The Proposition

Set on an arid desert and sun-baked continent, during the late 1800's British settlement days, Pearce stars as Charlie Burns, one of three brothers that make up the notorious criminal Arthur Burns…

At the opening credits Charlie and his younger brother the 14-year-old Mikey are captured after a bloody shoot out with regional Captain Stanley in the aftermath of a brutal rape and murder… The decent captain is after their eldest brother Arthur described as 'the beast,' and is prepared to do just about anything to get him...

Thus Stanley lays out Charlie an unholy bargain: While Mikey stays in his custody, in jail, Charlie must find, kill or return Arthur or his teenaged brother will be hung on Christmas Day… He has nine days to do so…

Charlie eventually finds his brother but is left with one choice… He must decide if he can live with his decision to either kill Arthur or let Mikey be executed…

John Hillcoat's characters not only strike us with their emotions of grief and pain, or their passion of hate but they are presented in their real states that sway down hopelessness, denial, pity and firm belief…

Pearce combines a touch of kindness to Charlie's character, but it's a touch that keeps out of the way any love… It's, in essence, only enough to add a decisive influence on his personality that makes him unpredictable…

Danny Huston is magnificent as Arthur Burns… His deeply intelligence and totally brutal character is captured in a very good sense…

Richard Wilson, Mikey is given little to do beyond being frightened and horrorized…

Winstone is amazing in the role of the army officer who wants to civilize the place… We feel how his nerves are about to break… He imprisons his wife Martha for safety and protection caring at the same time about her delicate sensibilities…

Emily Watson is absolutely stunning as the fragile woman whose gentleness captures convincingly the character of Emily, the innocent wife who cares about her husband, her house and her perfect "garden" but her way of life is so far away from the reality of her surroundings…

John Hurt gives an interesting performance as the deranged bounty hunter…

"The Proposition" is too violent, too dirty, too bloody, and too barbaric to be forgotten so easily

Captain Stanley (Ray Winstone) is the new lawman of the territory and he's determined to civilize the brutal wasteland. A band of outlaws comprised of three brothers and a few others stand in his way. Yet two of the brothers want out after their sibling leader commits a crime in one of his raids. The two are apprehended by Capt. Stanley, who offers a proposition to the older of the two (Guy Pearce): Find and assassinate the leader and both will go free.

"The Proposition" (2005) is a Western that takes place in Australia, yet it's far from a typical Western. The filmmaking, cinematography, actors, locations, soundtrack and editing are top-of-the-line with a surreal, haunting edge. As my title blurb suggests, there are similarities to "Heart of Darkness" and the original "Apocalypse Now," although it fails to achieve the greatness of the latter.

The story plays out in a realistic manner with long stretches of drama and bleak landscapes interspersed with flashes of extreme violence. Ray Winstone and Guy Pearce are great as the two main protagonists. Capt. Stanley understandably wants to rid the land of the brute outlaws, whereas Charlie seeks redemption for himself and his little brother.

Danny Huston is captivating as the focal point and villain, Arthur Burns. Yet he's not a villain in the cliched sense and he's not one-dimensional. He loves the beauty of God's creation, he loves the art of language and he's a mystic of sorts, but he clearly crossed the line at some point in his outlaw endeavors and now must be wiped off the face of the planet. Will Charlie do it?

My only criticism is that the film seems too short at 1 hour, 44 minutes. It needed more time for details and character development. As it is, we sort of have to guess the details, which isn't necessarily a bad thing. I just wish the film would have gone the route of "Apocalypse Now" and given us more definition and development.

At the end of the day, this is one of those films that gets better with repeat viewings, as long as you like the approach of films like "Apocalypse Now," just way shorter (too short). I would love to see a Director's Cut that adds about 20-45 minutes.

It was shot in Winton, Queensland, which is in the northeast Outback of Australia.

GRADE: B+

This movie is a visceral, violent study of blood-ties exploring ethnic and family bonds, feuds, loyalty and betrayal. You can literally smell the reeking sweat, blood and dust of the colonial Outback coming off the screen.

Nick Cave's script is shot through with his signature dark poetry; it translates wonderfully onto the screen. Guy Pearce, Ray Winston and Danny Huston put in powerful performances. Emily Watson is also superb but somehow this film seems to be more about men than women and so her performance feels a little isolated from the rest of the movie.

The film is a strangely skewed morality tale crossed with a tale of the absurd. There is something so absurd about Captain Stanley's English breakfast and standard roses in the hot, fly-blown wastelands of the movie, and off course there is something so absurd about how violent humans beings are to each other. Despite all the violence though, some of which is stomach-turning, this movie has some moments of great tenderness and elegy.

Wow, what a brutal "western." I put "western" in quotes because most people think of the western half of the United States as being the locale for western movies. This movie was made and set in Australia but the time frame is similar: around 1880. What's "brutal" about the story is the violence, bloodshed and language - but only in spots. The language is odd in that the vocabulary of most of the people is above-average, but be warned there are a number of f-words. I question whether that word was around in the 19th century, but it's prevalent in this film. Actually, the violent scenes will be more offensive to viewers than the profanity. Like the profanity, however, the violence only comes in spurts. Most of the film has much calmer moments, surprisingly low-key.

One thing that is there throughout the 104 minutes is the excellent cinematography. This is a pretty film, nicely shot with some beautiful scenery and colors, stylish at times, too. To me, this was the best part of the movie. It's indeed a visual treat. Benoit Delholmme deservedly won several international awards for his camera-work in here.

The story is uniquely presented, different enough that it kept me very involved wondering what was coming next. For those expecting a brainless revenge story or shoot 'em up western, they will be disappointed. There is a lot of thought to this film, and it varies scene- to-scene from classy to crude.

Guy Pearce, Ray Winstone and Emily Watson are three actors I am familiar with, and I enjoyed all three of their performances. This is not a well-known movie here in the States, but if you like tough westerns and something a bit different, check it out.

Just superb - wonderful, austere direction that gets the best from a great cast and some extraordinary landscapes. A tight, disciplined script from Nick Cave that's testament to how his writing continues to reach new levels - not to mention his collaboration with Warren Ellis on the beautifully uneasy score.

There's a fantastic blend of European and Australian sensibilities here that makes this the least clichéd film to come out of this country for 20-odd years - and if it doesn't do well, it'll be because an increasingly soft and gutless nation is afraid to venture out of their frappuccino and mortgage comfort zone.

This is powerful, worthy art.