Dos por el Dinero

There is a scene at the beginning of the film that seems to set the tone of "Two for the Money". We watch as Walter Abrams is talking on the phone with someone who will not be able to provide an elephant for his daughter's birthday party. Walter barks to his assistant, "Get me Ringling". When the call finally comes through, he demands to know whether he is talking to Barnum or Bailey, which is a funny line. Wasn't P.T. Barnum himself the man famous for that quotation about a sucker being born every minute?

Walter Abrams is a man who is in the sports betting business. He and his associates stand to make millions out of the jerks they pursue to do their betting with his firm. Having found a new rising star, Brandon Lang, a man that knows a lot about the intricacies of point spreads and picking winners. Walter wants to transforms him into a man who can bring more money into his outfit.

In order to do that, Walter must groom him to "look" the part. As such, Brandon becomes John Anthony, the man who can produce fabulous results every week end during the football series. Brandon gets to meet the insiders, but little does he know who he is dealing with, or much less, what is expected of him. After all, he is just as good as the winners he can produce.

The film, directed by D. J. Caruso, a man who has worked extensively in television, has a glossy look. The screen play by Dan Gilroy could have used some tighter editing, because at two hours it feels a bit long.

Al Pacino, as Walter, has some good moments; we have seen him in better roles, and this one is a composite of other things he has done before. Mr. Pacino compensates when the screen play is not going anywhere by applying an intensity that doesn't go well with the others playing opposite him. Matthew McConaughey is a light weight actor who, aside from his good looks, doesn't bring anything to this story. Rene Russo is obviously a tall woman who towers over Mr. Pacino in most of their scenes together. Their relationship doesn't come across as being a real thing. Jeremy Piven and Armand Assante make good contributions in supporting the principals.

While "Two for the Money" is by no means a horrible film, it just doesn't have anything new to say.

Matthew McConaughey is Brandon Lang, a former college football star who devastated his knee and was never able to play professionally. Six years later he's recording "sports predictions" for a 1-900 number in Las Vegas and living with his mom and younger brother, still dreaming of playing professional football one day. He never hears from the Cowboys, but he does get a call from Walter Abrams (the Godfather himself, Al Pacino), an entrepreneur who runs his own sports betting business, inviting him to move to New York and work for him.

Though Brandon Lang is the hero of the story, Walter Abrams is the beating heart of Two For The Money. He's a recovered gambling addict who runs his own empire of "sports betting advisers." No other film has ever explored the psyche of the gambling addict so precisely and intimately. Abrams describes what it feels like to win, but even more fascinatingly, he discusses the addict's subconscious desire to loose it all. Gambling addicts don't bury themselves in debt because they're sure they can win. They do it because they need to loose everything to feel alive.

Two For The Money is better than I expected. The characters are rich and complex and the story is never dull. Hell, this movie is worth seeing for the topless McConaughey shots alone.

Al Pacino continues his run of starring alongside a younger rising star. In Two for the Money he plays Walter Abrams, domineering, highly strung sports book adviser and former gambling addict with a dodgy heart.

Matthew McConaughey plays Brandon Lang, a former American Footballer whose out of the game permanently due to a knee injury but has an instinctive ability to call the game and game-plays.

Abrams takes Lang under his wing as his protégé, grooming him, shaping him, changing his clothes, style and even his name as Lang picks winners and attracts big time gamblers who bet more on more each week.

The film itself is standard text of a sports drama film with first you see the coaching of the young star, then his swift rise to the top and then the catalyst that leads to a decline before the film heads for a finish.

In this case Abrams refuses to share the wealth with Lang who is now attracting high rollers and Lang hits self destruct and starts to pick losers affecting the company and his clients who are losing big time. Of course from very early on from Pacino's full on performance as larger than life Abrams, this is a person you can never keep up with and he is in fact warned early on by Abrams's wife played by Rene Russo.

Of course the biggest problem from the outset is that we see Pacino play these characters before and you see a trail already as where this film is going. Also we have to swallow just because a person has played the game, understands the game he can call the game. In that case, surely other footballers could do the same? Sports is based on many factors such as mistakes, slips, bad calls and incidents rather than pure skill from the other side, it what makes the game exciting and difficult to predict.

So what starts as mildly interesting is as predictable as a tame roller coaster ride. Nothing too exciting but both leads have charm enough to keep you watching.

Al Pacino stars with Matthew McConaughey and Rene Russo in "Two for the Money," a 2005 film directed by D.J. Caruso.

Pacino plays Walter Abrams, a man with a serious heart condition, a wife, and a child. As his wife says, "he's held together by meetings. If it has an "anonymous" after its name, he goes to it." A former compulsive gambler, he now runs a sports betting business. He becomes interested in a former football player, retired due to a knee injury, named Brandon Lang (McConaughey). Lang gives out accurate predictions and point spreads on a 900 line, and Abrams invites Lang to work for him.

Lang moves to New York, where Abrams changes his name to John Anthony, dresses him professionally, and ultimately puts him on television. Anthony is very successful - the business gets a percentage of every win, and Anthony does very well by his clients.

Unfortunately, as Abrams himself says, Anthony is not a psychic - which Anthony seems to forget, becoming too interested in golf games with his clients instead of research, and the inevitable happens. "John Anthony" then must come to terms with the complex man he's working for and how and if he's going to get back in the game.

This is a good-looking film with Pacino sucking out all the air in the room, overpowering both McConaughey and Russo with his take no prisoners acting. McConaughey is one hot number, and there was a time, when he first started acting, that he wanted to be another Paul Newman. Then he was pulled into chick flicks. The result is a successful career but not necessarily a successful acting career. Therefore he's not really a good match for Pacino.

Jeremy Piven plays another analyst who works for Abrams, and he does an effective job, as does Armand Assante, a bettor who doesn't like to lose - he's really excellent in a short role.

But Pacino rules - you can sense this man's volatility and you have no idea what he's going to pull next. This is definitely a film for Pacino fans. It's not terribly original, but there are some good scenes and some witty dialogue.

Al Pacino carries this film all by himself.

I can't think of a way that this could have been made without Pacino. Sure, Matthew McConaughey and Rene Russo gave convincing performances, but Pacino makes you feel sorry for the miserable, empty shell of a man he is.

The plot was amazingly intricate and well carried, but (once again) without Pacino it would not have been delivered nearly as well. I think that they should have found a way to include a small explanation as to how sports betting works, so the fans who came in just to see Pacino would be able to understand how it works. Also, at times the movie just dragged on and on and on...

I still think that Al Pacino is that movie. Pacino really extends himself the way he always does to keep the movie alive and moving. His character was one of the most miserable men I have ever seen, and while i hated him, I still identified a small part of myself with him, and that is the sign of a truly great actor.

7/10