Hollywoodland

I was ten years old when I learned the shocking news of the death of George Reeves, the television actor whom I idolized as Superman. I appreciated how "Hollywoodland" made this moment impressionable on the youngster Evan "Scout" Simo, the son of the investigator Louis Simo pursuing leads in the Reeves case. For both me and little Scout, the death of Reeves was an early realization that appearances are not always the same as reality in the world of illusion and Hollywood celebrity.

Under the skillful direction of Allen Coulter, "Hollywoodland" captures that moment in film history when the studio system was in decline and about to give way to a new and more independent period of film-making. Perhaps from his previous credits in directing episodes for HBO's "Six Feet Under" series, Coulter was able to draw upon great location environments for a quintessential sense of Los Angeles. Much credit should go as well to designer Julie Weiss for her colorful costumes (especially men's short-sleeved shirts) that evoked the era of the 1950s in L.A.

The performances were uniformly outstanding. Ben Affleck brings out both the charm and the raw vulnerability of George Reeves, an actor of limited ability, struggling and eventually succumbing to the pressures of fame. Affleck was the spitting image of Reeves, especially in the Clark Kent-style, black-framed "owl" glasses. But the real strength of his performance was in his sensitivity as his character made choices that took him into deeper and deeper emotional waters, culminating in tragedy. In the film's parallel story, Adrien Body was a standout as Louis Simo, the private eye seeking his own fame in trying to uncover the mysterious circumstances and motivation of Reeves' tragic death. The luminous Diane Lane was superb in the role of Toni Mannix, the wife of a powerful studio boss and the lover of Reeves. I found Lane's performance in "Hollywoodland" even better than her Academy-award nominated role in "Unfaithful."

The film conveyed a moody atmosphere that begs comparison with "Chinatown," another film that recreates the essence of old Los Angeles. While not as brilliant stylistically as Roman Polanski's masterpiece, "Hollywoodland" nonetheless was a compelling and indeed riveting drama. Although the mystery of the tragic death of George Reeves was not resolved in this film, it nonetheless provided depth and complexity to the characters, as well as a lurid illustration of the pressures and the accompanying risks involved in struggling to succeed in the film industry.

"Hollywoodland" has probably brought George Reeves more fame and celebrity than even he ever dreamed of - imagine being the subject of a feature film when you were most famous for being the TV Superman.

Had he lived into his seventies, he might have been around for the renaissance of the old shows and stars due to the nostalgia of the maturing baby boomers. But he'd probably rather have it this way.

Reeves started out in small roles such as one of the Tarlton twins in "Gone with the Wind," and before going into the service himself, nabbed some good parts while the big stars were fighting the war.

Like many young actors back then, after the war, his career had lost momentum. He ultimately landed the role of Superman and during that time appeared in "From Here to Eternity."

The film shows people recognizing him as Superman during the Hollywood premiere of "From Here to Eternity," and as a result of the audience laughter, his role was severely cut. Untrue. However, many people state that Reeves' role in the final product was no smaller than it was originally.

Unfortunately, in the '50s, once you were associated with a television role, it was a death knell. When Jack Larson (Jimmy Olson in Superman) went into an audition after the series, the director said to the others in the room: "Please don't embarrass this man. He knows I can't cast him," or words to that effect.

The actors today are more fortunate as the business has changed. It would be a steep upward climb if Reeves was to shake that Superman image.

At the time of his death, he was forming his own production company and planned to go to New York. He also wanted to direct.

"Hollywoodland" stars Ben Affleck, Diane Lane, Adrien Brody, Robin Tunney, Bob Hoskins and Lois Smith. It's the story of slimy detective Louis Simo (Brody) - a man who sells info to Confidential magazine and takes on low-rent clients - and his investigation of George Reeves' death, considered a suicide.

During a small gathering in his home, Reeves went upstairs to his bedroom and allegedly shot himself. But many people believe he was murdered. Simo plays out different scenarios in his head with different suspects as he searches for evidence and motives.

There were several people in Reeves' life who had motives: Reeves' long-time girlfriend Toni Mannix, wife of studio exec Eddie Mannix, a man with an unsavory past known by MGM as "The Fixer"; Mannix himself, who was suspected of being involved in the death of Jean Harlow's husband Paul Bern and later on of faking a car accident in which Toni was killed; and Leonore Lemmon, George's young girlfriend toward the end of his life, who expected to marry George.

In the midst of his investigation, Simo has problems with a seedy client as well as difficulties relating with his young son.

This is a beautifully produced film with some marvelous performances, particularly from Diane Lane, Bob Hoskins, and Ben Affleck. Affleck's resemblance to Reeves in some scenes is scary - particularly as Clark Kent! Affleck even had Reeves' vocal rhythm. An excellent performance, and hopefully one that will lead to some better films and roles for him.

As Toni, Lane is superb - sexy, tough, and completely possessive of George; Bob Hoskins is great as the bombastic, thug-like Eddie Mannix. Robin Tunney makes a gorgeous Leonore, a cheap low-life.

Adrien Brody's Louis Simo is probably more cerebral than most detectives of this type, but he's still good. The problem is not so much in his performance as it is that his storyline is intrusive.

The scenes filming "The Adventures of Superman" are fantastic, and I for one wanted to see more. "Hollywoodland" captures the reality of making a television show back then and evokes the atmosphere of Hollywood in the '50s beautifully.

However, it moved slowly, and there was too much of Brody's problems and too little of George's relationships. While it was an interesting film and very worthwhile, it just didn't hang together as one would have hoped.

Reeves' friend, Jack Larson (portrayed in the film by Joseph Adam), who was an adviser on the film, read several versions of the script, and met with the actors.

His biggest concern was that the film not put Toni Mannix, with whom he was very close, in a bad light. Larson was very, very impressed by Ben Affleck's intelligence and personality and thought all of the acting was top-notch.

One thing he was sure of - Reeves never had any intention of marrying Leonore Lemmon. "George lived big," Larson said, "but it was Toni's money." He adds, "No one wants to listen to me...He committed suicide."

Just when I had given up on ever seeing a "Hollywood Star Filled" film along comes a masterful film about the not so famous star of the 1950's television phenomenon, "Superman". I saw the film this evening and Mr. Brody, the director, writer and Ms. Lane were all in attendance but that did not seem to matter much. The film is a real work of artistry. I cannot tell you what a delight is is to go see a film that I have heard nothing about and then sit in the theater totally and thoroughly engaged in a serious film that manages to convince the audience that the art of film making is alive and well. If I had known that Ben Affleck was in the film I would have passed. Its a good thing I did not. He and Diane Lane re-introduce the idea of stardom to film making. They were fantastic. The script was fantastic, the period accuracy enthralling and the long forgotten story riveting. Hollywoodland should prove to be the next "Capote". Congratulations! A 21st Century Noir treat.

It's 1959 and George Reeves (Ben Affleck) best known as TV Superman is found shot dead in a house full of people. The police rules it a suicide. Questionable private investigator Louis Simo (Adrien Brody) is hired by Helen Bessolo to investigate the death of her son Reeves. As he digs into the case, the show flashes back to Reeves' time in Hollywood starting as a nobody trying to get his foot in the door. He has an affair with Toni Mannix (Diane Lane) who he doesn't know at first that she is actually the wife of a MGM studio head Eddie Mannix (Bob Hoskins).

The movie is a little slow and a little long relishing in the noirish hard-boiled style. Allen Coulter is a TV director and that may be why the movie moves more slowly. It doesn't quite have the urgency. Adrien Brody's slow brooding mannerisms only accentuate the pacing. I like the era and the style. I could do with a quicker pace. Ben Affleck fits this character better than his other nice guy roles. He's a little dark and a little complicated. It signals a change in Affleck's career path for the better. The style is there but the pacing is lacking.

First things first, Ben Affleck is not only amazing as George Reeves but he's by far the best part of "Hollywoodland." Oozing a dark charisma as the doomed TV actor, Affleck creates a surprisingly compelling character. He even makes a convincing Superman, ironic given his casting as Batman in the DCEU.

But despite Affleck's stand-out performance the overall film is dragged down by otherwise shallow characters and a weak, unengaging story. The film tells the tale of a private detective (Adrien Brody) as he investigates the mysterious death of "Superman" star George Reeves. The film starts out strong with a promising premise, and by far the most interesting element of the plot involves the flashbacks to Reeves' rise as a TV star and his ultimate death by gunshot. But the majority of the plot, which focuses not on Reeves but on Brody's private detective, is too slow and lacks dramatic tension. Many if not most scenes involve overly long, bland conversations that don't do enough to further the plot. Reeves aside, the main characters are largely undeveloped and not interesting.

"Hollywoodland" could've been great had the producers decided to do one of two things: A) Cut out the investigation storyline set in the present day and focus the movie almost entirely on Reeves, or B) Make the movie a thriller like "Rashomon" or "JFK" that told alternative versions of Reeves' life and death from different points of view. But as is, in spite of Affleck's performance and a handful of good scenes "Hollywoodland" just doesn't work. 6/10.