La petite Jérusalem

This is a terrific film, centered on the life of a family of Tunisian Jewish immigrants in the desolate Paris banlieue of Sarcelle (aka la Petite Jérusalem). We follow two stories : Laura (played by the ravishing Fanny Valette) is a 19 year-old philosophy student, committed to Kant and to rationalism in the midst of a pietistic household which, to put it mildly, does not share her enthusiasm for philosophy (as his pious sister remarks, philosophers take aim at their target and hit the bullseye : problem is, they're aiming at the wrong target). So taken is Laura by Kant that she imitates his daily promenade, every day at the same time...unlike Kant, however, Laura's stroll happens to lead her past the door of the darkly handsome Algerian clandestine immigrant alongside whom she works as a janitor in the evenings. The rest is not hard to predict, but Abdou's direction is always restrained, subtle, understated. There is never a moment in which here characters' words or actions ring false. This is, by the way, one of the best portrayals of philosophy I have ever seen in a film : we often see Laura in her philosophy class, where a Derrida-lookalike prof discourses - rather eloquently - on freedom versus the law in Kant. This stuff actually *matters* to Laura, but the Law she is concerned with is, of course, the law of the Torah. Can freedom be reconciled with obeying the Law? That's Laura's dilemma, and Albou treats it with dignity yet without sententiousness.

The other main focus of the film is Laura's older sister Mathilde, played in an award- deserving performance by Elsa Zylberstein. Married with four children, she is deeply pious and sure of herself until she discovers her husband's been fooling around. Her only solace then is the ritual bath, and she seeks sexual advice from its wise attendant in order not to lose her husband. It would have been easy to treat this scene as slapstick, but instead it's done with the greatest respect for the characters involved : Mathilde, who is afraid of losing her modesty and giving way to the dark tendencies of her soul, is astonished to learn that yes, according to the Torah, she is in fact allowed to touch her husband's genitals. Watch also for the lovely scene where Mathilde asks for sexual advice from her mother (the excellent Sonia Tahar). Every dialog rings true, and the superstitious mother, who initially comes across as a domineering harpy, is revealed as a woman of depth and dignity : not because she evolves or "sees the light", but just because we get to know her better.

This is a deeply humanist film, set against a background of the utmost contemporary relevance (a synagogue is burned and a group of soccer-playing Jews is attacked by a group of masked thugs ). It's impossible to come away from this film without a deeper understanding of, and therefore respect for, an entire aspect of Sephardic Jewish culture from a feminine point of view

Yes, this movie offers a rare view into the lives of two Jewish sisters living with their family in France, the problem is there is not a whole lot of conviction behind the themes, the whole movie just kind of floats by on its own accord, never really making those connections it wishes to with the main characters. Laura, played by the sensual Fanny Valette does do a good job with her various inner struggles, and paints a respectable, and hardly viewed female archetype, in her character breaking with the traditions of family to seek out her own unique philosophies. Although potentially inspiring to the new generations of strict fundamentalist families, there is nothing depicted in this subtle religious rebellion that was not gone over ten fold with other countries feminist and/or religious fare. The resulting transformations of these two sisters seems rote in comparison, and despite the inclusion of several sex scenes, becomes predictable, tedious, and uninvolved all too quickly. Writer/Director Karin Albou does what she can for her part to retain some authenticity and command of her film but ultimately ends up loosing the viewer do to the underdeveloped script and flawed direction.

A simple story ,beautifully shot and well acted.

A girl from an close knit orthodox Jewish family in Paris falls for a mysterious, quiet Arab man.

It's familiar territory, but done so sensually, and with such rich sense of detail that it feels completely fresh. A glimpse into a closed off world, where people cling to traditions in both fear and pride, leading to an almost incestuous over-involvement in each other's lives.

Great use of close-up image throughout, adding texture, and intimacy, It's that rare film that gives such a strong sense of place, it's almost like you can smell the air of the locations.

The Tunisian-French Laura (Fanny Valette) is a young woman that lives with her Orthodox Jewish family in the Jewish community in the suburbs of Paris. Her mother is a widow that left Tunisia; her sister Mathilde (Elsa Zylberstein) is having troubles in her marriage because she repressed her sexual desire based on her misunderstandings of the principles of her religion. Laura is an open minded student of philosophy and works cleaning a school in the nightshift. While Laura feels a strong passion and desire for her Muslin Algerian colleague, her sister finds that her husband had an affair with a woman and looks for an adviser that helps her to interpret the true meaning of love and the duties of a married woman.

"La Petite Jerusalem" is a sensitive film about religion, intolerance, philosophy and repressed desire. The story exposes how religion may affect relationships through the dilemma of two sisters raised a conservative community. The older one misunderstands and is confused about the limits of intimacy of a couple, and the younger feels how prejudice and intolerance may affect relationships even of those that are less religious or more open-minded. The magnificent performances are very realistic and Fanny Valette is an extremely beautiful woman. My vote is seven.

Title (Brazil): "A Pequena Jerusalém" ("The Little Jerusalem")

La Petite Jérusalem (2005), written and directed by Karin Albou, was shown at the Rochester High Falls Film Festival as "Little Jerusalem." The title refers to the section of suburban Paris that is inhabited by first-generation Jewish immigrants--most of them from North Africa.

The Muslim-Hebrew conflict has apparently been transported to France, where each group is suspicious of--and hostile towards--the other.

Two Jewish sisters are trapped in conflicts. The older, Mathilde (Elsa Zylberstein), is a wife and mother residing in a modern, developed country, but still living under marital rules and customs brought from her native Tunisia. She realizes that there are problems in her marriage, but doesn't know where to turn for help. Seeking formal therapy would be out of the question. Instead, she receives counseling from the attendant at the mikva--the ritual bath. (This pivotal supporting role is portrayed beautifully by Aurore Clément. Another brilliant supporting actor is Sonia Tahar, who plays the girls' mother.)

The part of the younger sister, Laura, is played by Fanny Valette. Laura is a brilliant philosophy student who works at night as a cleaner at a school. She falls in love with a young co-worker from the Muslim community, with predictably problematic results.

This film could not be more timely--as I write this review, the immigrant communities in France (primarily Muslim), have risen in revolt against what they perceive as discrimination and prejudice against them within French society. Being an immigrant can never be easy. What makes it so hard is portrayed very well in this movie.

La Petite Jérusalem offers a glimpse of a world most of us will never know. The district isn't very attractive, and it's certainly off the beaten path for tourists. The people who live in Petite Jérusalem have to cope as best they can. This film shows how they go about this precarious balancing act. It's a wonderful movie, and is definitely worth seeking out. (In French, Arabic, and Hebrew, with English subtitles.)