Tom yum goong

The Jatalangkabaht people are proud villagers who live as one with the elephants. Kham and his father look after the mighty Por Yai and the baby Korn and, when they learn of a royal elephant inspection, decide to travel to the city to take part. However the two elephants are taken and Kham's father shot. One fight later, Kham learns that the elephants have been taken to Sydney, Australia. Kham travels to Australia to recover his elephants – a path that brings him into the lives of police officer Mark, call girl Pla and crime boss Madame Rose.

I'm not entirely sure why this flopped because, like Ong Bak, although everyone knows the plot and acting will generally be weak, few will be in the cinema for anything other than impressive action. Of course Warrior King delivers this but I was also reasonably impressed by how the other factors had improved to a certain degree. The narrative is still a weak excuse for lots of people to get kicked in the head and there are still lots of scenes that don't seem to make sense and, well, just happen. However the film does feel a little bit more professional; touches of humour such as the comment about pirate DVD's for example. Of course none of this means that the plot is any good but at least it is better than previous. Perhaps it is not PC to say it, but the use of English with Thai helps as well – I find the latter a very ugly language and the way it is scaled back does make it more accessible to a western audience.

The lack of a really engaging plot does rather mean that the action exists as a separate entity and is not part of a gripping total film – the temple fights being a good example as they are more like baddies in a video game than a film. Of course with action this good it doesn't really matter and you will still find yourself gasping at some of the violent kicks. Some of it is a little overdone (the rollerblading bit was all a bit daft) but some is surprisingly well done. There is a continuous tracking shot that moves up several floors and encompasses many individual fights that I thought was stunning and must have been so difficult to get right. Jaa's skills are undeniable and he is helped by the way his character is given more anger to work with and isn't a "naïve country boy" to the degree he was in Ong-bak. He still isn't a great actor but he is getting better at least in his native tongue. Wongkamlao has less to do here but his English is good and he comes off well. Khongmalai is a good addition as she is natural and very easy on the eye (although I did feel a bit cheapened by her gratuitous mud bath scene). Xing's Rose isn't great but De Montemas has a bit more menace (shame his character is so poor), while Nguyen is generally a good turn.

Overall then this is not a great film because of the weaknesses in the plotting and some reasonably average acting turns. However it is a marked improvement on Ong-bak in these areas and should be a bit more accessible as a result. The action suffers from being cut off from the narrative but is still very enjoyable for what it is. Fans of the genre should love it.

In Bangkok, the young Kham (Tony Jaa) was raised by his father in the jungle with elephants as members of their family. When his old elephant and the baby Kern are stolen by criminals, Kham finds that the animals were sent to Sidney. He travels to Australia, where he locates the baby elephant in a restaurant owned by the evil Madame Rose (Xing Jing), the leader of an international Thai mafia. With the support of the efficient Thai sergeant Mark (Petchtai Wongkamlao), who was involved in a conspiracy, Kham fights to rescue the animal from the mobsters.

"Tom Yum Goong" has a silly, flawed and absurd story, where gangsters do not use guns, but sticks, clubs, rollers, bicycles, motorcycles or whips. Further, they just fight in sequence against the hero, one by one, to have their arms and legs broken. The criminal Johnny simply vanishes without any further explanation. However, the choreography of the fights is amazing and very realistic, making this movie a worthwhile entertainment. Tony Jaa is probably the successor of Jackie Chan and Jet Li, and I believe this movie could be less "serious" and have more humor like in Jackie Chan's films. My vote is seven.

Title (Brazil): "O Protetor" ("The Protector")

I've never been a BIG fan of Thai movies (eventhough I am Thai) that is, until I saw "Ong Bak". This was why I had high expectations for "Tom Yum Goong". There was tremendous HYPE in the Thai media just before the movie opened so as you can imagine, it didn't get good reviews from the critics (ah ...expectations, it changes everything). Feedbacks from the general public were pretty much MIXED. Some liked it a lot and some didn't like it at all. Don't get me wrong, everyone thought that Tony Jaa was absolutely amazing! some of them just didn't like the story.

In my honest personal opinion, I thought the movie was much BETTER than Ong Bak in terms of action sequences and fight scenes. The story I had to admit, was a bit weak. But come on, what are you really paying your money to see ... story? OR fight scenes? If the answer is the latter, I guarantee that you will enjoy "Tom Yum Goong". If you thought Tony Jaa was great in Ong Bak, you haven't seen anything yet. In "Tom Yum Goong", Tony goes all the way to show you how talented he really is! Muay Thai, grappling, gymnastics, weapons, etc. You'll also get to see what happens when a Thai Boxer (Muay Thai stylist) go against other martial arts like Tae Kwon Do, Wushu, etc. Some of Tony's new moves in this movie are ABSOLUTELY STUNNING!!!! and I can't emphasize on the word "STUNNING" enough. There are scenes in this movie which reminded me of 2 of my favorite Bruce Lee's movies: GAME OF DEATH and FIST OF FURY.

Personally, I think the problem ISN'T with the story NOR plot BUT with EDITING. There will be some parts in the movie where you may get a bit confused because some crucial scenes were cut out. I have heard (in a TV interview with the Director) that initially, the final cut was 30-40 minutes longer than the theatrical version. The Director got commented by several industry experts after the first screening that the movie was TOO LONG and he had only 5 days for editing before the Gala Premiere. Also, you need to know a bit about Thai culture to understand some of the rationales behind the story line (eg. Why was the elephant so important that Kham had to risk his life, traveled to Australia and fight all these gang members just to find it ... certainly NOT because the elephant was a beloved family pet,I can tell you that!).

I hope that by the time the movie hits theaters in the US and other countries, they would have re-edited the movie. Columbia Tri-star has already bought distribution rights to this movie and I am sure that all you Tony Jaa fans outside of Thailand will definitely get to see this great action flick SOON. If you LOVE Martial Arts movie, this is a DEFINITE "MUST SEE" Film for you!

**DON'T BE FOOLED! That's only a Jackie Chan Look-alike ... the often mentioned scene with Tony Jaa running into Jackie Chan really ISN'T Jackie, just a look-alike. The guy is a Thai shop owner who apparently got noticed when he did a TV commercial for a real estate company call Noble House. In that commercial, he talked about how he was able to entertain people who passed by his shops by portraying himself as Jackie Chan. The title of that commercial was "BE MORE THAN JUST YOURSELF". You can check the End Credits if you think otherwise.

After having watched Tony Jaa in Ong Bak about a week ago on TV, I was waiting for the day when Tom-Yum-Goog finally made its way here. There was a film in between these two, called The Bodyguard, which wasn't released in the theatres here, so I guess I gotta hit the shops to look for it.

My friend has likened the introduction of Tom-Yum-Goong to watching National Geographic, and he's right. It's an idyllic Thai village scene where Kham (Tony Jaa) grows up and bonds together with herds of elephants, and it might even looked as if it came right out of Kipling's The Jungle Book.

It's a picture of calm before the storm, and the first 10 minutes set the scene, as the elephants will play an important aspect in this movie as it gets elevated into mythical status (check out the CGI scene, looks like Jackie Chan's The Myth, with its historical fights). You'll know right away that this is a Thai movie, with its excellent fusion of Thai elements into the storyline - the elephants, the rivers, the rituals, Buddhism, "Tom-Yum-Goong", and of course, Muay Thai.

With elephants, the natural baddies are first and foremost, the poachers, who kidnap our hero's pets (wrong move). Of course these baddies belong to a larger crime family and syndicate operating out of Sydney, Australia, which deals with drugs, human and animal trafficking, prostitution, all with the blessings of corrupt cops, and led by a transvestite (yes, you heard me right).

Tom-Yum-Goong may refer to a shrimp dish in Thailand, but in this movie, it refers to a restaurant which serves as a front for illegal activities. Action fans need not wait too long for Tony Jaa action, as he plunges head on into fights with the Thai gangsters first, in their bungalow hideout. And that's just to whet your appetite for more mayhem! Bridging the fights from Thailand to Australia is a short boat chase scene that looked right out from Indiana Jones and the Last Crusade, but that's the only weak action sequence in Tom-Yum-Goong.

There are plenty of fights in Sydney to keep all action fans happy - like the massive battle with the Aussie streetgangs (on roller blades and bikes) in an abandoned warehouse, which also showcased Jaa's agility and acrobatic ability. I thought that somehow the cinematography during this sequence let Jaa down at times, especially when he weaved in and out of the trains, the camera just couldn't keep up, and was positioned at a bad angle.

But that aside, it made up for itself in a beautifully filmed, one-motion tracking shot of Jaa making his way through a four-storey restaurant, kicking major rear, without seemingly any cuts (I said seemingly, as there was a part where water droplets stained the camera, but somehow disappeared abruptly). Doom has its gimmicky first-person shooter perspective, this one here has its classic third-person perspective, as if you're controlling Jaa in a coin-operated fight console, taking on the baddies with various swift moves.

If you've known by now, I kinda likened Jaa's movies so far to Bruce Lee's (some see shades of Matrix in this movie), and there was another action sequence in which Jaa was up against hordes of gangsters in an enclosed room (think Lee in the Japanese dojo in Fists of Fury), and he floored them all with bone-crushing, limb-breaking kicks and punches. Move aside Steven Seagal, Jaa's doing it faster, and more lethal! The fights with the huge wrestlers too was a highlight (ala Lee in Game of Death with Kareem Abdul-Jabbar), as was the final fight with the final "boss".

Perhaps my favourite in the movie is the scene at the temple. Water, Fire, and a looming Buddha, Jaa takes on three distinct exponents one-on-one - the hip hop breakdancer, the Chinese wushu sword expert, and the Western wrestler. While this movie has done away with Ong-Bak's repetitive sequences (yes, we know what Jaa is capable of already), the slow-mo in this particular set is pure poetry in motion. It's different from Ong-Bak, in that Jaa, like Lee in Enter The Dragon, gets beaten up and injured. You can inflict pain and injure Jaa, but like Lee, he bounces back with a vengeance, sans shirt too.

Jaa has let his action do the talking instead of his acting abilities (no stunt double, no wire-work, no special effects), and I have no qualms with that, given after all, this is an out and out action movie. Petchtai Wongkamlao, who plays Inspector Mark, and has been featured in all of Jaa's movies, returns to add his comedic touch to the film as a Thai-immigrant policeman in Sydney, and fans of Ong Bak will also be pleased that this movie is helmed by the same director Prachya Pinkaew.

While Hollywood struggles to find worthy successors to its 80s and 90s action heroes like Stallone, Van Damme, and Schwarzeneggar, Asia has already found one to takeover the mantle from Bruce Lee, Jackie Chan and Jet Li (as the latter two seemed to have drifted and indicated a preference for dramas). He's Thai, and his name is Tony Jaa. You heard it here first, he's gonna be setting the bar for action movies to come. He can only get better, and I'm already a huge fan!

Had the opportunity to watch Tom Yum Goong at a local cinema here in Bangkok on opening night. Expectations were high, and the movie fulfilled them in both good and bad.

The action was some of the best caught on film (do they still use film?) that I have ever seen. Panom "Ja" Yeerum again showed that with his background of Muay Thai, gymnastics and stuntman work, he can deliver action scenes that are graceful and brutal at the same time, and will have the audience picking up their jaws from the floor at times. They don't use gimmicks like strings or special FX, so everything you see him do is stuff he really does. Except maybe one flying knee where he literally flew about 5 meters into the guy so he must have been launched off something.

However, as good as the action was, the obvious comparison would be to Ong Bak (same lead, same director). And as amazing as TYG's action scenes were, they didn't have the raw power that Ong Bak delivered. I think this may be because of different stuntmen - in Ong Bak, a lot of the people that got beaten up were probably amateur Thai stuntmen or retired muay thai dudes (scene in cave, for example) who don't mind taking a very heavy kick or punch to make a few Baht and be in a movie. So the impacts were very hard and very real in Ong Bak, and it made the action that much more "in-your-face". In TYG, due to the action taking place in Australia and the higher production values, the stuntmen didn't seem to get beaten up as badly. Sure, it was still better than any other action movie besides Ong Bak, but not quite as raw and powerful.

Then... the plot. The plot has already been criticized by many, and obviously it is full of holes, unintentional humor (unless there really is an English-language news channel in Australia where the newscaster has a strong Thai accent?) and so on. But it was nowhere near as bad as Ong Bak. Ong Bak really is a "fast forward to the action scenes" type of movie, whereas Tom Yum Goong is a watchable movie in its entirety. The first 15 minutes have barely any action at all, but the elephant scenes and the beauty of rural Thailand were beautifully shot and the actors did a surprisingly good job - both Panom and the guy who played his father. It seems that Panom's acting classes have paid off. Now if only he can learn passable English, he'll really have a chance of becoming the next big thing in Martial Arts action movies.

The (intentional) comic relief was much better than in Ong Bak - Mum Jok Mok plays a Thai policeman in Sydney. How he got to be Sergeant there, we'll never know, but he has a few funny lines - most of which are much funnier to Thais or people who know Thai culture than to the international audience. Like the ".... oh, oh, oh - and Laos!" line. More laughs came from cameos like the Jackie Chan lookalike at the airport and Sek Loso drinking M150 on the street in Sydney. Not so much product placement as an inside joke ("go inter") for the Thai audience.

Getting the audience to cheer for the hero in an action movie obviously requires a nasty villain or a group of villains. Tom Yum Goong does well in this regard as well - both the Thai mobsters and especially their bosses in the Asian mafia in Sydney are an interesting, suitably detestable bunch. Also their "bodyguards", from the Capoeira guy to the three huge Caucasians in the end, are very good opponents for Panom "Ja" to beat up on. Furthermore, having the motivator be elephants (respected animals, and to Kham, family members) instead of a stolen head of a Buddha statue (like in Ong Bak) works much better, especially for non-Thai audiences. Good acting by the baby elephant in one early scene in the movie, by the way! Deserving of an Animal Oscar.

To sum up, Tom Yum Goong has a decent plot, a good cast with better acting than was to be expected, good cinematography, and of course, plenty of cracking, beautifully choreographed action that will not fail to impress any Martial Arts action movie enthusiast.

Highlights: Kham learning how to fight the Capoeira guy in a very well choreographed scene, and the bone-crunching extravaganza that was like Kill Bill Vol. 1's restaurant scene without the swords.

An excellent achievement in its genre. A whole lot of fun. 9/10.