A los 12 sin miedo

Twelve and Holding (2005) ***1/2

Twelve and Holding is filled with some of the best performances by young kids as I've seen in a long time. Michael Cuesta directs the film very nicely and the film approaches a difficult subject of how young kids deal with tragedy and death head on. Though the film doesn't rank up there with Come and See, Forbidden Games, or Grave of the Fireflies, this is still a wonderful and delicate addition to that genre. The material in this film could have easily been turned into a nightmarish exploitation picture, but its done just right and focuses intently on the reality of these kids situations.

Leonard's parents seem to be more caricatures than realistic, and there are some aspects of the screenplay which could have used some fine tuning, but overall Twelve and Holding is a powerful, heartbreaking and tragic film, handled oh so delicately by Cuesta and especially the young actors and some of the adults as well(especially Jeremy "Dags" Renner, who'da thunk it).

A very nice little film that deserved a much wider audience than it got.

3.5/4

Michael Cuesta (who previously directed the slick and grotesquely controversial "L.I.E" and is currently one of the masterminds behind Showtime's wildly entertaining and grotesque "Dexter") treads some very dangerous ground with "Twelve and Holding." Working with a solid script focusing on how three best friends cope with the accidental death of another friend (the more popular twin brother of one of the protagonists), he presents pre-adolescent characters with the psychologically complex motives of adults and we witness their pratfalls, tragedies, and heart wrenching moments in a the same type of voyeuristic manner usually reserved for more mature characters and audiences. Elements of classics like "Stand by Me" keep the film grounded even as some of the plot developments get a bit far-fetched.

The acting is a huge plus here, with Annabella Sciora (getting more and more enchanting and beautiful with age), Jayne Atkinson (brutal, honest, and gut-wrenching as the grieving mother of the dead child), and Connor Donovan (in duel leads as the dead boy and his conflicted twin brother) highlighting the excellent ensemble. Cuesta's surprisingly subtle direction somehow manages to avoid both the salacious tendencies of a Larry Clark film and the annoyingly overt quirkiness of similarly themed films like "Me and You and Everyone we Know" to deliver a profound and perplexing tale of coming-of-age, revenge and loneliness.

Fantastic movie with a multitude of messages. Would make for an excellent movie to show and discuss in schools - I dare you :-) Acting is incredible and pretty much all comes trough the screen as real persons and not some abstractions from a writers imagination.

What hopefully will get through to the viewers is how perceptive children are in reading the adults world both literally and the subtle emotions that adults/parents try to keep them from getting. Since most children doesn't have the experience and information needed to filter all this, it can have some really disturbing consequences when children acts in response as is clearly shown here. Luckily it isn't all children who grow up with these kind of experiences - at least not as extreme, but I'm afraid that a lot of parents would be very scared to know that an awful lot actually can relate to this movie...

Nice production, good script, outstanding casting, great young actors and well chosen music makes this a gem. One can complain about some of the extremes of the plot, but forgive the excesses and farcical elements for the sake of a well woven story. It begins with four kids, friends growing up in a middle-class neighborhood. A significant event splits the initial single thread into three, each following a child: the precocious Malee making her first amorous exploration; Leonard and his struggle with obesity, not only his but also of his immediate family; and the conflicted Jacob. While the film would classify as a drama, there is a good deal of humor to counterbalance the tension that is maintained throughout. The editing is superb in how it moves nimbly among the threads, keeping us always interested and curious about what will happen to the characters. The young actors deliver their parts with aplomb which combined with excellent directing should make this a success.

This is a haunting coming-of-age film about children, bound by a common, shocking tragedy, who struggle to get on with life and overcome their own troubling problems. Despite the severity of issues conveyed in this film's overlapping vignettes, it never becomes melodramatic. Artful screen writing and direction infuse humor in the telling of these children's stories---stories rich with characters who are colorful, but never contrived. All of the children provide very genuine, endearing performances---essential if the audience is going to empathize with them and their disturbing behavior. This movie will frequently make you uncomfortable---very uncomfortable. But no matter how horrifying and even monstrous these children's actions may be, they never lose their appealing and disarming qualities as children. These are very cool kids, even the most troubled, who easily win your affection.

During the course of the movie, one of the children queries the others by asking, "Do you know ninety-percent of people's problems are due to their inability to get over the past?" All of these children will be faced with this challenge. You hope all will overcome this obstacle, but sadly, not all of them will or should be able to get over their past.