WTC View

I recently had a chance to screen this film with the director present. He said that his two inspirations for this movie came from Rear Window and Rosemary's Baby. Not exactly two films that come to mind when you think of a 9/11 movie. However, they are fitting. The main character in the movie is trapped in his apartment. We do not see the outside world until the last frame. His prospective tenants go and look out the window of the bedroom and we know what they are looking at without ever seeing it. We do not see it because it is not a movie about us. It is a movie about the characters on screen and their dealing with the tragedy. Writer /director Brian Sloan has captured almost every angle of reactions to that day. Perhaps the most interesting reaction comes from Alex(Nick Potenzieri), as someone who was actually in the tower when the plane hit. He has a positive look on life, and begins to look at everything differently. This movie would be fascinating enough if it were just about prospective roommates and their dealings with Septemeber 11 but it isn't. It becomes much more as we deal with Eric and how profoundly he was affected by that day. This movie is an intimate, moving portrayal of events that we all know, but in a much different way than we have ever seen. I highly recommend it if you can find it to watch.

Although I had moved a few miles north before the World Trade Center was attacked, and I didn't look down the Hudson River and see smoke where the towers used to be until after they'd both fallen, I was deeply shocked, and I grieved for them for at least ten years. It was the most painful experience of my adult life. I didn't know anyone who died there; I was grieving for the buildings, which had been there in the background of my life like an anchor I didn't know was so important until it was gone.

But those wounds finally healed, and seeing this movie now, in 2013, isn't as cathartic for me as it might have been when it first came out eight years ago, when my grief still seemed inconsolable. So for me, now, this is just a movie, and I respond to it as if it were about a subject that never affected me at all.

As a movie, it's better than I expected. Michael Urie and Elizabeth Kapplow are excellent as Eric and Josie, and the rest of the cast are good enough not to be distracting (except for Jeremy Beazlie's horrendous British accent). The direction is surprisingly good, which is unusual when a playwright adapts his own play to the screen and also directs it; that's almost always a formula for failure, but Sloan does it fairly well.

As a play, it's beautifully written, never predictable or trite, and I'm sure it was deeply moving when performed live in a theatre. Unfortunately, the transition to film could have been better. But that's a very hard transition to make, and nobody has EVER done it perfectly except Mike Nichols with Who's Afraid of Virginia Woolf.

So although I admired this movie a lot, I never really believed it, never got deeply involved in Eric's trauma, because I could never get past the knowledge that he was acting.

Stage acting and movie acting are very, very different; and this was a play performed for a camera instead of an audience: admirably done, but the stage-bound formality of both the writing and the acting kept me at a distance emotionally.

I saw this movie at ImageOut, the Rochester Lesbian and Gay Film and Video Festival. Although a shallow, good-natured film called "Summer Storm" won the audience award at the end of the week, most of my friends--people who like more complexity and substance in their films--thought this film was the best of the fest. Focusing on a 30ish gay male photographer whose apartment looked upon the World Trade Center and who is now coping with the trauma he suffered on 9/11, this drama with comedy is one of the most warm and deeply felt human dramas I've seen all year. You really learn to care about the photographer, named Eric, and his all-too-human response to overwhelming historical events. The humor comes organically out of the material without seeming inappropriate or ghoulish, and the film really shows us what it's like, in a compelling way, to live in historically significant times. Were this film to have starred bigger stars--say Jake Gyllenhaal as Eric and Claire Danes as his gal-pal friend--it would be talked about as an Oscar contender today. As it is, this little gem of an indie needs searching out. Many of the actors in this film, particularly Michael Urie and Nick Potenzieri, will be stars one day. See them here first, and remember I told you so.

I stumbled upon this movie somewhat randomly, as someone with a similar experience living in New York City and searching for roommates after 9/11, and had no idea anyone had ever made a film on this topic, and did enjoy and find commonality in a few brief moments and scenes. While I am straight, I went through much of the same emotional turmoil as the main character in my desperate search to find a roommate and continue my New York City life in the days and months following Sep 11. I ended up having to leave my apt, and began the first serious romantic relationship of my life in October 2001, an intensely passionate and largely dysfunctional relationship which ended horribly, yet nonetheless I will always love her dearly. In truth, we were both still grieving and dealing with these events in our own ways when we met, only weeks after these events, and if not for 9/11, we never would have met.

I still feel a lot of guilt over my anguish over the years and how Sep 11 affected me personally, because in comparison I was so fortunate compared to so many others who lost their lives, friends, loved ones, or suffered permanent health issues. But the emotional toll it took on all of those who lived through it directly, even those of us seemingly spared from direct loss, should not be overlooked. I am glad someone made a film about this. I only wish they had found better actors!

Unfortunately, the acting and directing are so bad that it's mostly hard to watch, as it takes away from the impact of the script (which isn't that bad and has some strong, cathartic moments). All the body language and interactions between the gay lead and his potential "roommates," were just "off", as if he had no idea how to relate to other straight or female actors. Even the way he interacted with his female best friend felt phony and forced. The only time the main actor seemed comfortable at all was during the gay scenes (nothing pornographic but definitely might be uncomfortable to some viewers), which I think says more about him as a bad actor than any statement about the film or events.

This is SO worth seeing. I was hesitant, thinking it would be a big gloom-fest. But instead, I found myself very moved by a beautifully acted, written and photographed film. It really needs to be seen.

I was surprised to find out that the star, Michael Urie, is the bitchy gay assistant on Ugly Betty. He is such a versatile actor, that it's hard to believe it's the same person. I love the way the director chose to keep some of the staginess from the play. Usually this is not a good thing, but this film uses it to good effect, increasing the intimacy and immediacy of the story and performances.

Congratulations to the talented cast and everyone else involved!