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Nine Lives

  • 2005
  • R
  • 1h 55min
CALIFICACIÓN DE IMDb
6.7/10
7.3 k
TU CALIFICACIÓN
Nine Lives (2005)
Captives of the very relationships that define and sustain them, nine women resiliently meet the travails and disappointments of life.
Reproducir trailer2:19
10 videos
28 fotos
Drama

Atrapadas por las mismas relaciones que las definen y sostienen, nueve mujeres se enfrentan a las pruebas y decepciones de la vida con resiliencia.Atrapadas por las mismas relaciones que las definen y sostienen, nueve mujeres se enfrentan a las pruebas y decepciones de la vida con resiliencia.Atrapadas por las mismas relaciones que las definen y sostienen, nueve mujeres se enfrentan a las pruebas y decepciones de la vida con resiliencia.

  • Dirección
    • Rodrigo García
  • Guionista
    • Rodrigo García
  • Elenco
    • Kathy Baker
    • Amy Brenneman
    • Glenn Close
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.7/10
    7.3 k
    TU CALIFICACIÓN
    • Dirección
      • Rodrigo García
    • Guionista
      • Rodrigo García
    • Elenco
      • Kathy Baker
      • Amy Brenneman
      • Glenn Close
    • 75Opiniones de los usuarios
    • 53Opiniones de los críticos
    • 80Metascore
  • Ver la información de producción en IMDbPro
    • Premios
      • 9 premios ganados y 10 nominaciones en total

    Videos10

    Trailer
    Trailer 2:19
    Trailer
    Nine Lives Scene: Scene 8
    Clip 1:34
    Nine Lives Scene: Scene 8
    Nine Lives Scene: Scene 8
    Clip 1:34
    Nine Lives Scene: Scene 8
    Nine Lives Scene: Scene 7
    Clip 1:16
    Nine Lives Scene: Scene 7
    Nine Lives Scene: Scene 10
    Clip 1:33
    Nine Lives Scene: Scene 10
    Nine Lives Scene: Scene 3
    Clip 1:32
    Nine Lives Scene: Scene 3
    Nine Lives Scene: Scene 5
    Clip 1:38
    Nine Lives Scene: Scene 5

    Fotos28

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    Elenco principal33

    Editar
    Kathy Baker
    Kathy Baker
    • Camille
    Amy Brenneman
    Amy Brenneman
    • Lorna
    Glenn Close
    Glenn Close
    • Maggie
    LisaGay Hamilton
    LisaGay Hamilton
    • Holly
    Elpidia Carrillo
    Elpidia Carrillo
    • Sandra
    Aomawa Baker
    • Female Guard
    Miguel Sandoval
    Miguel Sandoval
    • Deputy Sheriff Ron
    Mary Pat Dowhy
    • Nicole
    Andy Umberger
    Andy Umberger
    • Second Male Guard
    K Callan
    K Callan
    • Marisa
    Chelsea Rendon
    Chelsea Rendon
    • Sandra's Daughter
    Robin Wright
    Robin Wright
    • Diana
    • (as Robin Wright Penn)
    Jason Isaacs
    Jason Isaacs
    • Damian
    Sydney Tamiia Poitier
    Sydney Tamiia Poitier
    • Vanessa
    Holly Hunter
    Holly Hunter
    • Sonia
    Stephen Dillane
    Stephen Dillane
    • Martin
    Daniel Edward Mora
    Daniel Edward Mora
    • Receptionist
    Molly Parker
    Molly Parker
    • Lisa
    • Dirección
      • Rodrigo García
    • Guionista
      • Rodrigo García
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios75

    6.77.2K
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    Opiniones destacadas

    8cadmandu

    Not for everyone

    I can't add a whole lot to what everyone else has said about this film. It's a series of vignettes that are loosely related. The acting is very good -- after all they got a whole bunch of Hollywood big guns to sign up. And I think the reason they signed up was because for an actor, this film is a bonanza. They get to play very intense emotions in a very tight space, without any dead dialog or perplexing plot (the plot isn't perplexing because there ain't no plot.) So it's a real treat to watch, but if you're looking for something really profound about life, forget it. About the only lesson here is that women are a force unto themselves, and a lot of the time the best you can do is just stand back. Each of the reviewers seems to have their favorite actors out of the nine, but I give them all a gold star for acting, and that includes the men too. BTW this is not a lighthearted romp -- it starts in a prison and ends in a graveyard. Mostly heavy stuff.
    8JuguAbraham

    Intriguing effort of capturing short glimpses of rich, magical reality in everyday lives

    Director Rodrigo Garcia is the son of the famous writer Gabriel Garcia Marquez. Brought up in a literary environment and choosing another medium of communication--the cinema--for himself, the son uses the tool of the father to chisel away at sculpting good cinema. Spoken words, characters, relationships play a major role in the finished product that a reader of Marquez would find easier to appreciate than others.

    Ostensibly, the film is collection of 9 short stories or vignettes of 9 different women. In the first four, some characters appear in other episodes. The last five are connected by the word "connection". The last of the nine remains the most difficult and intriguing and an appropriate one to end the film.

    The film captures each of the nine segments in a single shot without a cut. The film resembles various works of Robert Altman--even the long-shot of "The Player"--and the structure of "Magnolia" and "Crash." What "Nine Lives" has that the others do not is the Marquezian element of magical realism.

    To explain this one has to begin at the final episode. "Nine lives" alludes to the cat. A cat is shown on a gravestone. A mother (old enough to be a grandmother) escorts a young girl (her daughter) to a grave and brings with her not flowers, but a bunch of grapes. She leaves the grapes behind on the grave. The final shot does not show the girl but the mother alone. Whose grave is it? Is the young girl real (or alive)? Did the mother bring grapes for a child who loved grapes, who is now merely a memory for an old woman? The stories are interconnected by relationships (mother-child) episode 1 and 9, parents and children (2 episodes of Holly and Samantha), husband and wife (Camille) and the trio of husband, wife and lover (Diana, Lorna and Ruth).

    To savor the richness of the film, one has to go beyond each segment and look at the links the director provides to see the breaks in relationships and the ultimate reconciliation the full film provides. In the first episode, the viewer sees a break in the relationships. In the finale there is reconciliation even in death. In between, divorced couples consent to sex, a young teenager appears to be more sensible than her quarreling parents by giving up a chance for better education to keep the fragile family together, and another fighting couple remind you of Albee's George and Martha in "Who's Afraid of Virginia Woolf?" An abused daughter realizes she cannot kill her father. A faithful husband helps his wife get emotionally ready for a mastectomy.

    If there is a flaw, you can point out that it looks at nine women rather than nine men. But then in literature, cats are associated with females rather than men, and the director was born to a family who appreciated literature.

    There is little that is spoken in this film. But each word is important to understand and enjoy the film. It is a film that deserved the Locarno Film festival honors. Personally, I loved the performances of Glen Close, Robin Wright Penn, the lovely Amanda Seyfried, Elpida Carillo and Ian McShane. But the entire cast was great--like any Altman film. Garcia, unlike Altman, stresses on the spoken word, not merely the images and music.

    I saw the film at the recently concluded Dubai Film Festival. Was it a coincidence that Marquez's friend and Chilean filmmaker of repute--Miguel Littin--was outside the cinema hall trying to get a feel of the reaction of the audience to film made by his friend's son without being noticed?
    baho-1

    Women in Love

    Director Rodrigo Garcia specializes in directing films composed of numerous vignettes. His characters emerge in more than one segment, creating a tapestry that helps weave together his themes of both connectivity and isolation. He debuted at Sundance in 2001 with Ten Things You Can Tell by Looking at Her, which featured Glenn Close, Holly Hunter, Amy Brenneman, Cameron Diaz and many other notables. Close, Hunter and Brenneman all returned for Nine Lives, along with Robin Wright Penn, Dakota Fanning, Sissy Spacek and others.

    It is noteworthy that both of these movies are mostly about women, with men allowed only supporting roles, even within such ensemble casts. As Garcia freely admitted in the Sundance Q&A, he writes women better than men. Also evident in the Q&A is that the women of the cast adored him. And they rewarded him with outstanding performances.

    Garcia treats his characters with a gentle touch, even when revealing their flaws. We feel compassion for them in their anguish. It is as if we have seen each of these women before, but only in passing. Now we are allowed to gaze into their souls, but never for too long. Garcia tells us enough to empathize, but not enough to judge. It felt like I was walking down a sidewalk on a Sunday afternoon, listening to conversations through open windows, catching only a glimpse of each family, but creating a powerful and lasting impression of the neighborhood. That is Garcia's world. And he is becoming master of the genre.
    10aftonbelle3335

    Amazingly accurate and moving film

    I too saw this film at the Sundance Film Festival and was very, very happy with it. It's simply vignettes of nine women's lives (with intercepting characters and mutual acquaintances), the people in their lives and more importantly the relationships in their lives. They're sad and sometimes not so sad, examples of the walls we build around ourselves in our relationships and how we feel bound to people or stuck in situations that we can't escape. It's very well made, with each women's vignette composed of one long 10-12 minute scene (no cuts). The dialogue is completely natural as are the actor's portrayal's of their characters, and the characters seem so real-life, so believably everyday. I couldn't say which story I enjoyed the most, but Robin Wright Penn and Jason Isaac's scene and relationship was especially poignant for me and I thought, amazingly acted. Overall this movie is great and I would recommend it to anyone who is a student of human nature or just in need of a moving film.
    9gradyharp

    The Kind of Movie Making that Restores Faith in the Medium

    Columbian director and writer Rodrigo García (Things you can tell just by looking at her, multiple episodes of Six Feet Under, Carnivale, The Sopranos, Fathers and Sons, etc) does what few writer/directors are capable of: García observes the human condition, finds the stories that such observations suggests, fleshes out these ideas into vignettes, and then weaves them into a tapestry of a film that is simply breathtaking.

    NINE LIVES is simply the reporting of nine women and their surrounding characters who are coping with an emotional crisis involving relationships with a parent, child, lover, husband, or sister and the manner in which each woman deals with keeping her life intact despite the trials of everyday living. Imagine walking down a street, as a flaneur, observing glimpses of a person and conversation that lasts only as long as the time you approach, pause and pass on by and you have an idea of the technique García uses. These little short stories are the stuff of life we all encounter: García pauses long enough to let them make an impact.

    Part of the beauty of this film is the sterling cast which includes some of our finest actors - Kathy Baker, Amy Brenneman, K Callan, Glenn Close, Stephen Dillane, Dakota Fanning, Holly Hunter, Jason Isaacs, Joe Mantegna, Ian McShane, Mary Kay Place, Aidan Quinn, Sissy Spacek, Robin Wright Penn - the list goes on. There is a sense of ensemble commitment to this film despite that only occasionally do the characters overlap. The writing is terse, understated, always saying just enough to arrest our attention before moving on, much the way life keeps passing. A very fine work, and one that reminds us that great movies from quiet stories come. Grady Harp

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    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      While the film was largely overlooked by moviegoers, critical reaction was generally favorable and both Roger Ebert and Richard Roeper included it on the year end top 10 lists.
    • Errores
      In the "Sonia" chapter a camera mans arm is visible in the mirror on the floor in the living room.
    • Citas

      Lorna: What? I don't want to be here with you.

      Andrew: I can't stop thinking of you.

      Lorna: Andrew.

      Andrew: I can't.

      Lorna: Andrew, your wife's funeral's in here.

      Andrew: She's not my wife. You're my wife. I married her because you left.

      Lorna: I have an idea. Why don't you and I make out in front of her dead body? It would excite you, huh?

      Andrew: This has nothing to do with her.

      Lorna: You don't think so? You don't think this is her day?

      Andrew: She's dead now! She doesn't have to worry now!

      Lorna: You shit, you've gone crazy.

      Andrew: No I haven't.

      [tries to touch her]

      Andrew: I masturbate thinking about you.

      [Lorna turns and walks in the room]

      Andrew: That time in the car - in Santa Cruz... You drove me crazy. Nobody can make me come like that. Only you can do that.

      [approaching her]

      Andrew: Do you think about me? Tell me! Tell me if you think about me sometimes!

      [looks her in this eyes, closely]

      Andrew: If you don't, I'll get out of here right now.

      Lorna: Did she know about this?

      [Andrew kisses Lorna]

    • Conexiones
      Featured in Siskel & Ebert & the Movies: The Best Films of 2005 (2005)
    • Bandas sonoras
      Memories
      Written by Francois Paterson, Dominic Paterson and Christelle Pechin

      Performed by Soma Sonic

      Courtesy of Subsonic Recordings

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    Preguntas Frecuentes

    • How long is Nine Lives?
      Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 2 de septiembre de 2005 (Italia)
    • Países de origen
      • Estados Unidos
      • México
    • Sitios oficiales
      • Magnolia Pictures
      • Official site (United States)
    • Idiomas
      • Inglés
      • Español
      • Lenguaje de signos americano
    • También se conoce como
      • Дев'ять життів
    • Locaciones de filmación
      • California, Estados Unidos
    • Productoras
      • Mockingbird Pictures
      • Z Films
      • Nine Lives
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 500,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 478,830
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 28,387
      • 16 oct 2005
    • Total a nivel mundial
      • USD 1,591,523
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 55 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital
    • Relación de aspecto
      • 1.85 : 1

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