Pusher III

'The third part of Nicolas Winding Refn's Pusher trilogy is clearly the best. With each part, Refn's approach becomes more daring and complex. However talented his debut from 1996 was, and however innovative the second part, this third part has a charged emotionalism that is difficult to beat, along with tension and courage. I'm the Angel of Death - Pusher III focuses on the Serbian drugs baron Milo. In earlier parts, he was an extra, a feared power lurking in the background. He is not some grand godfather, and as a middle-ranking boss he has also been on the decline for some time, yet he should not be underestimated as an adversary. At first, he seems to allow himself to be trifled with. His spoiled daughter is very demanding in everything on her birthday. His gangster sidekicks have been put out of action by food poisoning - as a result of Milo's cooking. Albanian crooks cheekily try to take over his dealing turf. He obediently attends meetings of Addicts Anonymous, afraid of returning to his old ways. But don't trifle with Milo. Or you will come to a bloody end. With his trilogy, and certainly with this last part, Refn has not only succeeded in renewing the gangster genre, but also providing it with a new geography. The American mean streets have been convincingly replaced by the multi-ethnic pavements of a Europe that has not yet been given the profile it deserves.'

quoted from: film festival Rotterdam (2006), GJZ

I couldn't agree more. Go see this film. Sharing 'downfall' as the central theme, it's better than Scarface and even more realistic about non-Hollywood gangster life than the Sopranos.

This film is a portrait of a gangster boss. We witness the downfall of the once so cool and untouchable Milo that we got to know in the first Pusher film. Milo is trying to maintain his position in the competitive dopemarket of Copenhagen, but times are changing and younger generations are taking over. On top of this, Milo is trying to quit using dope himself and is attending meetings in Narcotics Anonymous, and he is trying to be a good father to his daughter and make her birthday party a good one.

Nicolas Winding Refn has a way of making my stomach twist and turn like no other director. I can watch gore and splatter films no problem, but the cold and cynical violence in the Pusher gets to me, because it is set in a, for me, very realistic environment. I'm not sure that I like it, but one thing is for sure; it works. The character descriptions are, as always, very believable. The mixing of a lot of the different languages of the different gangs is a funny feature, that I like. Technically, the hand-held camera works okay, but it's not the best. Music and lighting effects are great.

The film is not as good as the first Pusher film, but it has its moments, Zlatko Buric is enjoyable every second, gore is for gore-lovers, the Pusher "mood" is there and it is a fine ending of a remarkable and original trilogy that the danish film scene can be proud of.

The director Nicolas Winding Refn once again delivers a day of total agony and disaster. This day is almost as well presented as Frank's day in Pusher and gives you a look inside the life of a junkie, psychopath and father; Milo the drug-dealer.

Although the entire movie feels slow-paced there are few movies which will leave you as stunned and with such an ugly feeling inside your stomach. This one is truly merciless in it's presentation of the criminal world in Copenhagen, and globally, where nothing is tabu and everyone lives by a code as dark as charcoal.

This deterioration of gangster and his respect is a truly scary journey filled with disappointment, failure and death.

I found Pusher Three the best of the trilogy and would strongly disagree with anyone who bashes on this film. Of course, what makes the Pusher movies great is how realistic the scenarios are. Unlike Tarintino, who's dialog is tricky, sometimes too tricky, the Pusher films have simple, believable dialog. Similair to The Sapranos, Pusher III's appeal is seeing the personal life of gangsters. Milo is a chef and restaurant owner but a drug dealer behind the scenes. Its great seeing Milo go back and fourth between preparing a fifty person meal for his daughters 25th Birthday and settling a drug deal in the back room. A great movie that shows you the stress of a gangster trying to maintain his status as a family man. Milo is one of my favorite movie drug dealers. If your not into drugs, you probably won't appreciate all the minor details of the Pusher trilogy.

i actually went through the registration process on here solely to come on and defend against some of the attacks i saw of this film. i watched all three parts, and personally i felt this installment was a perfect and fitting end to the three. whether or not it portrays the drug underworld of that particular region to the tee is really not that important. it is a very human portrayal of a man who others likely see as inhuman, and without talking about the plot at all (don't want to do a whole spoiler thing)is a film that possesses a quiet, dark, and stark beauty. i have no possible clue how someone could like the other two and not the third, but as someone who watched them all, if you've seen the others, i would strongly recommend you watch this one as well. it is both haunting and strangely heartening, and you won't be disappointed.