La conquista del honor

One of Clint's and Spiel's best. But maybe 'cause it's personal. Old faded medals and photos of from the Philippines campaign in the attic found after dad died. He never spoke much of it, just a warning before I joined the Army in 1974: "Don't." Funny they don't do War Bonds anymore. They just raise taxes and raid savings accounts if u don't pay. I guess that's more direct, and does not require the manufacture and then parade of Heroes that don't want to be named so. Like dad. Faded brown photos of brown people on an island, buddies in arms, smiling on the outside, wounded inside. Bit's of metal, faded ribbon - shrapnel tied up in a flag.

For generations we have been sons of war, and our sons will be fathers of sons of war. Will it end? Perhaps not. Will there be stories like this one told in film or whatever media is next for all generations yet to come, just as there has been for all past? It's a very sad testament to the human condition, but I'll be paying my respect the next time I am in DC with a better understanding of the statue in question.

(Synopsis) There were five Marines and one Navy Corpsman photographed raising the U.S. flag on Mt. Suribachi by Joe Rosenthal on February 23, 1945. "Flags of Our Fathers" is the story of three of the six surviving servicemen, John "Doc" Bradley (Ryan Phillippe), Pvt. Rene Gagnon (Jesse Bradford), and Pvt. Ira Hayes (Adam Beach), who fought in the battle to take Iwo Jima. The picture became one of the most famous images of the U.S. winning a battle during WWII. However, the battle for Iwo Jima raged on for another month with three of the marines being killed in action. The other three servicemen were taken out of battle and flown back to the states. The photo made these men heroes, and the government used these new heroes to promote the selling of war bonds on the War Bond Tour. The three men did not believe they were heroes, even though the American public did.

(My Comment) The film was based on the book written by Doc's son, James Bradley. It wasn't until his father's death that he found out that Doc was one of the Iwo Jima flag raisers. Soldiers with real combat experiences usually keep their war stories to themselves. Clint Eastwood directed the film, and he didn't pull any punches in the battle scenes, even though the battle for Iwo Jima was considered one of the bloodiest against the Japanese in the Pacific. The only problem I had with the movie was that Eastwood used too many flashbacks that jumped around and made the movie hard to follow. The movie would have been better if Eastwood had gone in chronicle order with some flashbacks. During the battle scenes, you actually see the chaos that soldiers encounter on the battlefield. Overall, I found the story to be realistic and very compelling by not glorifying war. It is a long movie, but the time passes very fast. This film will receive many Oscar nominations. Some of the movie is graphically violent and shows the dark side of war, and the effects war has on our returning soldiers. (Warner Brothers Pictures, Run time 2:12, Rated R) (8/10)

The timeline was very dicey and did not flow well. Great depiction of history but needed to flow better

Learning that Clint Eastwood teamed up with Steven Spielberg and Paul "Crash" Haggis for this ambitious project about the epic battle for Iwo Jima in the Pacific, I didn't know what to expect. The results are not entirely positive, but the film does offer spectacle of the highest order. The first part is the strongest with grandly filmed battle scenes on the island of Iwo Jima (filmed on the volcanic wastelands of Iceland), which constitutes some very intense film-making, impressively filmed and nearly on par with the battle scenes in SAVING PRIVATE RYAN. In the second part we get to see the men who raised the famous flag on a tour at home to raise money for the necessary war bonds, although the occasional flashback takes us back to the battlefield.

I must admit, this one has elements of greatness in almost every department, but somehow these don't quite glue together as intended. The film seems to suffer from three evenly strong-handed approaches. The script by Paul Haggis eagerly wants to take us on an emotional roller-coaster in the second half, where the focus increasingly shifts to the story of Ira Hayes in the aftermath of the battle. There's obviously a strong hand of Steven Spielberg, who always wants to show us the human side of the story, which Clint obviously wants too, but he tends to do it in a different way. There seems to be a clash of wills, with these three major forces at work here. Ultimately, FLAGS OF OUR FATHERS is not about the war proceedings itself, but how the war affected the men who fought in it themselves, and how they refused to be seen as heroes.

It's hard to dislike any of Clint Eastwood's films and with this one, and the follow-up LETTERS FROM IWO JIMA, he made two films of epic proportions, that will undoubtedly compete for the Oscars. Both of the films that is, as they were released by different distributors, "Flags" is with Dreamworks and "Letters" with Warner Brothers.

We'll see, so far, so good. I wasn't blown away by this one, but certainly a film to respect. Difficult to judge this, before seeing the follow-up LETTERS FROM IWO JIMA, which shows the Japanese perspective of the story. I strongly suspect Clint saved the best for last and that "Letters" will be his ultimate showcase.

Camera Obscura --- 7/10

Three of the six survivors who raised the flag in Iwo Jima are brought back as national heroes who double as fund raisers to help support the U.S. World War II effort's economic dilemma. Ryan Phillippe and Jesse Bradford are fine as two of the three focused troops, but it is Adam Beach as Ira Hayes (a Native American who gained notoriety and unfortunately a severe problem with alcoholism) who makes "Flags of Our Fathers" as great as it is. Director Clint Eastwood understands emotion and storytelling elements with his films as he delivers another critical success which stands tall with his other directorial ventures. Co-writer Paul Haggis (best known as the mastermind behind "Crash") continues to amaze with his uncanny screen writing skills. An understated and quietly effective winner. 5 stars out of 5.