Moolaadé

This is a movie that you should not miss. This is the type of movie that has the potential to change the world. I know that may sound cliché and cheesy, but it's the truth. The movie comes from Senegal and deals with the still common practice of female circumcision.

This masterpiece has been created by Ousmane Sembene, the 81-year old father of African cinema. Besides having such a powerful a surprisingly applicable theme, it is artfully filmed. The fact that it is created by someone who has lived in Africa making movies his entire life is reason enough to see this movie. Although there are many films are about Africa, there are very few that capture Africa as it really is. Sembene is a master of it.

Then there's the colorful story. It's hard to believe that this type of lifestyle is still very common in parts of Africa. The urgency of this message will captivate you. It may make you appreciate living in a country like the US, that seems to have come so far when it comes to woman's rights, but even more than that, it will hopefully create a common tie across the board knowing that every human desires and deserves their right to life. The humanity of this film is painfully clear. There's no avoiding a change of heart and mind. All this said, Senegal has some difficultly finding actors that can handle the depth of this subject. But don't let that take anything away from your experience. It's possible the most empowering movie I've this this year or any.

This is my first experience watching a film made in Africa. What a wonderful film to begin with! Moolade is one of the best films I have seen in recent times. It is a social commentary on the position of women in many parts of the African continent focusing on female genital mutilation (circumcision) called as "purification". The movie is tightly scripted, full of subtle, thought-provoking observations of the familial and social order in an unnamed African community. The director patiently tells the story of a woman (Colle) who is against female circumcision and offers a protection (Moolade) to four little girls who escape the ritual and seek shelter from her. The men in the community are unable to comprehend or handle her actions and the change it would bring in the community. They see her actions as a threat to the status quo and to the traditions. Ancient or modern, many traditions are based on superstitions and worse yet, are harmful to people. There is absolutely no question that female circumcision is a horrific practice that is not only physically harmful to women but also one of the worst forms of oppression. How deep this rot has spread in the community is lucidly depicted in the movie. The men in the community are unable to think outside the traditions and the women, especially Colle, end up paying a steep price for them to learn and grow.

Some scenes in the movie were very powerful and disturbing - the female circumcision (the actual process happens off screen), the scene where Colle's husband f**ks her (she is cut), the climax and the denouement. However, the movie proceeds at a relaxed pace in tune with life in the community, and always has interesting things to say. I was fascinated by the culture and the people that were in the movie, outside of the issues of female oppression. The movie is also backed by strong performances, particularly from Fatoumata Coulibaly, who portrays Colle with an interesting blend of resolution and motherliness - a powerful performance in a powerful film.

DO NOT MISS! 9 out of 10

By total coincidence, I found myself at the Japan premiere of this intriguing film. I had no idea what it was going to be about, so it was fascinating to watch unfold. But, unlike most of the reviewers I have read so far, I did not think of it as an "African" film. I have seen the dynamics present in this film played out in many cultures and religions around the world, including the "West".

Meaningless tradition in the face of humanity is a universal theme and this film sends the message clearly home. Anybody who watches this film and smugly thanks their lucky stars that they weren't born in such a barbaric culture, has totally missed the point. They may even be part of the problem in their own culture, though unwittingly, as that is exactly how tradition works.

But enough about the message of the film. Even with the heavy subject matter at hand, the film takes us through the leisurely- paced life in an anonymous sub-saharan village, and we get treated to many of the joys and even the humor of their daily life as well. I believe the director would like to say that village life, and even many traditions, are not inherently good or bad; in fact many will probably feel even some envy of the idyllic village and its rich culture. This, however, also happens to be the backdrop of a ritual whose meaning is long forgotten, not to mention excessively cruel. And cities are plenty filled with cruelty of different types.

The fact that the director is male makes the impact of the film all so much stronger, as he shows no sympathy to men in general, and sees the weakness of the female role in African culture (which is just an extreme picture of sexual discrimination everywhere; and ironically men are always giving lip service to women). Thus the general shortage of strong men in the story may be pointed out as one of the film's weaknesses. On the other hand, the women are all top-rate actresses and their roles are realistic, and the near absence of character clichés (among major characters) is almost stunning.

The story is simply told, and many may think it is all too painfully obvious, but I think it is a work to observe on multiple levels: e.g., when the story seems not to be moving ahead we get a chance to learn about village life (albeit not unrelated to the overall work), or we get generous helpings of the character development of the three wives. Subtle interactions among villagers may bore some, but I found them fascinating. It's not made like some Hollywood movie, and thank God for that.

One of legendary Senagalese director Ousmane Sembene's defining films. A fascinating study of the clash between pragmatic modern thinking and staunch religious traditionalism in Senegal. The film focuses on the controversial procedure of 'purification', in which young girls are forced to undergo genital mutilation to supposedly make them better, more faithful, wives in the future. When six young girls flee the process, four of them seek refuge with a well-known woman, Collé (Fatoumata Coulibaly), who is viewed with suspicion in the community for her stubborn refusal to adhere to all the societal 'norms'. Collé offers the girls protection (moolaadé), a spell which can only be broken if she herself utters the words which will end the moolaadé. Collé herself had refused to let her daughter be 'purified' and her actions prove to be inflammatory, causing the elders to become increasingly nervy about her failure to conform. As their control mechanism is slowly eroded they lash out and the community takes on alarming animalistic tendencies. Although the film ends in a rather idealistic fashion, Sembene's work is both moving and engaging. His stance on the core debate is clear but the views of the various community members are not so. In this way he is able to explore ideas of male hegemony while simultaneously studying the difficulties faced by the patriarch in striving towards accepted constructions of masculinity. Sembene understands the quirks of this society and his representations of these offer both light relief and food for thought. Ultimately the film swings back to the debate at its core - the battle between old and new. The modern approach is symbolised by the women's radios (and the knowledge acquired from them) and by the chief's French-educated son, who becomes the first to turn his back on the male elders. Religious traditionalism manifests itself through a ruthless and outdated male hegemony and it is clear that Sembene sees feminism as a crucial means by which modernisation can be achieved. His film provides an insight into an under-represented part of the world. It is a beautifully told story which offers a multi-layered yet concise analysis of ongoing issues which are relevant to us all.

Moolaade is a tribute to the African Woman, our Mother, That which gave us birth, that which gives birth to kings, that which gives birth to the fiercest hunters and fighters, and unfortunately... that which circumcise too!

Sembene's movie is a true and genuine portrait of the African society, it is great when showing the rapports between Man and Woman, Man and Man, Woman and Woman, as we know from other great African wise Men as the late Francis Bebey (Agatha Moudio's Son). Wit Moolaade, Sembene goes even further and shows us the flip side of the coin of the African traditions, the Tyrany and hypocrisy of the Men and Society Eldest against the Women and the others.

I have no idea of film making, but Moolaade could have been, maybe, a little bit shorter. In my eyes, 2 hours was a bit too long...