Sabor a miel

I caught an exclusive screening of this film a week back and I must say, it might be the best film featuring a mostly black cast since "Antwone Fisher." The story centers around Lily (Dakota Fanning), a poor, lonely little girl in the deep south, who deals with a tragic past and a miserable, cruel father (Paul Bettany). Her life revolves around dreams of being every bit like her deceased mother and her relationship with her caregiver Rosaleen (Jennifer Hudson).

In the midst of the civil rights movement, Rosaleen finds herself in some trouble with the locals, inspiring Lily to flee with her to a South Carolina town that she believes holds the secret to her mother's past. In this town, they find refuge with the Boatwright sisters (Queen Latifah, Alicia Keys and Sophie Okonedo), who take them in on the strength of a story concocted by Lily. Through their cultured world, filled with beekeeping, a lucrative honey business, religious beliefs and love, Lily finds the security she has longed for and finds the answers to questions that haunted her for years.

The director (Prince-Brythewood) did a great job at making us care about the characters, even the miserable father played excellently by Paul Bettany. Alicia Keys shows that some R&B singers can actually perform well in a movie, playing the snooty June Boatwright. However, the best performances has to be between Fanning and Okonedo, who played the gentle, simple minded, manic depressive May Boatwright. If Okonedo reminded me less of Thandie Newton's character in "Beloved," I would've predicted an Oscar nomination depending on this year's competition. Maybe there's one in store for Bettany? Its all left to be seen.

The film has its flaws. It dragged for a good portion of the first thirty minutes as we watch Lily and Rosaleen mill about, doing mundane things in their pitiful lives. But then it really picks up when they meet the Boatwright sisters. The characters were balancing on a thin line between empathetic and sympathetic. You never want to be in the latter. And the filmmakers couldn't resist being a bit schmaltzy on occasion, making most of it play like a good after school special with nothing beyond two dimensionality. And my biggest problem with the film... anti-climatic.

Overall, its a solid film and definitely worth the time in seeing.

I surprisingly enjoyed the movie more than I thought and would give it a solid 7. It was well scripted, the filming was fantastic, and the acting was good - it was a very pleasant movie. I read the book, so I knew what the plot was about, so no surprises there (although I wish it included one detail that was in the book about the shooting). There was nothing truly spectacular or exciting to give it an 8 (but nothing truly spectacular happens in the book either, so the movie couldn't really change that), but nothing terrible/poor script/poor acting, which you usually find a bit of in a 6 or 6.5 stars. I saw it in the theater and it was the perfect "girls night out" movie. Also good for mother/daughter. Otherwise, wouldn't pay $10 to see it. It would be a great rental - see once and return.

This movie is probably classified as a woman's empowerment film. I suppose it is that, especially for Black woman.

I'm not a woman, much less a Black woman. Still, I found this movie to be a uniformly fine creation. It has everything I want in a movie: clearly defined and well-developed characters played by actors - or, in this case, actresses - who know how to deliver carefully modulated and developed performances. The story is about how a young white girl learns to stand on her own feet, but the most interesting parts of the movie are definitely those that develop the various black characters.

I never looked at my watch once during this movie, much less went out to refill my popcorn. This is what movies are supposed to be - presentations of interesting characters participating in an interesting and involving story - but too seldom are.

Even if you're a white guy, this movie has a lot to offer.

I don't go around throwing 10's around for movie ratings, but I extremely impressed by this movie. The emotional and visual scope offered by the story, the cinematography, and the acting, gave all viewers with eyes to see and ears to hear, a wonderful treat. I'm sure not everyone loves this particular type of movie, but if you haven't been desensitized by the CGI and special effects of many of today's movies, you'll appreciate the very core of this movie, which is the human struggle - especially the depiction of the search for identity, and the need to give and received compassion from those living on this big blue marble together with us. A reminder of the racism of a not too far distant time, and the timeless theme of love, death, friendship, and compassion, add the effective seasoning that helps us all relate in some very tangible way to this movie. Enjoy it with someone you care about, and taste the honey.

I loved the novel.

I liked, very much, this adaptation of it. It represents not only a beautiful but a profound useful film, reminding essential truths and offering admirable performances, imspired images and one of good kicks to discover the beauty of life and the high significance of love , to be part of family and the reconciliation with bitterness of past.

This makes it an experience more than a real good film. And just this fact real matters.

I loved the music and the gentle definition of refuges.

And , sure, I write again, I was just seduced by the great performances , Queen Latifah being almost perfect as August.

So, the gift is the taste of honey , metaphorical, off course and a wood statue , present itself , reminding the things, essential things, defining us as clay of happiness.