El hombre oso

***Possible Spoilers*** "Grizzly Man" is a documentary of Tim Treadwell who spends 13 summers in Alaska living amongst grizzly bears and eventually loses his life to the creatures to which he devoted all his heart.

I saw "Grizzly Man" without knowing anything about it. I first thought it would be a documentary about the beauty and behavior of grizzly bears. However, through Tim Treadwell's interaction with grizzly bears, Werner Herzog shows that this film is actually about the inadequacies and insecurities of human nature.

Tim Treadwell seems to be the culmination of many of the deficiencies that man possesses. I felt absolutely no sympathy for this individual, despite the fact that he suffered a tragic and horrible death. If it weren't bears that killed him, it probably would've been something else. He was definitely headed toward a downward spiral. I felt like he was a man who ran away from his demons because he could not face or overcome it. He developed high "ideals" and when he could not adjust his values and beliefs to that of society, he abandoned it and sought out for acceptance from creatures that are incapable of judging or criticizing Treadwell. Unfortunately, Treadwell mistakes the grizzly bears' indifference or incompetence as a sign of acceptance, and falls in love with them.

Treadwell displayed behavior suggestive of manic depressive disorder, or cyclothymic disorder, or histrionic personality disorder. His emotional reactions to incidents were over dramatic to the point that one questions whether it's genuine. I also thought that he was a closet homosexual who could not accept his sexual orientation. In the film, Treadwell talks about wishing he were gay because it would be easier, but he denies being gay. He also talks about how he has trouble with keeping relationships with girls. I know this is a big assumption, but I couldn't help but question whether he was running away from civilization hoping he didn't have to face the reality of his sexual orientation. Treadwell is a person who does not know himself, and is afraid to find out.

I also did not like the fact that Treadwell was on this unsubstantiated high horse. This self-proclaimed protector of animals and nature displays his hypocrisy in at least 2 scenes. When Treadwell stumbles upon poachers who throw rocks at a baby cub, all he does is hide behind a bush and criticizes the hunters for hurting the bear. Not quite what a "protector" would do. Also, when Treadwell discovers the dead fox, he gets angry for the destruction and death that exists in this world. However, he doesn't blink twice to try to swap a fly that is buzzing around the fox. Obviously he shows no respect for the fly, which is also a living organism.

Also, throughout the film, most of Treadwell's friends glorify all that he represented. It seems that his death has elevated him to a martyr, and I found that inappropriate. I don't believe one's achievements in life should be overblown and exaggerated because he or she suffered a tragic and violent death. Based on Treadwell's self-recordings, I find that he has done nothing to deserve any praise. The way he died is sad, but that should not have any bearing on what he did in life. If anything, Treadwell encroached upon the grizzly bears' territory, and abused their independence and way of life in order to hide behind the mask of his own demons. I find nothing altruistic about his actions because of that.

In the film, Herzog says that death and destruction is a unavoidable reality of nature, and he has done a brilliant job in portraying that. My take home message was that everything bad in this world exists because man is too weak and feeble-minded to transcend beyond our natural tendencies to destroy his surroundings and to self-destruct. And Treadwell is the perfect example. Great job Mr. Herzog.

I like it when I do know know how to feel! Herzog seems to start out by portraying a man, Timothy Treadwell, as a crazy, self-obsessed (NOT Grizzly-obsessed) individual who gets himself and his girlfriend killed for no purpose, in the Alaskan wilderness. Initially I thought that the story was a cross between 'Jackass' and the Discovery Channel - you have a dopey, though he only sounds like it, blonde surfer type who likes to approach (awfully close) and make sweet-talk with 10-foot bears. Viewers might see Timothy as a reckless, selfish misfit, but as the film continues, your appreciation for his cause deepens - but what is his cause? Is it to work out personal demons? Absolutely. Treadwell clearly has mental/emotional problems, just listen to how many times he tells the wild animals "I love you!" or when he talks about his lack of success with "human women." But his passion for the grizzlies and their wilderness is real. Herzog particularly commends him as a filmmaker, seizing unique opportunities and rendering priceless footage. Do not forget that TT lived close to the bears for 13 years (including the year he was killed) without harm; and that his success, his careful, intuitive, loving behavior was only partly self-aggrandizing.

Upon coming out of Grizzly Man, with my friend, I couldn't help noticing my own face in the reflection of the lobby mirrors... my face was completely blank. I looked over at my friend, and noticed she was merely staring down at her shoes and scratching her nose. Exiting out onto the street, joining the rest of the crowd as we all search for our cars, I couldn't help but believe I was still staring into the lobby mirrors... nearly every head was shaking, and every expression blank.

I now believe I will never know how I feel about Timothy Treadwell. A boy who accidentally grew into a man.

Grizzly Man immediately opens with the facts surrounding Timothy Treadwell and his girlfriend Amie Huguenard's death. These facts will stay inside you as you grow acquainted with Timothy and the animals surrounding his demise. Sadly, Amie Huguenard remains a faceless mystery.

Werner Herzog's soul remains intact, as he gently disassembles the matter of Timothy Treadwell's. Failed actor? Inveterate liar? Misguided Mercenary? Was Timothy Treadwell merely playing out the part of some great Discovery Channel episode in his head? We watch and listen as a lonely Timothy walks and talks into his only companion, a MiniDV camera, about his female problems, drug problems, memories and most importantly his love of animals.

Bears and Foxes in particular. There is one thing you could never doubt about this man, and that is of his love for Bears. "I love you, I love you..." We constantly hear him saying to the Bear's and Foxes that had become his "friends" over the years. And through Herzog's direction it is impossible to miss the beauty in this.

Timothy Treadwell's photography in this film is absolutely extraordinary. And Mr. Herzog did an extraordinary job putting it all together. In my opinion, this is his best film since Little Dieter Needs To Fly. (Un) fortunately, I cannot stop thinking about it. I cannot stop wondering who this man was... He wrapped himself in bandana's, claimed to be a "Peaceful Warrior", there to protect the Bears. But from what? The arguments were made that acquainting himself with them, he was doing much more harm then good. Why should they get to know a human? How could this help them in the future? And we know how it ended for him...

How can you just sit there and watch one mans whole life be wrapped up in a two hour film? And then declare his work meaningless? You can't. Was he just a suicidal man, playing one big act? Was he truly some feral warrior, bringing awareness and the importance of Bear protection and safety to light? Was he a directionless maniac who ultimately got an innocent girl killed?

The duality of Timothy Treadwell is merely one more example of the duality of mankind. And the mirror in which I had been looking into had, in fact, been the movie screen itself. Unfortunately, it appears as though he believed the Bears surrounding him shared this depth. And who am I to tell you they don't?

Warner Herzog is a brilliant and masterful director. The way he put together the story of Tim Treadwell and his life with grizzly's defies the constructs of formulaic "nature" doc's. It goes deep, as we are allowed to dive into the mind and psyche's of both Treadwell and Herzog as Treadwell's fated story is revealed to us through bits of the 100 hours of footage Treadwell left behind, new interviews, insights, and a brilliant and personal narrative done by Herzog himself.

As Herzog gets to know Treadwell through his footage and loved ones left behind, he is touched, changed, and allows the audience to revel in his new found awe, frustrations, and respect for Treadwell's life.

The film documents the life of "the Girzzly Man" timothy Treadwell through his leftover footage from thirteen summers he lived with, and immersed himself into the grizzly habitat and culture. He felt he was a grizzly, and thus broke boundaries that have been respected among the Alaskan natives concerning these brown beasts. He created what he felt to be a bond, a brotherhood with these majestic animals. But was this conquest purely for scientific reasoning or was he truly terrified of the "human world." That is where Herzog directs this film.

The fascinating thing about Herzog's interviews is what he catches after his participants are done answering his questions, and we see these souls search and ponder for answers to questions they may never know the answer too.

"Grizzly Man" won the Alfred P. Sloan award at this years Sundance film festival, which goes to the film felt to tie in science and discovery into normal narrative paradigm. This film deserved it's praise and was thusly purchased for theatrical release by Lions Gate before it's release on television through Discovery films.

When you get the chance, don't just run to your local theater or television to view this masterpiece, leap and sprint. This is an important and beautiful piece, one that will touch and move all those who allow it to. This is the best of the fest in my opinion, and maybe even of the year, and it is only January.

This film proves what little we already know about wildlife: 99% of the time, it will leave you alone as long as you don't harass it, but the 1% is a differential that ends with you screaming and some guy finding your arm later.

It also proves that we know even less about human nature than we do about bears, as Tim Treadwell is a mystery even to his own species.

It's obvious that he has some kind of disorder or drug-related brain damage, what with his extreme lability of mood, delusions of identity, neurotic and repetitive speech patterns, and general paranoia about the activities of his fellow humans. He knows a lot of interesting people, from his geeky friends who state the mundane as though it is profound ("I don't think he had a death wish at all." "I don't think anyone really deserves to be eaten alive by a bear."), to the Friend/Actor who is not even believable when portraying himself, to his very ordinary parents who are just as confused by him as we are.

In this film, we learn that Treadwell switches addictions from alcohol to bears, and descends into functional madness while attempting to integrate himself into their "secret, inner world." He is paradoxical throughout, both disliking humans and yearning for a love relationship, being fully aware of the dangers that the bears pose, but doing nothing to protect himself from them. (Well, he is fatalistic in his devotion to them, but seems to think that they will not harm him as long as he behaves properly around them. That an older, aggressive bear could become hunger-crazed enough to attack him indiscriminately seems beyond his scope.) At times he shows a thorough understanding of animal behavior and the natural world, at other times a grand ignorance of the reality of life in the wilderness. He seems forever stymied trying to enforce human concepts like justice and righteousness upon the jungle. His sentimentality with the bears and perceived relationships there show in stark relief when the animals display constant indifference or even aggression, and when it is clear that some near-altercation with them has occurred off-camera.

In the end, he is really no more successful with bears than he is with people, understanding the basic rules but never seeing the whole picture in clarity enough to know how to avoid crashing and burning.

Perhaps most indicative of his dysfunction is how he responds to the fond relationship he develops with the foxes, who actively play with him and seek his company and interaction. While he loves them, they are but a footnote on his path to destruction; he prefers the ambiguous and imagined affection from the dangerous bears, to the foxes' genuine displays of it.

"Grizzly Man" is not about a man at all; it is a sad, true story about a wayward being without a species.

On this journey, the audience meets a lot of bears that look alike but who we know were distinct to Treadwell, a creepy coroner who is probably not acting, and a slew of observers who all have their own biased and often badly distorted views of "what really happened." In the creamy middle is the quirky pilot who knew Treadwell best, and the director himself, the voice of reason in this well-crafted work.

The moral: Van Halen was right. "It's business as usual in the woods." Animals make sense; it's people that don't.