CALIFICACIÓN DE IMDb
7.4/10
7.7 k
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Después de que su hermano gemelo sea asesinado accidentalmente por matones vengativos, un niño de 12 años y sus amigos se enfrentan a la dura realidad de la muerte, las hormonas de la adoles... Leer todoDespués de que su hermano gemelo sea asesinado accidentalmente por matones vengativos, un niño de 12 años y sus amigos se enfrentan a la dura realidad de la muerte, las hormonas de la adolescencia y la disfunción familiar.Después de que su hermano gemelo sea asesinado accidentalmente por matones vengativos, un niño de 12 años y sus amigos se enfrentan a la dura realidad de la muerte, las hormonas de la adolescencia y la disfunción familiar.
- Premios
- 5 nominaciones en total
Michael C. Fuchs
- Kenny
- (as Michael Fuchs)
Joseph Foster
- Keith Gardner
- (as Joseph 'C.J.' Foster)
Adam LeFevre
- Gabe Artunion
- (as Adam LeFever)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
This movie is done very well and definitely engaging to watch, but perhaps not quite to my taste.
This is a movie about a tight group of 4 children -- a precocious girl, an overweight boy, and twin brothers, the more out-going who is killed in an accident. The funeral starts the journey of understanding the lives of the remaining 3 -- not only how the family deals with the murdered son/brother, but how the overweight boy deals with his obesity, and how the young girl deals with her mother and absent father.
The heart of the movie really revolves around these near teenagers, and as a result, the coming-of-age experiences are highlighted. At times, I laughed awkwardly, probably out of embarrassment for one of the characters. Nothing wrong with this -- in fact, it's probably what the director was trying to achieve. I was also pulled into the bizarre logic the brother was going through -- through talks with his parents, and even more poignant, some of the very personal kid-to-kid conversations. The visual clues and the inter-actions to parents were all well chosen to create characters that were believable, 3-dimensional and full of conflict. Kudos to the director and actors on this fine work. In particular, the precocious young girl (Zoe Weizenbaum) was well-cast in a very strong, conflicted and convincing performance.
Overall -- well done. This is one of the best 'pre-teen-angst' movies I've seen in a long time.
This is a movie about a tight group of 4 children -- a precocious girl, an overweight boy, and twin brothers, the more out-going who is killed in an accident. The funeral starts the journey of understanding the lives of the remaining 3 -- not only how the family deals with the murdered son/brother, but how the overweight boy deals with his obesity, and how the young girl deals with her mother and absent father.
The heart of the movie really revolves around these near teenagers, and as a result, the coming-of-age experiences are highlighted. At times, I laughed awkwardly, probably out of embarrassment for one of the characters. Nothing wrong with this -- in fact, it's probably what the director was trying to achieve. I was also pulled into the bizarre logic the brother was going through -- through talks with his parents, and even more poignant, some of the very personal kid-to-kid conversations. The visual clues and the inter-actions to parents were all well chosen to create characters that were believable, 3-dimensional and full of conflict. Kudos to the director and actors on this fine work. In particular, the precocious young girl (Zoe Weizenbaum) was well-cast in a very strong, conflicted and convincing performance.
Overall -- well done. This is one of the best 'pre-teen-angst' movies I've seen in a long time.
Michael Cuesta (who previously directed the slick and grotesquely controversial "L.I.E" and is currently one of the masterminds behind Showtime's wildly entertaining and grotesque "Dexter") treads some very dangerous ground with "Twelve and Holding." Working with a solid script focusing on how three best friends cope with the accidental death of another friend (the more popular twin brother of one of the protagonists), he presents pre-adolescent characters with the psychologically complex motives of adults and we witness their pratfalls, tragedies, and heart wrenching moments in a the same type of voyeuristic manner usually reserved for more mature characters and audiences. Elements of classics like "Stand by Me" keep the film grounded even as some of the plot developments get a bit far-fetched.
The acting is a huge plus here, with Annabella Sciora (getting more and more enchanting and beautiful with age), Jayne Atkinson (brutal, honest, and gut-wrenching as the grieving mother of the dead child), and Connor Donovan (in duel leads as the dead boy and his conflicted twin brother) highlighting the excellent ensemble. Cuesta's surprisingly subtle direction somehow manages to avoid both the salacious tendencies of a Larry Clark film and the annoyingly overt quirkiness of similarly themed films like "Me and You and Everyone we Know" to deliver a profound and perplexing tale of coming-of-age, revenge and loneliness.
The acting is a huge plus here, with Annabella Sciora (getting more and more enchanting and beautiful with age), Jayne Atkinson (brutal, honest, and gut-wrenching as the grieving mother of the dead child), and Connor Donovan (in duel leads as the dead boy and his conflicted twin brother) highlighting the excellent ensemble. Cuesta's surprisingly subtle direction somehow manages to avoid both the salacious tendencies of a Larry Clark film and the annoyingly overt quirkiness of similarly themed films like "Me and You and Everyone we Know" to deliver a profound and perplexing tale of coming-of-age, revenge and loneliness.
Fantastic movie with a multitude of messages. Would make for an excellent movie to show and discuss in schools - I dare you :-) Acting is incredible and pretty much all comes trough the screen as real persons and not some abstractions from a writers imagination.
What hopefully will get through to the viewers is how perceptive children are in reading the adults world both literally and the subtle emotions that adults/parents try to keep them from getting. Since most children doesn't have the experience and information needed to filter all this, it can have some really disturbing consequences when children acts in response as is clearly shown here. Luckily it isn't all children who grow up with these kind of experiences - at least not as extreme, but I'm afraid that a lot of parents would be very scared to know that an awful lot actually can relate to this movie...
What hopefully will get through to the viewers is how perceptive children are in reading the adults world both literally and the subtle emotions that adults/parents try to keep them from getting. Since most children doesn't have the experience and information needed to filter all this, it can have some really disturbing consequences when children acts in response as is clearly shown here. Luckily it isn't all children who grow up with these kind of experiences - at least not as extreme, but I'm afraid that a lot of parents would be very scared to know that an awful lot actually can relate to this movie...
10teamgoon
I feel the last reviewer was a little out of touch with reality. They felt the movie was too 'extreme', but I was actually drawn closer to the characters because the writer portrayed them as VERY real and believable. If I was that age, and someone did what was done to the boy in the movie, prison would be the least of their worries. These kids, and ALL kids, are not the innocent 'Beaver Cleavers' most adults think (or wish) all kids are. I for one, remember when I was 12. I did things like these kids did, and more. I was sexually active in a same sex relationship with someone older, another issue is addressed in the movie, and could relate to it even though the relationship portrayed in the movie is heterosexual. It is VERY rare to see ANY reference to adult - adolescent "relationships" where the adolescent is the sexual aggressor, and NOT the adult. It may be an ugly subject, but it IS reality.
I give this movie an 11 on a scale of 1-10. I would also like to thank IFC Films for showing new releases on PayPer View so people who don't have access to theaters showing the films can see them. I wish ALL independent films were available in this manner.
I give this movie an 11 on a scale of 1-10. I would also like to thank IFC Films for showing new releases on PayPer View so people who don't have access to theaters showing the films can see them. I wish ALL independent films were available in this manner.
The minute this film started playing, I was hooked. The story follows three 12 year olds who are the normal kind of kids you expect to bump into in your neighbourhood. Each has their own issues, as do all 12 year olds, and it is not till an immensely tragic death amongst them occurs, that they start confronting their issues and start trying to deal with them in their own way. Each very different. The story unravels beautifully and there are times you feel like you need to look away, and start squirming with unease and shock, and times you literally burst out laughing and then cry as well.. Well, I did anyway. I would highly recommend this to pretty much everyone I know, I cant believe it slipped through the net, and I have only just seen it. An absolute gem. To say it is like Stand By Me is a bold statement, but a deserved one. Its of the same calibre. Watch it.
¿Sabías que…?
- TriviaAt 48 mins into the movie the game the three children are playing while discussing adoption is called The Game Of Life.
- ErroresJacob's birthmark changes in location, size, and color throughout the movie.
- Versiones alternativasA deleted scene is included on the USA DVD.
- ConexionesEdited into 12 and Holding: Deleted Scene - Malee Gives Back the Gun (2006)
- Bandas sonorasDrive
Performed by Joe 90
Written by Chris Seefried
Performed by Adam Hamilton, Gary Derosa & Craig Ruda
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- How long is 12 and Holding?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 400,000 (estimado)
- Total en EE. UU. y Canadá
- USD 96,464
- Fin de semana de estreno en EE. UU. y Canadá
- USD 11,456
- 21 may 2006
- Total a nivel mundial
- USD 119,195
- Tiempo de ejecución
- 1h 35min(95 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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