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IMDbPro

Chi to hone

  • 2004
  • 2h 20min
CALIFICACIÓN DE IMDb
7.0/10
2.2 k
TU CALIFICACIÓN
Chi to hone (2004)
Drama

Agrega una trama en tu idiomaIn 1923, the Korean teenager Kim Shun-Pei moves from Cheju Island, in South Korea, to Osaka, in Japan. Along the years, he becomes a cruel, greedy and violent man and builds a factory of kam... Leer todoIn 1923, the Korean teenager Kim Shun-Pei moves from Cheju Island, in South Korea, to Osaka, in Japan. Along the years, he becomes a cruel, greedy and violent man and builds a factory of kamaboko, processed seafood products, in his poor Korean-Japanese community exploiting his em... Leer todoIn 1923, the Korean teenager Kim Shun-Pei moves from Cheju Island, in South Korea, to Osaka, in Japan. Along the years, he becomes a cruel, greedy and violent man and builds a factory of kamaboko, processed seafood products, in his poor Korean-Japanese community exploiting his employees. He makes fortune, abuses and destroys the lives of his wife and family, having ma... Leer todo

  • Dirección
    • Yôichi Sai
  • Guionistas
    • Sogil Yan
    • Yôichi Sai
    • Wui-Sin Chong
  • Elenco
    • Takeshi Kitano
    • Hirofumi Arai
    • Tomoko Tabata
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.0/10
    2.2 k
    TU CALIFICACIÓN
    • Dirección
      • Yôichi Sai
    • Guionistas
      • Sogil Yan
      • Yôichi Sai
      • Wui-Sin Chong
    • Elenco
      • Takeshi Kitano
      • Hirofumi Arai
      • Tomoko Tabata
    • 27Opiniones de los usuarios
    • 29Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
    • Premios
      • 18 premios ganados y 8 nominaciones en total

    Fotos2

    Ver el cartel
    Ver el cartel

    Elenco principal25

    Editar
    Takeshi Kitano
    Takeshi Kitano
    • Joon-pyong Kim
    Hirofumi Arai
    Hirofumi Arai
    • Masao Kim
    Tomoko Tabata
    • Hanako Kim
    Joe Odagiri
    Joe Odagiri
    • Takeshi Park
    Kyôka Suzuki
    • Yong-hee Lee
    Yutaka Matsushige
    Yutaka Matsushige
    • Nobuyoshi Ko
    Mari Hamada
    Mari Hamada
    • Sadako Toritani
    Yûko Nakamura
    • Kiyoko Yamanashi
    Kazuki Kitamura
    Kazuki Kitamura
    • Yoshio Motoyama
    Shûji Kashiwabara
    • San-myung Jang
    Susumu Terajima
    Susumu Terajima
    • Hee-bom Park
    Atsushi Itô
    • Yong-il…
    Miako Tadano
    • Chun-mi Kim
    Mami Nakamura
    • Sanae Otani
    Jae Baxley
    • Fight Spectator
    Chisun
    Shion Hatakeyama
    Taigi Kobayashi
    • Dirección
      • Yôichi Sai
    • Guionistas
      • Sogil Yan
      • Yôichi Sai
      • Wui-Sin Chong
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios27

    7.02.1K
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    Opiniones destacadas

    7nmegahey

    Once upon a time in Japan

    Blood and Bone might as well be called 'Once Upon A Time In Japan' for the strong resemblance it bears to Sergio Leone's epic account of the immigrant experience in post-war America. The immigrants in Yoichi Sai's unrelentingly violent film are Korean, displaced there after the Japanese occupation, the country and any national identity further destabilised after Japan's defeat in the war. Arriving in Osaka in 1923, Kim Shunpei is determined to make a better life for himself, and when he returns from the war sets up a fish-cake factory, expanding later into the loan shark business. His explosively violent temperament however means that he leaves behind him a trail of death and destruction that doesn't even spare his family.

    Well-known for violence in his own gangster movies, 'Beat' Takeshi Kitano takes brutality to monstrous proportions in a performance of remarkable and terrifying intensity, but you could tire very quickly of him punching women in a yet another appalling rampage. In some ways however Kitano is just too big a personality, even for such an epic film, overshadowing any finer points it might have made about the Korean-Japanese experience.
    10mavruda1977

    Totally depressing

    I was totally stunned with this one. As Kitano is my favorite actor from the Japanese cinema, I found this movie depressing, disgusting, sad, desperate - as it should be. A great movie. Beat Takeshi did great job with this one. My primary feelings was: Im glad,I don't have a living like these people do. Im glad that Kitano show me another aspect of real life somewhere from the bottom. The movie is not rushing anywhere - the scenes talks themselves. Sex, violence, silent relations. He showed us a man that exist, a man that we all fear. A man who has a life anyways. I agree with edison-chang who said it is a Great Piece of depressing Junk - yes, it is. But someone said: In the eye of the beast - a tear. May be there was a small grain of humanity left in the hero of Kitano. May be ?!?

    I've read some of the comments below. And I see people disappointed. Some of you does not find any sense in motion picture of Kitano. Some of you found it a clueless junk. I find it brilliant - and we are all right. The true is that Kitano always plays gangsters in his movies. Mostly gangsters. Why is he so violent?! Because it need to be - the gangsters found their way in the society by being violent. In this movie he is gangster too. He takes what he wants and being passive is the only opportunity for people around him - thats the misery. Such places exist - such persons do exist - everything seems to be real and I find it real. Being violent gives you some preferences - you get the money, the business of other people, you get the women you want and you can do whatever you want without being punished... that the movies shows and we all know that that kind of people always get away from the justice. Sad. Real. Hatred. Force. Violence. Fear. Thats the life on the bottom. And no one could help you - it is not good being a victim.
    9fertilecelluloid

    Harsh essay on the cycles of violence

    Yoichi Sai's long film is about a Korean immigrant (to Japan), played by Takeshi Kitano, who cares about nothing but his own pleasure and gain. His destructive personality and violent temper decimate everything and everyone around him. Based on a true story, the script does not attempt to explain or justify Kitano's character. It presents him without judgment.

    The rapes and beatings (mostly of family members) are relentless and occasionally surreal. One brutal exchange between father and son takes place during a rainstorm and is visually arresting. Another sequence, where father and son respectively destroy each other's homes, has a dark, humorous edge.

    The director chooses his shots carefully and recreates the periods in which the film is set (circa 1923 to the mid-80's) effectively but never ostentatiously.

    Although there is much repetition, the film does serve up a smörgåsbord of atrocities for exploitation fans. The treatment of women is harsh. One beating, in particular, of a young woman by her coarse husband, is strong stuff indeed and flawlessly conveys the cycle of violence a perpetrator creates within his own circle and extended family.

    Clearly given a generous budget and clearly a labor of love, BLOOD AND BONES is well worth seeing and should not be forgotten.

    Kitano is extraordinary.
    6DICK STEEL

    A Nutshell Review: Blood and Bones

    I'd watch Blood and Bones for one reason, and that's for 'Beat' Takeshi Kitano. Local audiences will probably remember him in recent roles from Battle Royale, Brother, and Zatoichi. Here, he plays Jyombion Kim, one of the early pioneer Koreans who emigrated to Japan.

    From the start, the narration tells us the story of this one man and his life, from a teenager, until his deathbed. And he's a violent man at that, always with a drink in hand, which brings out the worst in him. If he wants to copulate, he makes sure he does. If he wants to whack the living daylights out of a person, or family member, he does too. He's Mr Domestic Violence personified, with cruel beatings to get his way. From opening a fishcake business, to loan-sharking, his aloof, and philandering ways created his extended dysfunctional family, their trials and tribulations. He is an independent, wandering soul, and will probably provide for an interesting character study.

    Besides the nice cinematography, the beautiful soundtrack is probably what made it easy to go through this excruciating slow paced movie. If you're not careful, you might nod off at time. The material might be uncomfortable for some; though there was violence, there isn't much gore.

    Weaved throughout the show at various points, is the look into the treatment of these Korean immigrants in Japan, the discrimination and difficulties faced in living in another's homogeneous society. There are many characters in the movie - sons, daughters, in-laws, half-siblings, wives, mistresses, that you'll probably be able to create a neat family tree if you link all of them on paper. But don't expect too much story on the ensemble of characters, most of them get their focus at various points, then are quietly dispatched to the background.

    It's an awfully sad tale, nothing in it that will make you cheer. But there is something to cheer about the movie though, and that it is shown here uncut and unedited. Meaning you get to see it as it was intended, including male genitalia.
    7samuelding85

    A Family Tale of Raw Blood and Bones

    The Korean born Japanese director Yoichi Sai brings the tale of family violence to the screen, which is based on the adaptation of Yan Sogil's same title novel.

    With Takeshi Kitano playing the leading patriarch Kim Joong Pyong, the story begins in Osaka, Japan in 1923. Kim, a native Korean who left Cheju Island from Korea, reaches Osaka, hoping to find a better life.

    When harsh reality makes his dream a far cry from where he stands, he resorts to violence and stubbornness to achieve his goal. He rapes Yong Hee (Masai Suzuki), another Korean immigrant, and they get married, and have a son named Masao, and a daughter named Hanako. He opens a fishcake factory and abuses his workers in long hour work, together with his barbaric behavior, which is an idea he strongly believes in. As time goes by, he earns a fortune, which makes him creating the second path of wealth: loan shark. At an extremely high interest and hard pressures on anyone who borrows from him, he was left with nothing but money and mistresses.

    Years passes and his family is still under his pressure, which eventually leads to the fall of the family.

    Bllood and Bones is a tale of family violence from a ruthless man who attempts to dominate what is around him. Raw and direct to your face, this is certainly not a family friendly tale on how a man repents from the sins he committed to his family.

    Being a Korean immigrant in Japan, Yoichi Sai knows best on the facts of the Korean community living in Japan in the previous century, and how the first generation Korean immigrant blends their culture in the Japan society during the post Depression era and World War 2. While the film is portraying the glorious side of how the Koreans seek better life in Japan, it is not a smooth path they are taking. They are still faced with the discrimination of the Japanese as a second rate citizen, even though Japan wants Korea to join forces during World War 2.

    Back home, Joon Pyong terrorizes the family thru endless violence, both physical and emotional. Workers were abused, creditors were driven to death, lust for beautiful women and endless physical relationship and abuse on the mistresses were just part of Joon Pyong's lifestyle. Yoichi Sai is not reaping the seed of fear in the audience, creating a negative impression. More rather, these are the bare naked facts that happens around us, even till today. The harsh environment in a developing country makes Joon Pyong's behavior, unfortunately, a norm to him.

    As the title says, Blood and Bones. No blood were seen, no bones were broken. Instead, it's the emotion that bleeds and breaks into pieces, which can be explained by the downfall of the Kim family. And Takeshi Kitano's performances makes everyone bleed and left broken.

    Blood and Bones is not a feel good movie of any kind. It makes you want to stop more people from bleeding, and breaking into pieces.

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    Argumento

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    ¿Sabías que…?

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    • Trivia
      Official submission of Japan for the 'Best Foreign Language Film' category of the 78th Academy Awards in 2006.
    • Conexiones
      Referenced in Kantoku · Banzai! (2007)

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    Detalles

    Editar
    • Fecha de lanzamiento
      • 6 de noviembre de 2004 (Japón)
    • País de origen
      • Japón
    • Sitio oficial
      • Lighthouse Pictures (Singapore)
    • Idiomas
      • Coreano
      • Japonés
    • También se conoce como
      • Blood and Bones
    • Productoras
      • Artist Film
      • Asahi Broadcasting Corporation (ABC)
      • Be-Wild
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Total a nivel mundial
      • USD 4,649,617
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      • 2h 20min(140 min)
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital
    • Relación de aspecto
      • 1.85 : 1

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