Pardon

Many talks about G.O.R.A. as the funniest Turkish movie however, as plot vise, shootings and dialogs "pardon" beats all.

First of all, the director is superb. He had put a lot in the movie, many so-called directors has a lot to learn from Mert Baykal. The script belongs the lead actor Ferhan Sensoy, who is one of the most intellectuals of Turkey. His plots and comedy is unmatched.

I suggest this movie to anyone Turkish and non-Turkish people to see how a country's legal system can be corrupted.

The story is one of the true stories of Turkey about its legal system faults. The acting and directing is superb. I have watched it three times in the same week and laughed each time.

This is an impactful movie that I consider to be a cornerstone of modern Turkish cinema. It's title Pardon (Apologies) might as well be directed at the faceless millions who suffer(ed) under fascistic regimes whose human rights abuses will continue to be ignored for political and financial convenience.

On it's surface, Pardon is the story of three hapless mates but it's also the story of a continuous dark period in a quasi-democratic republic, marred with injustice brought on by self-appointed forces tirelessly working to protect the state from its citizens. As the story unfolds, we quickly discover that such protections are nowhere to be found when it's required to protect the citizens from the state, especially during intervals of uninterrupted accelerated authoritarianism.

This is such a bitter pill to swallow that it takes a master like Ferhan Sensoy to wrap it's bitter core up in his humorous candy, enabling us to digest the tragedy through comedy. Ancient Greek playwrights would be proud of his craftsmanship.

It's also a story of human perseverence and companionship which constantly forces its audience to invoke their sense of justice as our unwilling participants are dragged through the sham courts, having their spirits crushed blow after blow, bit by bit until they finally give up and accept their fate. The audience can't help but internalize the depressing feeling of the life being sucked out of these once spirited characters.

Ibrahim, our main protagonist serves as the primary means of conveying the collective humanity of the trio. Through a series of flashbacks We're given a background story covering his desires, hopes and plans for the future. While we're presented with many of his flaws, we also come to understand that he's fundamentally a well meaning person who is at times let down by his own detachment from reality.

His family, especially his father is typical working class with a strictly working class relationship with money and wealth which is also at the core of Ibrahim's problems since he can't seem to find the money to set up a small business of his own, which retards his growth as a person: He can't get married, he can't have a family and settle down so he chases unlikely sources of income such as gambling. It's thus additionally tragic that he has to be forced to grow up in prison, under such dire circumstances while life passes him by, leading to a downward spiral of despair.

Muzaffer and Aydin are seemingly two opposite characters who compliment Ibrahim's personality. Muzaffer is a cynical, somewhat selfish person but he's not devoid of empathy and he always seem to have a soft spot for his friends so while it might take some encouraging, he eventually comes through and does the right thing. Aydin is a naive, optimistic romantic who tries to see the silver lining in everything thus as a reward, the universe in its infinite wisdom punishes him the hardest. He's only involved in this clusterfrack because the police need a third suspect and his name is the one Ibrahim comes up with, he is tortured and convicted for simply having made a good impression.

He also serves as a reminder that if we ever feel inclined to distance ourselves from Ibrahim, as peculiar a character as he is, and mistakenly assume this only happens to people like him who don't have a high regard for authority, we should realize that there is no difference when the blind eye of the justice points at random people to hold accountable for a crime they didn't commit. If you're at the wrong place at the wrong time, it really doesn't matter if you're the right or the wrong person.

Ultimately, this is an amazing movie not just because of the quality of the writing, the acting and the addictively quotable dialogue, it's a movie which, through humor, helps society face the abuses of the so-called justice system and perhaps serve to comfort many open wounds of those who were scarred by it.

Pardon is a 2005 Turkish comedy film, directed by Mert Baykal, based on the play by Ferhan Sensoy. It tells the tragicomic story of three friends who end up in prison when they are mistaken as members of a terrorist organization. The film is said to be based on a true event, which adds to the absurdity and irony of the situation.

The film has a lot of potential for humor and satire, as it exposes the flaws and corruption of the judicial system, as well as the absurdity and cruelty of the prison life. The film also has a lot of heart, as it shows the friendship and loyalty of the three protagonists, who stick together and support each other through their ordeal. The film also has a touch of romance, as one of the friends, Ibrahim, tries to win the love of his childhood sweetheart, Asuman, who is married to his abusive brother-in-law.

The film is carried by the excellent performances of the three leads, who are all well-known comedians in Turkey.

However, the film suffers from a poor direction by the director, who fails to make the most of the material. The film is poorly paced and edited, with some scenes dragging on too long and others being cut too short. The film is also poorly shot and scored, with a bland and dull visual style and a generic and annoying soundtrack.

Pardon is a film that deserves to be seen and appreciated by anyone who loves comedy and drama. D settles for cheap and easy laughs instead of deeper and darker ones. But it is also a film that could have been much better, if only it had a more competent and courageous director.

I got a chance to see the movie last week, and what an unfortunate pick it was. I really appreciate the last movement in Turkish Cinema which has produced quite good films; but with this one, I can easily tell you that it is one of the worst I've ever watched coming from the last generation Turkish movies (as bad as "Dar Alanda Kisa Paslasmalar").

I waited, waited, waited....... with the hope that something was gonna happen and boom!!! the magical moment: turning all your perceptions of the movie upside down, making you get caught by the movie completely.

Unfortunately, after waiting for this magical moment about 45 minutes, it was the time for me to realize that there wouldn't be anything interesting coming at all. Even though I consider myself pretty much patient person, I couldn't take it anymore -as most of you would have done the same thing- i had to ff to see what happened at the end. At that point, you might ask "How come there wasn't anything good in the whole movie which brings together some of the very well-known names from Turkish Cinema&Theater scene?".

Yes there was one thing good and it was Edip Akbayram's song; but even that couldn't help the movie not to suck

It's a great movie. I really enjoyed it. Sometimes made me laugh loudly.

The movie is about a person who afraid of uniform and doesn't like to be called "LAN". He is a late age soldier in Turkish Army and before deployment he just wanted to see his loved one in Istanbul.

In the terminal, police fallows him then puts him and his friend under custody. Police officer make them sign a crime confession and story starts.

It's been almost seven years and they are still in the jail as innocent as everybody.