be seen in the movie seems to dominate the content and artistic concerns. My vote is 5 out of 10
    8broodboom

    who plays the beautiful music in Anlat Istanbul?

    I recently saw this movie in Amsterdam. I loved it, the colors, the images and the music!! Could anyone give me a clue to the music? Who played this wonderful music? The movie content was artistic and original, i did not get bored, maybe the scene with the disturbed woman in the big villa alongside the Bosphorus was a bit too long, here and there things were a little bit like a repetition but i did not mind. I loved it. It was surprising. Especially the PASJA was a great player, I laughed! In general I must say that the men were not very sympathetic, they were rather violent and dominant...I' d like to have seen some more Turkish men playing a gentle and emancipated role of equivalents to women. On the other hand this was a story about extremities and realities that go beyond the ordinary dull average housekeeping, so let it be. If you read this and if you can help, please Please send me the name of the music in Anlat Istanbul, so I can buy it somewhere, it was beautiful! Thank you!
    8murray-morison

    Magical tales in a murky world

    This film is beautifully structured with a plot that seems very complex at the beginning and simplifies as you move into the story. Like many of the Grimms' Fairy Tales which are referenced as the story unfolds, it has a dark aspect. The seedy side of life in contemporary Istanbul is presented through several interweaving stories with more than a hint of violence, a potion of deep selfishness and a charm of great kindness. There are musicians whose music produces magic, enchanted castles, sleeping princesses, unfaithful princesses and a truly malevolent wicked step-mother. There is even a dwarf with seven brothers. How do you draw to a close in a film where the dark side seems, perhaps, to be in the ascendant? Well, watch closely. There is one event that shows how the story, apparently so fixed, will come to a different ending. It could easily be missed. There is not a moment in this film where your attention wanders or the magic wanes, for the magic is not anything of the supernatural, but is the enchantment of human life, in the Great Whore of Istanbul. This is not a film of great acting and I suspect only a few of the cast were professional actors - but it is nevertheless made up of compelling moments that flow effortlessly into each other. See it; enjoy it.
    9berna-680-604986

    It is an amazing and surprising Turkish film

    It is an amazing and surprising Turkish film I had ever seen. I deeply recommend it. Thanks for everyone who contributed in the production of that. Istanbul tells her own fairy tales... A gypsy clarinet player as the pied piper,little red riding hood as a mob courier who's just got out of jail...

    Cinderella, an transsexual prostitute in love with an innocent youngster.... A princess, "the fairest of them all" escaping from her executioner encounters the eighth dwarf in the jungle that is Beyoglu... An uneducated, poor, and hungry young man who's just finished his military duty and arrived in Istanbul looking for a job, meets Sleeping Beauty... The five stories of Istanbul Tales, written by Ümit Ünal, are told with surprising integrity by five directors. These five separate stories are interconnected with mathematically well structured transitions. I love it. :)

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    Argumento

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    ¿Sabías que…?

    Editar
    • Conexiones
      Features Constantine (2005)
    • Bandas sonoras
      Erir
      Written by Gökhan Kirdar

    Selecciones populares

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    Preguntas Frecuentes16

    • How long is Istanbul Tales?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 11 de marzo de 2005 (Turquía)
    • País de origen
      • Turquía
    • Sitio oficial
      • Official site
    • Idiomas
      • Kurdo
      • Turco
    • También se conoce como
      • Istanbul Tales
    • Locaciones de filmación
      • Estambul, Turquía(location)
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Total a nivel mundial
      • USD 739,855
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 39 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital

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    Erkan Can, Altan Erkekli, Mehmet Günsür, Güven Kiraç, Fikret Kuskan, Yelda Reynaud, Nurgül Yesilçay, Idil Üner, Çetin Tekindor, Özgü Namal, Erdem Akakçe, Sevket Çoruh, Ismail Hacioglu, Ahmet Mümtaz Taylan, Azra Akin, Nejat Isler, Vahide Perçin, Hilal Arslan, Bülent Çarikçi, and Mehmet Selim Akgul in Anlat Istanbul (2005)
    Principales brechas de datos
    By what name was Anlat Istanbul (2005) officially released in Canada in English?
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