Starcrossed

Its good short gay movie except the end ): All the while watching the movie I felt like I had seen the younger brother somewhere and now I just realized that he is the LJ libcoln's son from Prison Break😁

I love the way people delude themselves. And I wonder slightly, just slightly, if it is not incest that drives people delude themselves, I mean into investing some kind of interest in this soft corn short. A bad dad supposedly and since their oppressive childhood under his military demeanor towards all things perfectly executed, forces two brothers into love for each other, love that takes a deviant turn, but we never have a quasi-sexual acting out that would heat things up and draw the line we want or not to transgress. As it is, Marshall, the younger actor, cannot but resemble some kind of Brent Corrigan's amanuensis. Both brothers are so athletic that it's a pity they don't tease us directly with all the incestuous potential. And it's a pity people draw themselves into a tender delusion of incest acting like, but not out, into the common light of our world, some alibi for tenderness. It is not even that tenderness has some incestuous alibi. Or maybe this is the point. For this film is not alone in such matters. Can we please have some kind of ultimatum concerning matters of star-crossed tenderness, not crossing over into quasi - and queasy - incest?

Psychoanalysis claims that incest is impossible AND it has to be prohibited. And it is simply like this guys. Otherwise one's sentimental crossbreed runs the risk of being impossible and prohibited. Tenderness can change the world. It does not need an incestuous alibi. Why, would that heat up the crime of affection?

Starcrossed stretches the outer limits between social acceptability and love in its purest form. Writer/Director James Burkhammer tells a moving story of two brothers and the close sexual relationship that develops between them. Burkammer's film follows the boys growing up from their early prepubescent years to their teens, and is able to effectively capture, in a non judgmental manner, the intense emotional connection the two brothers have for each other. At times you forget that the two boys are brothers, and instead enjoy the true beauty of their love for each other.

J.B. Ghuman, who plays the protective older brother Darren, performed his part flawlessly and convincingly, with passion that resonated on the screen. Equally, Marshall Allman put in a solid performance as the younger brother Connor. Together both actors brought the perfect chemistry to their roles that made their relationship convincing and realistic. The turmoil and tragedy that ensues when their parents become aware of the relationship is captivating and unforgiving.

The cinematography was average and probably could have been done better, although this did not take away from the effectiveness of this film.

Regardless of where you stand morally on the subject of this film (incest), Starcrossed captures well the true beauty of unconditional love between two people. Not to be missed.

This film goes beyond what people may want to see and face a topic that can actually happen!

I'm rather surprised that anybody found this film touching or moving.

The basic premise of the film sounded to me like an excellent, if provocative, idea for a movie about a rare sort of relationship, but one (if I can judge by the real-life examples I've known) is extremely deep and loving.

However, the film is cheaply scripted--poorly scripted--and although it has a number of very pretty-looking shots, I didn't find it to be anything special.

Probably the biggest problem is that it is far too short and poorly-composed to give its audience time enough to invest, emotionally, in the characters: we don't really care about any of them, and so their stresses and obstacles don't really touch us.

I think a REMAKE--from the screenplay up--with some character development by some really good writers--could improve it greatly. It is instructive to compare this film with Brokeback Mountain, which the screen-writers took to far loftier levels than did the author of the screenplay--screen-writers who were clearly conscious of how to write a classical tragedy, and carried out their task with care, planning, and superb craftsmanship! However, people only seem to remake those films that don't need it! You're not really missing anything if you skip this one: I found it very disappointing indeed, and it is only saved from getting a 1-star from me by virtue of the daring and gumption it took to make a film on this sensitive subject.