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Junebug

  • 2005
  • R
  • 1h 46min
CALIFICACIÓN DE IMDb
6.9/10
24 k
TU CALIFICACIÓN
Junebug (2005)
Home Video Trailer from Sony Pictures Home Entertainment
Reproducir trailer1:54
2 videos
99+ fotos
Quirky ComedyComedyDrama

Una vendedora de arte "extranjero" viaja de Chicago a Carolina del Norte para conocer a su nueva familia política, desafiando el equilibrio de esta casa sureña de clase media.Una vendedora de arte "extranjero" viaja de Chicago a Carolina del Norte para conocer a su nueva familia política, desafiando el equilibrio de esta casa sureña de clase media.Una vendedora de arte "extranjero" viaja de Chicago a Carolina del Norte para conocer a su nueva familia política, desafiando el equilibrio de esta casa sureña de clase media.

  • Dirección
    • Phil Morrison
  • Guionista
    • Angus MacLachlan
  • Elenco
    • Embeth Davidtz
    • Alessandro Nivola
    • David Kuhn
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.9/10
    24 k
    TU CALIFICACIÓN
    • Dirección
      • Phil Morrison
    • Guionista
      • Angus MacLachlan
    • Elenco
      • Embeth Davidtz
      • Alessandro Nivola
      • David Kuhn
    • 211Opiniones de los usuarios
    • 137Opiniones de los críticos
    • 80Metascore
  • Ver la información de producción en IMDbPro
    • Nominado a 1 premio Óscar
      • 21 premios ganados y 28 nominaciones en total

    Videos2

    Junebug
    Trailer 1:54
    Junebug
    Junebug
    Trailer 1:59
    Junebug
    Junebug
    Trailer 1:59
    Junebug

    Fotos124

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    Elenco principal99+

    Editar
    Embeth Davidtz
    Embeth Davidtz
    • Madeleine
    Alessandro Nivola
    Alessandro Nivola
    • George
    David Kuhn
    David Kuhn
    • Auctioneer
    Alicia Van Couvering
    • Bernadette
    Jerry Minor
    Jerry Minor
    • Scout who stays outside
    Matt Besser
    Matt Besser
    • Scout who goes in
    Will Oldham
    Will Oldham
    • Bill Mooney, scout
    Frank Hoyt Taylor
    • David Wark
    Scott Wilson
    Scott Wilson
    • Eugene
    Ben McKenzie
    Ben McKenzie
    • Johnny
    Celia Weston
    Celia Weston
    • Peg
    Amy Adams
    Amy Adams
    • Ashley
    Bobby Tisdale
    Bobby Tisdale
    • Norman Venable at Replacements, Ltd.
    Beth Bostic
    • Lucille, the neighbor
    Joanne Pankow
    Joanne Pankow
    • Sissy, David Wark's sister
    R. Keith Harris
    R. Keith Harris
    • Bud, young pastor
    Kevin Harlow Jasper
    • Hollerin' Man
    Dan McLamb
    • Hollerin' Man
    • Dirección
      • Phil Morrison
    • Guionista
      • Angus MacLachlan
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios211

    6.923.7K
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    Opiniones destacadas

    8ferguson-6

    A Spirit Filled Union

    Greetings again from the darkness. Director Phil Morrison and Writer Angus MacLachlan collaborated on "Tater Tomater", which was featured at 1990's Sundance Festival. Together again, they have created a nice home-spun tapestry of family relationships. Despite its seemingly bizarre group of characters, we find ourselves easily relating to the difficulties in understanding and communicating with those in our family - those who should be most like us.

    The filmmakers have assembled a cast of mostly veteran actors, but no Hollywood "stars". The most recognizable is Benjamin McKenzie ("The O.C.") who plays the simmering quiet little brother whose wife, played brilliantly by Amy Adams, is with child. Others include Embeth Davidtz as the wife of prodigal son George (Alessandro Nivola, who played Pollux Troy in the underrated "Face/Off"); an electric Frank Hoyt Taylor as the off-center civil war artist David Wark; and veterans Celia Weston and Scott Wilson as the parents of the feuding boys. As a point of interest look for Saturday Night Live alum Victoria Jackson as one of the nurses.

    Although the film's heart and soul is the theme of family and the stress it creates, while somehow producing the draw that cannot be ignored, it also does a really wonderful job of capturing the spirit of southern small time living. At the center of all of this is Amy Adams, who literally steals the film as the eternally optimistic and determined "firecracker" Ashley. Her performance is outstanding, multi-layered, thought-provoking and genuine. Kind of doubt that this film will receive the necessary attention to have her nominated for an Academy Award, but she deserves one.

    This is a necessarily slow-moving film that can be uncomfortable to watch, while at the same time causing you to smile, laugh and even tear up.
    9williamwolfe

    An excellent study of characters with a strong sense of place.

    A very intelligent script, with direction that does it justice. Rather than spelling out exactly what we're supposed to be thinking and feeling at every moment, the filmmakers respect the audience's ability to infer meaning from the mood and tone, from the light in a frame or the ambient noise of a scene (or, for that matter, from the complete silence in which we occasionally are allowed to contemplate the house and small town where the story is set). As for the actors, they must have been thrilled to have the chance to play such complex, well-rounded characters, each of them at times being fine and even something like noble, at other times frustrating and perhaps even cruel. Just like real people, in other words. Amy Adams deserves the praise she's received for a role that could have easily been a caricature, but I'd like to also mention Embeth Davidtz for her precise and empathetic work in another part that might have easily been done in a hackneyed way.

    All through this film, there are moments where we fear that its makers are going to settle for the cliché, but they never do. By the end, we feel that we've learned a great deal about the characters and the community which produced them, and we also sense that we'll never fully grasp all of their mysteries and contradictions. Very fine work from everyone involved.
    7SnoopyStyle

    Amy Adams hilarious

    Madeleine (Embeth Davidtz) is a successful Chicago dealer of outsider art. She has a trip to see an artist and takes the opportunity to meet her husband George (Alessandro Nivola)'s family 30 minutes away in North Carolina. His mother Peg (Celia Weston) is bossy and his father Eugene (Scott Wilson) is quiet. His younger brother Johnny (Benjamin McKenzie) is a resentful loser with flighty pregnant wife Ashley (Amy Adams). Ashley intends to name the baby Junebug.

    It's very odd to realize that Amy Adams is not the lead actress because she's the main thing I remember about this film. She's a complete whirlwind overpowering everybody and everything. She's crazy hilarious with every facial expression and desperate neediness. The other takeaway for me back then was that Benjamin McKenzie can reasonably act. Watching again, Amy Adams is still hilarious and her energy really drives the movie. Director Phil Morrison's style is quiet indie. It probably could have helped to work more towards Amy Adams' quirky tone.
    7noralee

    A Prodigal Son Has More Baggage At Home Than He Brings With Him

    "Junebug" is a ruefully sweet, clear-eyed take on the going home genre that usually takes the form of prodigal child returning due to a funeral or serious illness with guilt hanging in the air until it ignites an explosion.

    Instead, debut writer Angus MacLachlan has brought "George" home to North Carolina as a coincidence of his new wife's job and life has gone on without him and will continue when he's gone again.

    Debut director Phil Morrison does a lovely job of visually establishing how each person in the family has staked out their physical space and roles within the family, even as sounds and light uncomfortably carry through the walls and beyond the rooms. I haven't seen every inch of a normal house used as a movie setting so intensively since "The Brothers McMullen," complete with blowing up an air mattress in the nursery.

    Those scenes contrast with how different the family members are outside that house, such as the sullen, angry brother (Benjamin McKenzie) perking up comfortably with his fellow warehouse workers and "George" easily fitting back into a church service.

    While the usual is to have the spouse's estranged family be colorfully ethnic or straight-laced WASP as a comic contrast, a la the "Meet the Fockers" mode, here they are complicated rural folk and are not condescended to, even as no good deed goes unpunished. Both sides receive their share of mockery and sympathy from the story; everyone's hypocrisy and humanity are revealed and at least two scenes bring tears to the eyes, one touching and the other sad.

    While everyone is speaking English, the miscommunications abound, though it is a bit heavy-handed to have the English-bred wife coach the brother on "Huckleberry Finn," let alone her bizarre negotiations with a probably crazy local artist. Each either takes a comment too literally or misinterprets passive aggressive silences; what people don't say comes to be more important than what they do say, as even Amy Adams' wonderfully chatty character is warm-heartedly mature and caring.

    The big, annoying weakness of the film, and keeps it from being a satisfying film, is the vague character of the prodigal son. While it seems that his older, folk art collecting wife probably lusted after him at first sight because he was the first cute straight guy who walked into her gallery (and I assume there is some significance that he buys the painting that doesn't make him happy), their quickie marriage seem to be based only on newlywed randiness, as everything seems to turn them on. Taking after his father busy woodworking away in the basement, he pretty much sloths out in the house or car, so it is confusing hypocrisy when he suddenly steps up to the plate in an emergency, accuses his wife of not putting family first and then bails on the follow up.

    Alessandro Nivola well portrays a literal golden boy who is, of course, his mother's heart's delight and in her eyes can do no wrong (even he acknowledges that his new wife is bound to discover his faults), though people who have different positions in their families may interpret the sibling behaviors in different ways. But the film only shows us how people react to him and very little about him other than his casual sense of entitlement, though the mostly silent guy to guy communication is realistic.

    Other than one superbly beautiful hymn sung by Nivola (he also sang well as rock star in "Laurel Canyon"), the soundtrack does not take the T. Bone Burnett traditional songs approach, but instead has a score by Hoboken, NJ's own Yo La Tengo that doesn't take sides between the country or the big city.
    10willden21

    Poetic and charming little film about culture cross and family ties

    Some films do not need to tie in every little plot detail in order to make for a more true to life form. Not all families discuss their problems or their angst openly. Most of the time you have to decipher them through little nuanced non-verbal symbols. Junebug does it perfectly.

    At the base the plot follows newlyweds on their trek to NC from Chicago as the wife, Madeline, goes to close a deal with an eccentric southern painter. While there they decide to stop in and see her husband, George's family, who comes form NC originally. He has tried to separate himself from that culture and his family altogether. He has been married for six months and his family were not invited to the wedding, and his brother holds strong feelings of jealousy against him. It seems ho-hum form the plot synopsis, but then comes Amy Adams as the brother, Johnathan's wife and very pregnant Ashley.

    Amy Adams is absolutely amazing. She brings a charm and wit to this picture when it seems like it is a bit dreary. Her heartwarming turn as an optimistic and young mother to be with a heart of southern gold is achingly warm and sincere. She alone makes the film a must see as she can force the audience from laughter to tears with the flip of a dime.

    The direction is poetic and the cinematography allows for an unbelievably laid back southern tone. Nothing about this film is rushed and that makes it so wonderful to behold. Seeing how a family can generally and truly love each other inside, and because of cultural and societal norms strive to find ways to show love and respect for each other is achingly sincere. Sometimes you as the audience scream for them to communicate, especially the brothers as their strife is never discussed or resolved just tolerated.

    Overall this film is a great cultural study that goes beyond stereotype to show the love and respect the writer and director have for the material and the people of North Carolina. This is a truly warm and comforting piece of southern pleasure that shines in a pool of darkness that is Sundance 2005.

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    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      When Ashley does her sit-ups, director Phil Morrison used a split screen, combining the performance of a real pregnant woman with Amy Adams's head.
    • Errores
      In the hospital room, Ashley's hair repeatedly moves from being behind/not behind her ear between shots.
    • Citas

      Ashley: [to Johnny after he throws a tantrum about not being to work the VCR] God loves you just the way you are, but He loves you too much to let you stay that way.

    • Créditos curiosos
      A list of 121 extras is included in the credits, although these credits are given separately from the cast list, after most of the crew credits have been shown.
    • Conexiones
      Featured in Siskel & Ebert & the Movies: The Best Films of 2005 (2005)
    • Bandas sonoras
      Harmour Love
      Written by Stevie Wonder

      Performed by Syreeta Wright

      Courtesy of Motown Records

      Under license from Universal Music Enterprises

    Selecciones populares

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    Preguntas Frecuentes20

    • How long is Junebug?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 16 de septiembre de 2005 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Sitio oficial
      • Sony Classics (United States)
    • Idioma
      • Inglés
    • También se conoce como
      • 妙媳婦見公婆
    • Locaciones de filmación
      • Wake Forest University - 1834 Wake Forest Road, Winston-Salem, Carolina del Norte, Estados Unidos
    • Productoras
      • Junebug Movie
      • Epoch Films
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 1,000,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 2,678,691
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 74,739
      • 7 ago 2005
    • Total a nivel mundial
      • USD 3,399,228
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 46 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital
    • Relación de aspecto
      • 1.85 : 1

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