CALIFICACIÓN DE IMDb
3.7/10
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TU CALIFICACIÓN
Agrega una trama en tu idiomaPastor Estus W. Pirkle preaches about hell, where all non-Christians will suffer eternal torment. He's also visited by two self-professed "Christians" who don't believe in hell.Pastor Estus W. Pirkle preaches about hell, where all non-Christians will suffer eternal torment. He's also visited by two self-professed "Christians" who don't believe in hell.Pastor Estus W. Pirkle preaches about hell, where all non-Christians will suffer eternal torment. He's also visited by two self-professed "Christians" who don't believe in hell.
Fotos
Robert G. Lee
- Self (Guest Preacher)
- (as Dr R.G. Lee)
Jack Hyles
- Self (Guest Preacher)
- (as Dr Jack Hyles)
Bob Gray
- Self (Guest Preacher)
- (as Dr Bob Gray)
Terence Hendricks
- Lazarus
- (as Clarence Hendricks)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Ron Ormond's "The Burning Hell" may be one of the strangest films ever seen by the general public. It was never intended for public exhibition but was made by a group of evangelicals for Church members, disappeared and was then rediscovered by Nicolas Winding Refn who remastered the original print. It has a home-movie feel to it and, of course, it's terrible and appallingly 'acted' by its amateur cast, (it's mostly just a load of preachers preaching to us), and yet exploitation director Ormond keeps us watching, perhaps in slack-jawed awe and disbelief at what we're actually seeing, (the scenes in Hell are straight out of the worst Grade-Z horror film). This is trash, more likely aimed at sinners than saints and the best thing about it is that it only lasts an hour.
I thought this was a very interesting movie. I believe they should do a re-make of this movie. With the graphics we have now this would be a hit. I hope Hollywood does not let this movie collect dust and be forgotten. Someone please clean off the dust and at least put the movie on DVD even if they don't do a re-make. Young people will truly get an eye opener off this one. With our society changing so fast and so much, it's time for a reality check. I am sure in this day and time this movie will cause great controversy but facts are facts. Who really wants to go to hell. Not I. I can hardly stand the heat in South Florida. After seeing this movie, it changed my whole perspective about life and who I wanted to be in charge of my life. I can certainly tell you that I definitely want to be in heaven with the Lord and not in the burning hell with the devil.
The Burning Hell is another evangelical laughfest courtesy of Rev. Estus Pirkle and the Ormand family. Having warned the movie going public of communism in their previous outing, they now set out to illustrate the dangers of hell and damnation. Once again mixing badly acted vignettes with scenes of Rev. Pirkle preaching to his congregation, The Burning Hell is just as much of a camp classic as If Footmen Tire You, What Will Horsemen Do.
The film depicts damnation by means of biblical stories and a case study of two liberal Christian bikers, one of whom dies in an accident. Between depictions of people burning in hell, Pirkle expounds on horrible it is to burn in hell, focusing on such edifying themes as the temperature in hell, the presence of worms, and which biblical figures we can expect to meet in hell. Rather than filling us with fear of the Lord, however, the film ultimately produces questions such as "Why does Moses have a southern accent?" and "Who would want to worship something as sadistic as the god Pirkle depicts?"
The depictions of hell are ham-handed and at times downright bizarre. Satan, for example, comes across as a psychedelic version of the Riddler, while the dialogue of the damned is just stilted. A prison guard who thinks everyone is John the Baptist is a particular highlight. An ending which suggests it may all have been a dream lends a particularly corny aspect to the film. Another highlight is the scene where Rev. Pirkle, using a board with numbers on it, confuses a million with a billion.
The film depicts damnation by means of biblical stories and a case study of two liberal Christian bikers, one of whom dies in an accident. Between depictions of people burning in hell, Pirkle expounds on horrible it is to burn in hell, focusing on such edifying themes as the temperature in hell, the presence of worms, and which biblical figures we can expect to meet in hell. Rather than filling us with fear of the Lord, however, the film ultimately produces questions such as "Why does Moses have a southern accent?" and "Who would want to worship something as sadistic as the god Pirkle depicts?"
The depictions of hell are ham-handed and at times downright bizarre. Satan, for example, comes across as a psychedelic version of the Riddler, while the dialogue of the damned is just stilted. A prison guard who thinks everyone is John the Baptist is a particular highlight. An ending which suggests it may all have been a dream lends a particularly corny aspect to the film. Another highlight is the scene where Rev. Pirkle, using a board with numbers on it, confuses a million with a billion.
Movies don't get much worse than this. Even though I agree somewhat with the point it means to make (there is a real hell, it is horrible, and those who don't trust in Jesus Christ will go there forever), I wouldn't recommend this movie to anyone for any reason. It is inexcusably bad art. It made the rounds in conservative evangelical circles in the late 1970s doing little more than turning hard people into harder ones. Worse yet, two of the featured preachers, Hyles and Gray, were later discovered to have lived secret lives of sexual degeneracy. Both have now passed away and may well know all too well the truth of their words to which they themselves would not listen. If movies could go to hell, this one would spend eternity in its deepest pits.
Even if I were to agree with the theology, this would still be a dreadful film. The acting sucks, the story is stupid, it only commands attention because of the horrific idea at its core.
That idea is the eternal torment of those who do not adhere the shibboleths of a specific religion. "Eternal torment" here is portrayed by literalistic imagery drawn from the Christian Bible, complete with fire, sulfur, worms, and of course endless pain.
Many evangelical Christians have suspended, not only disbelief, but also intelligence, in endorsing this terrible movie.
F__k this evil movie to hell!
That idea is the eternal torment of those who do not adhere the shibboleths of a specific religion. "Eternal torment" here is portrayed by literalistic imagery drawn from the Christian Bible, complete with fire, sulfur, worms, and of course endless pain.
Many evangelical Christians have suspended, not only disbelief, but also intelligence, in endorsing this terrible movie.
F__k this evil movie to hell!
¿Sabías que…?
- TriviaThis film was mainly shown in churches and religious schools using 16mm prints. During the initial distribution period, the areas where the film was booked would be saturated with advertising. Word-of-mouth usually limited the engagements to no more than one or two showings.
- ConexionesFeatured in The Cinema Snob: The Burning Hell (2016)
- Bandas sonorasJust as I Am
Written by Charlotte Elliott
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