Los tres entierros de Melquiades Estrada

At times 21 Grams others Don Quixote. A meaningless killing, leads to three burials and a quest with a corpse through Mexico, Arriaga(the screenwriter here, formerly of Babel, Ammores Perros, 21 Grams) as always weaves in themes both global and personal, political and poetic, with a skill and restraint not often seen. Ostensibally a modern western, this film shares with those others an ostensibly simple event told through a variety of chronologies and characters, great stuff. As with those other films it does tend to have a slow pace, but it does so give the viewer a grander scenic sense of the landscape Arriaga and Tommy Lee Jones, who direction should not be overlooked, unfold for us, a literate, mindful, grossly underrated modern western which manages to say many powerful things about the world today and human life in general.

I just had the pleasure of seeing this wholly original modern-day American western. Just when you think you have this film's plot pigeon holed it takes you in a different direction. THREE BURIALS OF MELQUIADES ESTRADA is in part a revenge story, but it's also much more than that. There are no one dimensional characters. As much as you want to hate Barry Pepper's numbed border patrol officer, you can't help but feel sorry for him. And Tommy Lee Jones' Pete will break your heart. He and Pepper have never been better and Jones' direction is natural and subtle. My only problem with the film was sometimes it got a little too quirky for its own good. But for the most part I believed every moment and really cared for these lost characters. It's one of those films that really leaves you thinking about a lot of stuff, from mortality and loss to the very real problems of racism and inhumanity. It's never preachy or self aware and isn't out to impress, it's just telling a story. I highly recommend this movie. It's by far one of the best films I've seen recently.

The Three Burials of Melquiades Estrada is for me the film that saved 2005. Written by Guillermo Arriaga, also writer of "Amores Perros" and "21 grams" and the first movie of Tommy Lee Jones as a director (but also lead actor), "The Three Burials of Melquiades Estrada" tells the story of Ranch hand Pete Perkins (Tommy Lee Jones) who wants to fulfill the promise he made to his recently deceased Mexican friend by burying him in his hometown in Mexico. The power of this modern western and initiatic journey resides in the complexity of the characters, their depth and their controversial behavior. None of the protagonists are one dimensional; none of them are right or wrong but all of them do right and wrong things. They are not always rational, and most of the time they feel lost. In one word they all appear profoundly human. Build over a chase dynamic fueled with contrasts and paradoxes, the film opposes Wild West landscape and Modern carton built houses, 4WD tracking hunt and horse back journey, fake TV soaps and true friendship but maybe most of all Freedom and Prison. Indeed most if not all characters are trapped in their apathetic lives from which they can't or don't want to escape forcing us to ask ourselves how close is our lives to the spectacle projected in front of our eyes. Melquiades Estrada embodies this possibility of Escape and now that he has been buried 3 times he transcends this Freedom making redemption possible not only through death but also through rebirth, suggesting that nobody is beyond it.

Ay, carramba! A diablo of a marketing challenge: a bilingual movie, with an impossible-to-remember title, a story of white trash, Mexican wetbacks (that's the film's language), cruel Border Patrol "cowboys," and Tommy Lee Jones as the director and the uniquely memorable lead character... and a film that's one of the year's best.

"The Three Burials of Melquiades Estrada" opens with a somewhat confusing sequence of flashbacks, and for the first half hour, you wish you were watching something more "orderly," but you'll be hooked anyway. For the next hour and a half, however, there is a crescendo of images and situations hitting the viewer over the head, amazing and moving.

Taking the corpse of a friend - and his very much alive killer - back to Mexico for a "proper burial" and to mete out justice, Jones' voyage is a quirky, epic adventure, based on the brilliant writing of Guillermo Arriaga (of "21 Grams"), and filmed to perfection by Chris Menges (of "The Killing Fields" and "The Mission").

Besides Jones (who won the 2005 Cannes Festival best actor award for this), "3 Burials" features fabulous performances by Barry Pepper ("25 Hours"), Julio Cedillo, and a large group of remarkable supporting actors on both sides of the border.

Jones says something in the production notes that could sound arrogant or affected... except that it's true: "Some visual influences have been the kabuki theater, the art of Donald Judd and Dan Flavin, and the films of Akira Kurasawa, Sam Peckinpah, and Jean-Luc Godard." Amen.

"The Three Burials of Melquiades Estrada" is a surprise. Directed by Tommy Lee Jones, marking his first time behind the camera, with a screen play by Guillermo Arriaga, this is a film that tells a story about an murder in a troubled border area between the US and Mexico. The film is loosely based on a true story that happened in that part of the country some years ago.

Pete Perkins is a decent man. When his ranch hand is killed under mysterious circumstances, Pete jumps into action. Pete wants to take his friend, Melquiades Estrada, across the border to Mexico to make sure he receives the proper burial he deserves. A coyote has lead to the first burial site and the following investigation involves the local sheriff, Belmont, but Pete will have none of that.

Pete's investigation leads him to the corrupt border guard Mike Norton. Perkins captures the man and with the body strapped to a horse and his captive in another, Pete begins the long journey to Mexico. He passes the hot land between the two countries in a voyage that will bring Melquiades to his home.

The separate narratives at the beginning of the film are somehow confusing and the viewer is advised to pay close attention to it since it has multiple stories going on at a time when we don't know much of what is happening. We get to meet the cruel Norton and his bored wife Lou Ann. It also serve as the way to tell us how Pete and Norton meet.

Tommy Lee Jones, with his rugged looks, brings a tremendous presence to his own film. Mr. Jones is a decent man who can't stand the injustice his hired hand suffered as he delves into solving the mystery of Melquiades' death. Barry Pepper is quite good as the nasty Mike Norton, a man who gets much more than what he bargained for. Dwight Yoakam, January Jones and Melissa Leo are seen in minor roles. Julio Cedillo plays the dead man, Melquiades Estrada.

Tommy Lee Jones is blessed to be working on his first venture with the great cinematographer Chris Menges. Mr. Menges' take on the scenery is one of the best things in the film. The musical score by Marco Beltrami is also another asset. The editing of Roberto Silvi sets the tone for the early part of the movie.

"The Three Deaths of Melquiades Estrada" shows us a mature Tommy Lee Jones who has learned his lesson well in front of the camera. Now, working behind, as well as directing himself and his amazing cast, he shows a humongous talent that ought to be seen in future ventures.