Un solitario vendedor de zapatos y un excéntrico artista luchan por conectar en esta visión única de la vida contemporánea.Un solitario vendedor de zapatos y un excéntrico artista luchan por conectar en esta visión única de la vida contemporánea.Un solitario vendedor de zapatos y un excéntrico artista luchan por conectar en esta visión única de la vida contemporánea.
- Dirección
- Guionista
- Elenco
- Premios
- 22 premios ganados y 15 nominaciones en total
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I had the good fortune to see this film last night at a Sundance Film Festival screening in Salt Lake City. Having viewed a few of Miranda July's shorts on her website), I hoped this film would live up to the level set there. It does. July plays the lead character in what turns out to be an ensemble of people, each with his/her own quirks, who are somehow linked together (most simply by being neighbors). This movie is made up of what might be a string of perfect little short films. Each scene builds on the previous scene, adding one more enticing facet to a personality; one more little twist to a story. By the final scene, each character has as much depth and complexity as some of the real people we know. Indeed, one might wish that everyone was as interesting as the characters in this film.
This movie is about people trying to connect with each other, told in a very sweet, original way. It is quirky, beautiful, honest, and hilarious. The film follows the lives and dreams of many truly memorable characters, from the adorable and fascinating children to the adults with all their idiosyncrasies. I couldn't stop thinking about it the day after I saw it. I kept reliving the scenes in my head, and smiling.
I am so happy to have discovered Miranda July. Not only did she write, direct, and star in this film... she is also a performance artist, has released music CDs, and is planning on releasing a book of short stories next.
I'd recommend watching the trailer if you're curious. It definitely gives you a flavor of the film. If you like it, go see the movie, and you may fall in love, too.
After you see it, check out the movie website (http://www.meandyoumovie.com/) and Miranda's website (http://www.mirandajuly.com/) for more great stuff.
I am so happy to have discovered Miranda July. Not only did she write, direct, and star in this film... she is also a performance artist, has released music CDs, and is planning on releasing a book of short stories next.
I'd recommend watching the trailer if you're curious. It definitely gives you a flavor of the film. If you like it, go see the movie, and you may fall in love, too.
After you see it, check out the movie website (http://www.meandyoumovie.com/) and Miranda's website (http://www.mirandajuly.com/) for more great stuff.
The main reason that films can grab us and last is not because of characters or situations, or story. Yes, those are the things we see and grab, but if the film doesn't spin an engaging world, there'll be nothing worth grabbing.
Now here's a case where the world this filmmaker creates is so wonderful, we want to grab everything. Its incoherent, a set of vignettes, but all coherently placed to circumnavigate this wonderful set of dynamics.
Its a world where bad things exist but don't cut deeply. Where innocence penetrates reality. Where fate applies but is seen. Where art exists but only as pretense for life. Where communication always has a sparkle of wonder. Where age is irrelevant and hope is always privately platformed without dependence.
A dear friend brought me to "I've Heard the Mermaids Singing." This is a dear friend and I sincerely tried to dissolve myself in the world of the thing. But the cracks didn't line up, and my being and that world couldn't interpenetrate. It think it is purely a matter of skill, in knowing how to discard the things that get in the way. This does, this film here.
The woman behind this film is admirable. By that I mean she is to be admired for knowing enough about us to find the things that disturbingly endear. And I admire her for finding a place for herself in how this is presented to us. Its all so perfect that we have to assume that there is a deep selfawareness in her, as deep as her intuitions are.
I hope to see more of her. I think we can trust her with large bits of ourselves.
Ted's Evaluation -- 3 of 3: Worth watching.
Now here's a case where the world this filmmaker creates is so wonderful, we want to grab everything. Its incoherent, a set of vignettes, but all coherently placed to circumnavigate this wonderful set of dynamics.
Its a world where bad things exist but don't cut deeply. Where innocence penetrates reality. Where fate applies but is seen. Where art exists but only as pretense for life. Where communication always has a sparkle of wonder. Where age is irrelevant and hope is always privately platformed without dependence.
A dear friend brought me to "I've Heard the Mermaids Singing." This is a dear friend and I sincerely tried to dissolve myself in the world of the thing. But the cracks didn't line up, and my being and that world couldn't interpenetrate. It think it is purely a matter of skill, in knowing how to discard the things that get in the way. This does, this film here.
The woman behind this film is admirable. By that I mean she is to be admired for knowing enough about us to find the things that disturbingly endear. And I admire her for finding a place for herself in how this is presented to us. Its all so perfect that we have to assume that there is a deep selfawareness in her, as deep as her intuitions are.
I hope to see more of her. I think we can trust her with large bits of ourselves.
Ted's Evaluation -- 3 of 3: Worth watching.
Me and you... is the type of movie that you can come in at any point and get into the characters and the plot.I saw it at the U.S.A. Film Festival in Dallas.I missed the beginning,and I heard a few people walked out because of a soft porn scene.I absolutely loved the movie, the actors were perfect for the parts,all of them. I noticed that I was actually sitting next to John Hawke, who was very a funny, honest character.(He was laughing too)Expect to laugh,laugh,and giggle,I was very impressed.Miranda J. is brilliant,she is a really talented actress, who plays a quirky struggling artist,very funny.This movie touches on things that we think, and feel everyday,but are scared to tell.The characters do a great job of making you feel and love each and every one of them.
I was fortunate enough to see this at the IFC screening a couple of nights ago, and it was truly one of the most refreshing and genuinely enjoyable films I have seen in a long time. It reminded me of an artsier, less commercial Garden State with a female protagonist. And unlike Garden State (which is still a great film), it captured those random, lovely, hard-to-put-into-words bits of human emotion without having to try as hard.
Two very pleasant surprises were the young actors who played the shoe salesmen's sons, more specifically, the six-year-old. I won't spoil the movie for any of you who are planning on seeing it, but the scenes involving the kids on the computer is priceless - it's going to have me laughing for a few years, I think.
I was disappointed that Miranda July did not stay for the entire screening because I would have loved to congratulate her on such an amazing movie. I hope she gets the recognition she deserves!
Two very pleasant surprises were the young actors who played the shoe salesmen's sons, more specifically, the six-year-old. I won't spoil the movie for any of you who are planning on seeing it, but the scenes involving the kids on the computer is priceless - it's going to have me laughing for a few years, I think.
I was disappointed that Miranda July did not stay for the entire screening because I would have loved to congratulate her on such an amazing movie. I hope she gets the recognition she deserves!
¿Sabías que…?
- TriviaThe 1985 Honda Accord Christine drives in the film was July's own car, passed down from her grandmother.
- ErroresWhile Peter and Robby are singing the hymn to Richard, they walk past the same white picket fence three times.
- Créditos curiososSpecial thanks to The Bertram Family
- ConexionesFeatured in Siskel & Ebert & the Movies: The Best Films of 2005 (2005)
- Bandas sonorasWhere Are We Going
Written and Performed by Ryeland Allison
Published by Silver Outlet Music (BMI)
Courtesy of Silver Outlet Music America
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- How long is Me and You and Everyone We Know?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Я, ти і всі, кого ми знаємо
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 800,000 (estimado)
- Total en EE. UU. y Canadá
- USD 3,885,134
- Fin de semana de estreno en EE. UU. y Canadá
- USD 30,801
- 19 jun 2005
- Total a nivel mundial
- USD 8,012,838
- Tiempo de ejecución
- 1h 25min(85 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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