Sekai no chûshin de, ai o sakebu

THere is so much to be said about this movie.

Its aesthetically beautiful. It's emotionally pure, powerful, & sad and its heartwarming as well as tearjerking. I won't tell you anything about the story because you probably have already looked into it. Well, if you haven't... DON'T! Don't spoil it for yourself. Find it somehow. Online. IN a store. Anywhere. Its amazing. Breathtaking. Gratifying. At the risk of sounding like more of a fanboy, I'll stop here.

The best Japanese film of 2004 without a doubt & maybe of the last decade.

A must see.

I hope for a region 1 DVD sometime soon.

I've just seen this film yesterday at the University. As a very serious movie fan, I didn't expect anything of the film. Especially, being a typical male and the kind of person who is not too keen into romance movies. However, I was carried away after the first 15 minutes. I've been very busy lately with work but I still couldn't stop thinking about the storyline as I consistently found myself analysing the feelings and emotions from the perspectives of the people who are involved in the story. The philosophical statements in the film have also enforced a huge impact on my mind. They significantly play very important part in the story. I do not want give any more details but I strongly believe that this film should be seen by all movie goers.

This movie is based on a novel written by Katayama Kyoichi. The first print only limited to 8,000 copies but after Shibasaki Kou (that cast Ritsuko) had read it in a occasion, she was deeply impressed and recommend it on a magazine. Hence the rest is history and it had sold over 3 million copies in Japan which beat the sales record of Norway's forest. Due to the heat of the book, the story had bring into the movie which include the top of the crew in Japan movie industry.

Ritsuko role are only add to the movie and not appear in the original novel and the original "Centre of the world" is not in Australia in the book too. However, this movie still touching my heart as I had a common feeling which as I have pass my youth in the same 80 age like Saku and Aki, where walkman is such a precious thing in that time.

The score is very well done and is emotional moving, the main theme by Hirai Ken is excellently with stirring melody.

I highly recommend this movie but sadly it is not easily available in western country except by internet selling like yes.Asia 9 / 10

A beautiful, beautiful movie. Haunting....and got me crying (and I don't cry easily!) It haunted me for days after watching it on cable TV, and even writing this comment made my eyes a little moist. This charming movie is made credible by the performances of the two young actors. I loved them and I loved the movie! What made it even more endearing was that there was no love scenes, no sex, no giggling teenage girls, etc. Nothing like those Hollywood or HK type teen romance. Watch it with an open mind and an open heart, and be prepared to feel... BTW, I just fell in love with the character Aki. If I ever had a love in my teens, it would be her....

The English title of this movie is "Crying out love, in the centre of the world".

After the proliferation of Korean romances in the last few years, Japan has made a come back, first with top romance "poetic" director Shunji Iwai's Hana and Alice. The director of Cry, Isao Yukisada, has collaborated extensively with Shunji Iwai and has been considered by many as his successor. The book on which the movie was based has taken Japan by storm; ditto the movie. However, as the story in the book, while beautiful, is a little too simple to sustain a movie, an additional character was written into it, played by Kou Shibasaki who suggested the idea of the movie in the first place. Also, the movie adopts the favourite structure for Japanese romances, one of parallel events, the present and a flashback. The success of this approach is quite evident.

Coming before the title is a prelude, with a frame showing a rain-beaten window pane and voice over, to the very, very faint background of Bach-Gounod's Ave Maria (does that bring back Raging Bull?) The voices of the boy and the girl are languid and melancholy. The meaning of this prelude scene and its background music are revealed only close towards the end.

The premise is familiar, a simple, sweet high school romance ended by a leukaemia death. What makes this movie a cut above the pack is that it does not go all out to be a tearjerker. The romance story in the flashback, which accounts for most of the movie, is told with refreshing simplicity, absorbing the audience in the attentive details and interesting characters, particularly the girl played so charmingly by Masami Nagasawa. The length of two-and-a half-hours is not an issue at all. Once you get into the small town of Takamatsu, time sort of stands still. If you don't like that sort of thing, one more minute would become boring. If you love it, passage of real time in the cinema is simply not noticed.

I won't dwell on the plot. We know very early that the girl in the romance eventually died of leukaemia so there's no spoilers there. To enrich the movie, an additional character is introduced, the man's (was the boy) present fiancée who however has a link to the past. Some think that this small plot twist is just a little too engineered but personally, I don't have a lot of problem with it.

One very interesting aspect is the retro element. The period of the flashback is the 80s, cassette messages listened via a walkman serves as a link between the pass and the present – a sort of audible love letters.

Ken Harai fans make sure that you do not dash away before the ending credits, which is accompanied by his performance of the title song he wrote.