Steal Me

The movie was bad. I'm sorry, but it was poorly scripted, poorly acted, and poorly executed. The only good thing I can say about this movie is the photography. The camera angles were about the only thing that seemed really thought out and even then, sometimes, they were ineffectively used.

There were so many cut scenes either flashbacks, foreshadowing, or dream sequences (i could never tell) that made absolutely no sense.

Also, the plot went nowhere. Basically, kleptomaniac sex magnet teen (Jake) enters small town, seduces women and men alike (although i failed to find him very charming), steals some more, and then leaves again. He seems to have something of an Oedipus complex as well, but we never really understand why. We never learn anything about his mother and why he's been searching so desperately for her. In fact, We learn very little about many of his relationships with the other characters. For instance, we don't know why he instantly becomes friends with Tucker after attempting to steal his car radio, we don't know why Tucker's mother is simultaneously "panicked" by and apparently attracted to Jake, just that she often stares at him and has somewhat suggestive conversations with him/about him while at the same time seeming very happy with her husband. For so many interactions with so many different characters, one would hope that their individual perspectives would be explained in some way or that Jake himself could reflect their perspectives on to the audience. But Jake's perspective too, is rather underdeveloped and all of his inner monologues are just poetic, vague explanations of why he likes to steal.

STEAL ME is one of those little independent films that lacked the budget for advertising and got lost in the theaters until the DVD rolled out. Now it is available and is one of those happy choices for an evening's entertainment that is satisfyingly on more levels than just another coming of age story. Written and directed by Melissa Painter the film has the feeling of extemporaneous creation, so frank and un-pushed are the lines and the story: the fact that it is so beautifully set in the poetic atmosphere of Montana by an unnamed cinematographer takes the film into the realm of professional quality.

Jake (Danny Alexander) is a 16-year-old homeless kid, a street criminal who steals things for the high the experience provides, hopping trains to Montana to meet up with his irresponsible hooker mother whom he never finds. What Jake does encounter as he is stealing a car radio is Tucker (Hunter Parrish) who alters his outrage to feelings of pity for the homeless hungry Jake. Tucker takes him home - a barn and house and ranch and family look that is what Jake has always longer for - and Tucker's father (John Terry) and mother (Cara Seymour) and little sister Cindy (Chelsea Carlson) gradually absorb the mysterious stranger into their home. Jake is given a room in the barn, food, and companionship and eventually a job at the father's train yard company. Jake resists stealing things, encounters Grace (Toby Poser) the next door neighbor who is an unmarried mother and seduces Jake, and Jake meets Tucker's ideal girl Lily Rose (Paz de la Huerta) and encourages Tucker to enter into a physical romance. Tucker introduces Jake to his high school friends, young lads who are fascinated with Jake's knowledge of breaking into cars, hot-wiring autos, and explaining how homes are easy targets for theft. As the story rolls along Jake and Tucker and Lily Rose form a tender relationship, and we gradually discover that most women Jake meets find him not only lovable but also desirable. But Jake's past modus operandi begins to surface and his motives are questioned and in a few surprising turns things turn out against him. Jake is left to continue looking for the mother who has never really 'existed' for him.

Painter knows how to deliver her story with beautiful settings, fine interaction among the characters, and a keen sense on the meaning of family and its importance in becoming an adult. The scenes are at times fragmented with strange kaleidoscopic editing techniques, and unfortunately the dialog is very often inaudible: a qualified sound editor could have altered this critical error and mixed the soundtrack to diminish the music for the sake of hearing the words. But the final feeling of this little film is one of honesty in intention and in production and allows a rather unknown cast to demonstrate some fine ensemble acting. It is a film worth viewing. Grady Harp

I picked this one up at Blockbuster b/c the cover looked interesting and the reviews on the back caught my eye. The Acting is excellent and the storyline is quite entertaining. I cannot believe it has such a low score in here. Well, it just goes to show, not everyone likes indie films. Which leads me to my next point, that if you enjoy random indie films, you'll definitely be surprised by this one! - The main character is a kleptomaniac who's trying to come to terms with his own identity while struggling with the people in the world around him. A family takes him under their wing. I thought the mother did a particularly good job with her role in the picture. Very stimulating!!!

Okay - let's cut to the chase - everyone wants Jake. Sexually, that is. There's more to this film than just a young stranger crashing with a farm family. This movie positively screams unrequited passion. Jake (an unremarkable Danny Alexander) is a serial thief who is ostensibly on the hunt for his wanton mom, but ends up being befriended by fresh as paint farm boy Hunter (Tucker Parrish). Everyone here is obviously (for some reason) in lust with this troubled teen, especially Hunter, whose Oedipal complex would make Oedipus say 'duh'. The two take out their sexual energies for each other with fists, not frolic, but that's the kind of film this is. Hunter's mom (an excellent Cara Seymour) suppresses her secret desires for her own son by deflecting them onto Jake, and even Hunter's butch daddy seems to be in lust with Jake, wandering into the barn where he is sleeping just to 'see if everything's okay'. Hunter's pre-pubescent sister even gets into the act, with Jake telling her how beautiful she is and her 'coming of age' timed to his arrival. After an hour of all this unspoken steam, the film starts to meander and it is apparent (admitted by film maker Melissa Painter on the DVD commentary) that the movie was was being scripted as they went along. In the end, there's no great revelation here, about Jake's past or anything else, so suit yourself. But if you like to watch Montana farm folk squirm with secret lust, this flick may be for you.

By the end I liked this film very much. Initially I was a bit put off by some technical lapses. It was hard to understand the dialog at times, and there were some confusing juxtapositions of scenes. These were not major distractions, however.

It seemed a believable portrayal of a teenage boy who had failed to attach to his mother as a child. I appreciated the non-judgmental approach of the writer/director. By allowing us to understand the context of the behavior of each of the characters, she facilitates us seeing them in a sympathetic light. I enjoyed the film. I appreciated the opportunity to participate in a Q&A session with the director after the movie. I hope the file can be viewed by a wide audience.