Agrega una trama en tu idiomaWilliam Boyals, a successful, black, gay attorney in New York, is drawn back to the small, rural Louisiana town he long ago escaped from to investigate the lynching of a black gay childhood ... Leer todoWilliam Boyals, a successful, black, gay attorney in New York, is drawn back to the small, rural Louisiana town he long ago escaped from to investigate the lynching of a black gay childhood friend.William Boyals, a successful, black, gay attorney in New York, is drawn back to the small, rural Louisiana town he long ago escaped from to investigate the lynching of a black gay childhood friend.
- Dirección
- Guionista
- Elenco
Cornell S. Thomas
- Henchman #1
- (as Cornell Thomas)
Aaron Kleven
- Cedric
- (as Aaron Klevin)
Wilbert Lewis
- Preacher
- (as Reverend Wilbert Lewis)
Nancy B. Shepard
- Funeral Mourner
- (as Nancy B. Shepard Ph.D.)
Celestial
- Martha Boyals
- (as Cecile M. Johnson)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I was fortunate to catch this movie at the Fort Lauderdale International Film Festival. "Strange Fruit" is a breakout film-in-waiting. Kent Faulcon is the next big thing. Fans of TV LAND will recognize Berlinda Tolbert (of "The Jeffersons"). Her performance is certain to win a legion of new fans. Sam Jones is the newcomer on the block, but his performance is remarkably nuanced and affecting. KUDOS to all involved. This is certainly a writer/director to watch. There is a totally unanticipated plot twist that I will not divulge. Watch the movie...you won't see it coming, either. From the opening credits to the closing credits, this is a low budget masterwork filled with conviction and integrity. SEE IT!
I too had waited a long time to see this film. As far as I know it has never been released in Australia so in the end I found a copy on the net and ordered it through there. Weeks after my order confirmation it finally arrived and I was extremely excited to finally be sitting in front of my TV ready to watch a film that sounded so interesting and controversial and filmed in an area of the world where so many good movies are. What a disappointment. Within the first few minutes I realised I'd ordered a B Grader but was still full of expectation. I convinced my son (18) to watch it with me as I love sharing when I find a movie of value with good underlying statements and/or story lines. About half way through he got up and said he couldn't stand watching it any longer, it was so predictable and amateurish. I agreed but watched to the end. The acting was atrocious even for B Grade standards. The stereotyping also predictable and I feel for the good folks of Lake Arthur, Louisianna who must've cringed after seeing the film depicting them in such a way. No doubt some racial prejudices still exist in many parts of the world not just the States but really, in this day and age I doubt they'd get away with all the ridiculous alibi's presented in this. I had to double check the date the film was made as their attempts at gimmicky filming of the more gruesome scenes was something I'd expect from a high school student's first attempt at making a film 'indy' like. I'd like to see this film put into the hands of experienced scriptwriters and film makers, its an old tale but one that could still pack a punch if dealt with professionally. So disappointed after such a long wait and with such high expectations. The soundtrack was probably the only thing I enjoyed.
I just saw this excellent film at the Asheville Fim Festival and was just stunned! The movie was so well written. The acting flawless. I was in tears at a couple of places during the movie. Mr. Faulcon was just tremendous in the lead role, especially in the last few minutes. His powerful acting was one thing that brought me to tears at the end. It kind of had the feel of "In The Heat of the Night". Very sad movie that makes you think about being gay in the South and also being black and gay in the South. As a note, Mr. Shickner was in the audience and hosted a Q&A after the movie. (I was actually sitting next to him and another producer without even knowing it. Pretty neat!)
Highly recommended, especially if you grew up gay in the South.
Highly recommended, especially if you grew up gay in the South.
I saw this film at the Pan African Film Festival and I will be honest I was a little skeptical seeing that someone white was attempting to tell this story (they introduced the writer/director before the film) but from that long opening shot, of the slow tracking shot down the river over the credits I was taken in. Usually when seeing films at festivals, you kind of expect a level of amateurishness to the whole endeavor, but I was thrilled to see an actual real life film. The production value was incredible, and although the filmmakers were cagey about the budget at the Q&A afterwards, I would guess close to a cool million.
As to my fears of the filmmakers race telling the story of the lynching of a gay black man? They were unfounded. The levels that Strange Fruit works on is mind boggling. Most movies these days are afraid to tackle any one of the many issues this film addresses. From racism, homophobia, family dynamics, Schickner navigates his way through such thorny topics without blinking, and right when the audience thinks it has it all figured out the writer pulls the rug out from us all in a twist ending sure to excite and enraged all at once.
Kent Faulcon is a revelation as the star. There was an excitement in the crowd because I think many were feeling what I was as the movie played on: "This is a star in the making". In fact, every actor from Faulcon to the waitress with one line makes you believe you are in the backwoods of Louisiana and not at some actors workshop. It was especially thrilling to see my very first boyhood crush, Berlinda Tolbert who played Jenny on the Jeffersons as the grieving mother. "Moving on up indeed!" The best was the sheriff, he was such a hateful redneck with a heart.
If this film makes it to your town do yourself a favor and check it out. More films need to be like this!,
As to my fears of the filmmakers race telling the story of the lynching of a gay black man? They were unfounded. The levels that Strange Fruit works on is mind boggling. Most movies these days are afraid to tackle any one of the many issues this film addresses. From racism, homophobia, family dynamics, Schickner navigates his way through such thorny topics without blinking, and right when the audience thinks it has it all figured out the writer pulls the rug out from us all in a twist ending sure to excite and enraged all at once.
Kent Faulcon is a revelation as the star. There was an excitement in the crowd because I think many were feeling what I was as the movie played on: "This is a star in the making". In fact, every actor from Faulcon to the waitress with one line makes you believe you are in the backwoods of Louisiana and not at some actors workshop. It was especially thrilling to see my very first boyhood crush, Berlinda Tolbert who played Jenny on the Jeffersons as the grieving mother. "Moving on up indeed!" The best was the sheriff, he was such a hateful redneck with a heart.
If this film makes it to your town do yourself a favor and check it out. More films need to be like this!,
"Strange Fruit" does indeed have its flaws primarily the stereotypical redneck Sheriff. Additionally, one has to suspend believe entirely to believe a handsome African American man would come out as gay in high school in the deep south. However, getting past that, how likely is it that a homophobic self-righteous Sheriff would allow a gay bar to exist in his Parrish? Nonetheless, despite the weak plot devices and one-dimensional portrayals of some of the ancillary characters, the movie tells a story that needs to be told. That is, how difficult it is for gays - especially African American gays to find acceptance both in their families and their communities. The dead characters mother provides some telling insight into the whole "DL" phenomenon when she laments that fact that her some Kelvin "Never knew how to blend in." This is very realistic as a lot of African Americans have disdain for effeminate gays. If you're "passable" and keep your personal life hidden, everybody's OK with that. Kent Faulcon, who portrays William Boyals, alone is worth watching this movie for. He's unbelievably handsome, and gives a dignified and powerful performance. His depiction should be required viewing for black male actors who shy away from accepting gay roles. Playing gay need not require sacrificing one's manhood. Also moving is the depiction of a mother who loves her child, but cannot accept his sexual orientation therefore believes she should hold on to her hurt, anger, and bitterness rather than finding a way to deal with it. I would recommend viewing "Strange Fruit" for the social commentary it so realistically portrays.
¿Sabías que…?
- TriviaThis movie was filmed in late 2004, after Barack Obama was the keynote speaker at the Democratic National Convention, and some television pundits had referred to him as "a very articulate black man." That phrase appears on a billboard as the first scene in Louisiana.
- Créditos curiososChico was not harmed in the making of this film.
- ConexionesReferences Al calor de la noche (1967)
- Bandas sonorasKama Sutra Lover
Performed by Tami, Nadia and Nicole
Lyrics written by Tammy Reese (BMI), Nadia Elmalk (ASCAP) and Nicole Raymond (ASCAP)
Music by Benjamin Chan (BMI)
Produced by zeng @ New Music Unlimited
Published by Squeaky Kirin Music Publishing (BMI) and Squeaky Pagoda Music Publishing (ASCAP)
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- Locaciones de filmación
- Lakeview Memorial Cemetery, 8th Street & Arthur Avenue, Lake Arthur, Luisiana, Estados Unidos(Funeral Scene for Kelvin Ayers)
- Productora
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución
- 1h 55min(115 min)
- Color
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