El tigre y la nieve

The Tiger and the Snow is the best film Benigni has released since Life is Beautiful.Although no where as good as that film,this film still manages to provide humor in the midst of tragedy and horrors of war.I really like the way he blends comedy and tragedy and he's really good at that.But there are times when he overreaches and doesn't focus on the actual plot and goes beyond.But this is one film that you shouldn't miss and will definitely allow the audiences to swallow Benigni's last effort that didn't turn out that good.

A poet who talks only about life and love is struggling to woo a women that we know very little about ,except that she keeps appearing in his dreams as his bride.He keeps having the same dream with her in his dreams.So when he comes face to face with her,he decides to get her at all cost.But after almost coming close,she leaves him and he never hears from her again.Then all the sudden he gets a call that she is in bad condition stuck in Baghdad during the American invasion in Iraq.So begins his journey to Baghdad and once he reaches there ,he finds himself in a completely different place.He discovers that the women that he's in love with has some kind of sickness that needs to be cured within 4 hours.So the poet goes out on the streets,deserts,roads to find a medicine.And on his journey he comes across various odd,funny and touching situations.

This film is simple and straightforward ,just like Life is Beautiful,and just like that film,Benigni presents his story in a rather amusing sort of manner.He brings surprises and turns and joy whilst telling a weak story.He makes most out of himself to keep the audience unaware of the flaws and hold their attention with scenes that really have lasting effects.

One scene,in particular was towards the end,when the Poet and his friend Fuad(Jean Reno)look up the sky and talk about god and something related to existentialism ,they marvel the beautiful night sky revealing gorgeous stars and at the same time the bombings are taking place.Showing that even in the most horrific situations ,you can still find amusement,and beauty.There were many moments in the film that really make you laugh,feel,and sometimes coming close to cry for the characters.And for that Benigni has achieved something.

Benigni is 90% on screen,and that becomes repetitive.He can get on your nerves and annoy you to death and you just wish you wouldn't get to see him for at least five minutes.Benigni is covering the whole screen time and that is one of the drawbacks.He is so concerned about himself that he forgets about the development of some of the characters.But ,nevertheless he does charm you and puts a smile on your face,either a feigned smile or comfortable smile.He does leave an impact and you have to admire his talent as a Writer ,Director,and Actor.For other cast members,Jean Reno is surprisingly effective,(I didn't knew he was so good in Italian Language).He portrays his character with depth.You feel this secrecy in him.He is trying to hide something and then in the end you see it.He really is a standout other than Benigni.While Benigni's wife is not all that impressive.Most of the film,she doesn't act but just Lay on the bed.So ,she doesn't have much to do,other than admiring her husbands charm besides her.

This is a very well made film that revolves around the Iraq war.Probably first of the many films that will have the Iraq war as the concept.And this first attempt is by far very ,very satisfying.I really liked it.Don't expect it to be as wonderful or touching or even emotional as Life is Beautiful.Yes,it is sweet,it has its moments of success but all the while you're liking it, Benigni comes along and ruins your mood.Though,not fully successful,it still goes down as the first contender for the Foreign Language Category at the Oscars.But I doubt it.

To understand fully Roberto Benigni you have to know him also as a person, in his interviews talking about life, love, happiness, religion, poetry, he can improvise a rimed limerick because that is what the people of his village where doing an everyday pastime; the knowledge he has of "The Divine Comedy" (that he can recite by heart), of literature, philosophy is truly impressive. Or you should see him when in his he stand ups challenges bad politicians, they hate him but they cannot silence him, because he his so much loved and he is such an undeniable great mind. He his an intellectual, a poet, a philosopher, a splendid human being, one of the kind, he a precious intellectual treasure for humanity. So watching his films and mistake him just for a clown, a comedy film writer, actor, director, is extremely diminishing and very misjudging of his intellect. In "La vita è bella" he got the world recognition he deserved, but most of all as Italian I was so happy and proud to finally share him with people from all over the world. Few people misunderstood his way of talking about something very serious in such a light way, they didn't understood that his respect for the Holocaust victims is so great, that wouldn't never portrait the reality of the horror in a film for as to watch as voyeurs. In the following film "Pinocchio", people went the see a Walt Disney Pinocchio and got the real Pinocchio, the Toscany not the Hollywood one, the best and most faithful to the original Collodi story (as you would aspect from Benigni), I've seen so far, which is not so much a fable for children as it is an unforgiving portrait of power a challenging definition of what is good or bad, much to intellectual to be understood and appreciate by great audiences. This one is all about love, the love for a woman, in the speech he does about what life would be without the woman he loves, he is unbeatable, men should take notes; love and great respect of others culture showing how intellectually enriching and vital is to understand and embrace others culture and diversity rather than force ours upon; love for life over war. Everything he does is worth watching and listening, he is special and I am so glad he is around with is infectious joy for life, boy if we all need him.

This is a poignant and moving fable about a sacrifice to save the sweetheart's life. It's an unforgettable story that proves imagination, family and love conquer all. It concerns upon Attilio(Roberto Benigni, a magnificent rubber-faced funnyman), a professor of poetry in Italia, he raises a darling pair daughters. He's a madcap romantic man and women(Emilia Fox) wish him. But he falls in love with Vittoria (Benigni's real-life sweetie Nicoletta Braschi, also producer). Every day Attilio dreams of marrying her, under Tom Waits songs , dressed in underpants and T-shirt. Vittoria trips to Irak along with Faud(Jean Reno),when the second War Gulf spontaneously breaks out . She's injured and Attilio is determined to save his lover from dangers around them and encounter medical care. His effort sometimes is pure fantasy , though with ruse he pull off more impetus to keep his wounded lover and accomplishes feats no man could realistically execute.

This is a story about love, war and sacrifice, well starred and directed by Roberto Benigni who develops a fire-line between comedy and tragedy. Inventive gags and wacky humor are splendidly proceeded. Benigni tirelessly maintains the humorous ingenuity, even as the horror war escalate. Actor and director Benigni shapes simultaneously haunting and hilarious comedy out of the tragedy of Irak. The film displays an emotive musical score by Nicola Piovani, Oscar winner by 'Life is beautiful'. Colorful and glamorous cinematography by Fabio Cianchetti. The motion picture is marvellously directed by Benigni. He's a good comedies director (Monster, Johnny Toothpick, Little devil) with some flop(Pinoccio) and usual actor for Jim Jarmusch(Coffee and cigarettes, Night of Earth, Down by law). Rating¨: Better than average. Well worth seeing.

Anyone who calls this film superficial, banal or trivial has spectacularly missed the point and is exactly the same type of person who was levelling precisely the same kind of criticism at La Vita è Bella. Now, though I do like Benigni (in my opinion La Vita è Bella is a masterpiece and films like Il Piccolo Diavolo, Johnny Stecchino and Il Mostro are exceedingly worthy comedies - that said I thought Pinocchio was an expensive disaster), I will try to be as objective as possible. In La Tigre e la Neve, Benigni repeats the masterfully delicate feat he accomplished in La Vita è Bella: he touches on complex, spikey issues (in La Vita è Bella it was the holocaust, here we have the war in Iraq) in a fable-like, simple manner - he doesn't politicise the film, and he doesn't delight in the gruesome (and very real) aspects of war. Yet this is NOT trivialisation of the subject matter. To believe that is to believe that the true horrors of war (or the holocaust) can only be conveyed on the screen by a documentary-style approach, and that cannot be the case. Benigni is far more effective - he does not shock the audience with visual representations of war, but his comedy in the face of war creates a subtle paradox that makes the whole film even more touching. La Tigre e La Neve is a fable about love, love in the face of adversity, stubborn optimism, hope and desperation and relationships between people of different races and creeds. Don't expect to see a Michael Moore rant at the injustice of war - Benigni is far more subtle. Perhaps the only criticism I have is that Nicoletta Braschi's performance is not always one hundred percent convincing, but Benigni and Reno more than make up for it. I truly hope it makes it on an international level - definitely a film to watch.

The Tiger and the Snow is a beautiful romantic movie, and it opened quite perfectly with an awesome ballad "You Can Never Hold Back Spring", performed by Tom Waits himself. Written and directed by Italian Roberto Benigni (famed for the wonderful LIfe is Beautiful), he also stars as the lead Attilio de Giovanni, a lovestruck poet who falls for a woman in his recurring dreams.

Only of course, to wake up each time he dreams of them at the alter, and when she is about to declare her undying love for him, punctuated with promises of hot sex. Yes, you read that right. But I digress. In reality, he's an absent minded poetry professor who always forgets where he parks his car. But despite his quirky looks and demeanor (are Benigni's characters always like that I wonder), imagine the pandemonium within him when he finally meets the woman in his dreams, Vittoria (the object of his obsession played by wife in real life Nicoletta Braschi), an acquaintance of fellow writer Fuad (Jean Reno).

Meeting in the dreams, and meeting for real can hardly be any different, and his infatuation with and love for Vittoria goes unrequited. Until of course we examine through to the rest of the movie, how unconditional and large this love for her is, when he takes it upon himself to journey to and through war-strife Iraq to save her from injury, through hell and high water, in dogged pursuit of elements that can save the love of his life.

Although infused with bits of comedy now and then, the movie takes a long hard look at how much one will do for someone else whom you love deeply. It might be a case of "nothing is impossible", given the will and the affection. But what if you know that what you're doing will likely to be unnoticed, or unappreciated, or unrequited. Then what? Hence the power of unconditional love. Truly very rare indeed. Should you feel, as the movie progresses, that certain bits seemed a little out of place, my advice is to persevere until the end, where a sleight of hand twist is introduced, and given the 20/20 hindsight, you'll begin to ponder, and understand this love a little more.

It's bittersweet, and with moments that might touch you. But alas, this is no Life is Beautiful, and although it has its moments with the beautiful make belief cinematographic elements in the end, it somehow lacked that extra bit of emotional depth to truly move an audience.

Oh, and that fellow blonde teacher, now she's hot!