Only the Brave

On December 7 1941, the Imperial Japanese Navy raided Hawaii's Pearl Harbor and decimated the United States Navy's Pacific battleships.

Two months later, President Franklin D. Roosevelt signed Executive Order 9066, permitting the U.S. military to uproot thousands of West Coast Japanese and Japanese-Americans and ship them to inland interment camps.

In February of 1943, the ban on Japanese in the military was lifted and the 100th Battalion 442nd Regimental Combat Team was formed. Containing Japanese-American volunteers from Hawaii and, remarkably, from out of the mainland interment camps, the 100th/442nd was sent to Europe.

"Only The Brave" is a fictionalized account of the 100th/442nd's most famous success: the October 1944 rescue of the "Lost Battalion", the all-white "Texas" 141st, trapped behind enemy lines deep within the Vosges Mountains of France.

The movie opens during the battle for the town of Bruyeres, France. After a receiving a head wound, Sergeant Jimmy Takata (played by the film's writer and director, Lane Nishikawa) begins to "see" the memories of his dying troops. As they die, Takata also becomes a walking repository of their mementos: a signature pair of eyeglasses, a photograph of children, an engagement ring never given.

Through the Bruyeres battle and the five bloody days of desperate fighting it takes to break through the German line and rescue the 141st, Nishikawa uses Sergeant Takata as a metaphor for the quiet and proud generation of Japanese-Americans who endured life in the relocation camps, who fought in battle and who kept up the home front, but who have mostly held onto their stories. Nishikawa's moral is an old one: the release of the past brings healing for the future, but it is especially poignant given that so few of that generation remain.

Working with a limited budget and an abbreviated shooting schedule, Nishikawa wisely chose to "go small" with his shots. Each scene is personal to the viewer. Each battle is realistically chaotic without wide shots and multiple angles to give viewers their bearings. The result for the viewer is – as it is for the characters - an exhausted embrace of the story's pauses.

Nishikawa also "goes small" with his characters. The memories that haunt Takata are often short, deeply personal gut punches. The realistic pidgin banter between the "local boy" Hawaiian Japanese and the exploration of the tensions between the Hawaiian Japanese and the mainland "kotonk" Japanese are products of character development and not just tossed in for "authenticity".

Unlike many recent war films, there is little battle gore in "Only The Brave", making the infrequent bloody scenes that much more powerful.

The cast, featuring Nishikawa, Jason Scott Lee, Yuji Okumoto and Tamlyn Tomita, turn in solid performances but Pat Morita's cameo was a little wonky for me.

"Only The Brave" will definitely be worth watching when it is finally released into theaters. I was lucky enough to attend a private screening in Seattle. I'd gladly wait in line again.

Last night my wife and I viewed this film at the Director's Guild Theatre in Hollywood. My first impression as it ended was that I was glad that a movie like this had been made! Lane, the director, was kind enough to field questions from the audience after the screening and learning how they did this on a shoe-string budget made the film even more impressive to me. The acting was superb, the camera work was on the money and the writing was top notch. I can't wait to see the final version! Kudos to Lane and his production crew, to the actors and the fund-raising effort that made it all happen. This film needs major distribution and the sooner, the better!

I've read the negative reviews and the conclusion I draw from them is that their authors obviously refuse to look at the real purpose of the script.

The easy way to look at this movie is to see the courage and determination of those guys to save the Texas battalion from complete destruction. But is it really the point the script writer and the director wanted to stress out?

My answer is no. From my perspective as a French citizen this movie deals from the first image to the last about tolerance, respect of the one who is different from you . The USA after the shock of Pearl Harbor took measures totally inexcusable against citizens born in the country and treated like prisoners of war. In the Army those who nevertheless volunteered to join the allied forces, were like their fellow black compatriots , subject to racist behavior of the white soldiers.

The problem is that the bullet which kills you doesn't care if you're white, black or your skin yellow. The result is for all the same. Loss of life, grief of your companions on the battlefield and in the families and friends far away. For both groups fear is the same. For both groups you try to connect with some unreachable element which you call god with different names and which reassures you and gives you courage.

That's what this movie is all about. Perhaps some of the flashbacks could have been suppressed, but all in all the script is well constructed and the acting very convincing and many times very moving.

This is a terrific film and tribute to an unbelievable group of soldiers and just one of their amazing accomplishments. With all the renewed interest in World War II as this generation of men begin to pass from the scene, I can't believe there haven't been more films about the little- known exploits of this all-Japanese American 442nd RCT. As of this writing, this film has mainly been on the film festival circuit - I can't believe this was a low-budget, independent film - a period piece, and a war picture, to boot. A great cast, including such Asian American luminaries like Jason Scott Lee, Mark Dacascos, Tamlyn Tomita, Pat Morita (maybe his last performance), and others, along with a scrupulous attention to detail - weapons, uniforms, etc. - make this a stand-out film. The script's basic theme - that each of these men were more than just soldiers, they each had families, loved ones, reasons to live - magnify the tragedy of each death, so this film not only honors and glorifies these men's accomplishments, it also serves as a meditation on the true cost of war. Hope this sparks many, many more films about these guys!

I recently saw Only the Brave, and I was very impressed!

I had seen an earlier screening of this film, and although I had thought there were some very effective scenes, things didn't seem to flow together. Well, it is obvious that the director and editor have been working hard because the version that I just saw was very tight and a huge improvement over what I saw a few months ago.

I thought the combat scenes were very well done and they did a good job of conveying the amount of tension and fear that these soldiers must have been feeling. But even more so, I loved the little glimpses into the personal lives of each of these men. They helped to create fleshed out characters that the audience could have an emotional connection with.

The acting was all very strong. I liked the art direction which did a good job of making this film a step back in time to a different era.

I watched this screening along with my father who was a veteran of the 442. He was deeply moved by the film.

Kudos to Lane Nishikawa and company for making a very important movie.