Ellas y ellos

I watched this movie hoping for a French-style witty and reflective comedy examining complex relationships. What a pity this wasn't a European movie set in the cafés and homes of Paris rather than New York!

After a promising 15 minutes when initial relationships are established, the whole thing rapidly descends into a series of cheap and corny attempts at humour all rounded off with the worst of Hollywood RomCom endings. Secondary characters such as the guy with the foreign accent are one dimensional and clichéd, so that an interesting comedy descends into not-very-funny farce, and the potential for comic examination of believable roles and relationships is lost.

The leads - especially Maggie Gyllenhall, Julianne Moore and David Duchovney - are (as always) excellent. But their contribution is in spite of, not because of, the script.

6/10 - but only to reflect the lead actors' efforts to rescue a really disappointing script.

Trust the Man Mr. Black's Grade: C+ Opening Date: possibly June, 2006 Look at this cast! Billy Crudup , David Duchovny , Ellen Barkin , Eva Mendes , Julianne Moore , Justin Bartha and Maggie Gyllenhaal .

Trust the Man is a well written comedy about two men fighting to save their relationships after a bunch of drama, cheating, and trial separations. Unfortunately you could 'see' the writing all over the big screen. I didn't believe for a moment that these folks were real people, just actors reading a script. You could almost see the smirk on their faces before they said their funny lines - there was nothing spontaneous about it at all.

Part of the problem was the all-star cast. Now I understand bringing in Julianne Moore. When you are the director, ya got to put your wife in the picture - but why Gary Shandling? Don't get me wrong, Gary is a funny, funny guy. But the moment he's on you say to yourself, "hey there's Gary Shandling, time to be funny" and he's in a pretty small role. The same thing happens when Ellen Barkin hits the screen.

This is a business, and they needed to 'sell' this movie, which they did, to Fox Searchlight for possible release next June. I'm pretty sure that director Bart Freundlich has some famous friends - he is one hell of a nice guy, very friendly and extroverted. If I was making low budget movie and knew Gary Shandling, I'd ask him to be in it too. But the laughs didn't come when they should have, and the casting really got in the way.

The only thing this movie has going for it is the acting talent. There is no story, no arc, and the characters take an incredibly shallow view on relationships. Just like the other 2 B. Freundlich movies, it is all talk and no substance. Boring and has nothing to say. Tries way too hard to be funny, and all the forced jokes just fall flat. Since IMDb is forcing me to write 10 full lines, I will continue by saying that Julianne Moore is luminous as always, David Duchovny is very likable, Billy Crudup is over-the-top and annoying (scenery chewing much?) and Maggie Gyllenhaal is wonderful. She is the best thing in the movie and rises above the weak material.

I rented this movie because of the great cast. I finished it amazed that any established actor would have accepted a role in this thing based on the script, which was lame, unoriginal, and mildly offensive in its attempts at humor. Rarely has a battle of the sexes been so predictable. The story was filled with stereotypes and stereotypical behavior. The men came off as overgrown children. In any real world, their female counterparts wouldn't have put up with them for two weeks, much less years. It was painful to watch a game cast try to breath some humanity and originality into these characters. Moments intended as funny or telling merely smelled bad. Woody Allen covered the same ground years ago in a much better way. Try Hannah And Her Sisters. This particular would-be Woody update added nothing to the genre.

With over 100 feature films released in year, it can be hard to keep track of all the titles worth tracking down and checking out. Last year I saw a preview for Trust the Man before Thank You For Smoking, but with the great number of other flicks coming out in wider release, I forgot about it until this weekend. After watching it, I wish I had forgotten about it completely for there is almost nothing redeeming about this cinematic catastrophe. The cast has no chemistry, the writing and directing is amateurish, and cinematography is murky.

However, the picture's biggest fault is the tone. Trust the Man drifts uneasily from dirty sex comedy to tepid romance to boring drama from scene to scene, making for not only an extremely frustrating viewing experience, but an uncomfortable one as well. It's as writer/director Bart Freundlich didn't know what genre he wanted his movie to fall under during shooting, thinking that he would decide later in the editing room. Apparently that didn't work out either as it seems there are numerous scenes missing or incomplete. Other scenes go on far too long(the scenes with Billy Crudup in his car are perfect examples). There wasn't a single scene in Trust the Man I found effective, funny, or well done. The plot is a huge mess, gaping with holes. The only reason I give it a 1 as opposed to a zero is I reserve zeros for only those films that I find morally offensive/repugnant or without any artistic value whatsoever. 1/10