Yau doh lung fu bong

I just watched the version that's dubbed in Mandarin, and found the film to be a disappointment after hearing so much high praise about it. So I would advise everyone to try the original HK version or better subbed version instead. Hopefully you would have a better experience.

I enjoyed the last two films I saw by the same director (PTU and Breaking News, both subbed), but I found this particular one to be incoherent and the characters hard to relate to. The film hardly makes me sympathize with its main characters, and without that connection, their life and action holds no interest to me, and all the cinematic sequences director employs become only distracting gimmicks (ie the dialog/bathroom scene involve 3 leading characters in the night club, the chasing sequence with female lead, money, a shoe...) The performance by all the actors are great, but the story presents those characters in a way that I don't see enough explanation to how they got to the situation they are in and why they chose to take certain action over other. The pace of the film is all wrong for me, some of the cuts seems to be placed at all the wrong places, On the plus side, the film is beautifully shot. Hopefully all the problem I have with this film is due to bad dubbing, which is entirely possible. But I have no intention to find out after already wasting over an hour of my time.

I have gone into this film very excited as I have become a Johnnie To fan only recently. After seeing both Election movies and PTU, I have been totally amazed at the quality of director he is and how good his films can be. Throw Down continues my fan-ship of Mr To in style. I have always felt that wires and stunt doubles ruin films, no matter what the genre, and this is something Mr To seems to share with me. The fighting style of Judo is perfect for the physical aspect of the film. The actors can get close and throw each other to the ground without need of propelling themselves over bamboo trees, which is great.

The three main leads, Sze-To, Tony and Mona are pretty good. Though Mona seems to aimlessly wonder through the film and really only serve as a third wheel at times, she is a nice enough support for the muscle of the film. Louise Koo is amazing as Sze-To, the former champ turned club owner. His drunken and dazed, followed by angered and determined emotions are all portrayed brilliantly. I was even surprised by Aaron Kwok, who is great as the eager Judo fighter, travelling from fight to fight, and spurring Sze-To into his renewed sense of fight.

The photography is spot on. The massive fight in the club is so perfectly filmed and cut with the Japanese vocal that it was a joy to watch. Even the simple scenes of clubs, night life, computer games room, restaurant, are all magnificently shot. And then, as if the film were not good enough already, the soundtrack, sound editing, production design (such as the Ext Judo Championship scene) and the screenplay are all as good as you could want. The first hour and ten minutes had me on the edge of my seat. The following twenty minutes had a more mysterious, what can happen now, feel, but it is all just perfect.

If you haven't seen a Johnny To film, this might be a good starting point, but be warned, he makes no excuses and feels no obligation to explain anything about anything, it's often left to the viewer to determine the why and the how. This, for me, is what film-making is all about.

When I saw Throwdown at the video store, I didn't think it would be that great. However, I had never seen a judo movie before, so I decided to give it a try.

First of all, the action scenes in the movie are great. I think people who are knowledgeable about ground fighting (eg Brazilian jiujitsu or judo) will appreciate the fight scenes. The fight scenes display both take-downs (throws and trips) when the fighters are standing up and ground fighting (joint locks and chokes) when the fights go to the ground. The transitions between the judo moves also flow very well. The actors in the movie even demonstrate proper techniques to break their falls when they get thrown to the ground.

In addition to the fight scenes, I love how the characters all have obstacles in their lives that they must overcome. I love how judo is used as a metaphor for the lives of these characters. When practicing judo, a person will fall many times and find it hard to continue. To be successful, the person must get up after falling down and continue to train. Similarly, a person will experience hardships in life and often find it difficult to continue living. Despite these hardships, one must put in his best effort and continue doing what he has to do.

If you're expecting this movie to have actors flying in the air like Crouching Tiger, Hidden Dragon, you might be disappointed. But if you want to see a movie with more realistic fight scenes and an inspirational message about perseverance, I recommend this movie.

Akira Kurosawa's first film was a martial arts film: Sanshiro Sugata. This is almost never seen in the west; and I confess I haven't seen it. But I know what Akira Kurosawa did in film, and I have more than a general sense of his style and his concerns - what makes a Kurosawa film identifiably Kurosawa.

Johnnie To's tribute to Akira Kurosawa comes as a very splendid surprise. Not really a martial - arts film, this is the story of champion judo wrestler who, going blind, wallows in drink, gambling, petty theft and jazz (do these all go together?) Anyway, although the final 20 minutes of the film gets a little heavy, for the most part this is a humorous look at some Hong Kong low-lives, and how their redemption comes through the personal discipline necessary to learn judo. Even if you don't like judo, you will enjoy this film - very professionally crafted and acted.

This movie was lots of fun. If you were expecting an all-out fighting movie I can see why you'd be let down. I actually only heard about this movie last week when I borrowed it from a friend. It didn't disappoint at all. If you are a fan of early Kurosawa films (Sanshiro Sugata in particular) you'll love this. It's kind of a modern re-telling of it. Like that film, and this film, there is a sort of suspension of reality. The characters are common archetypes - the has-been master, the wayward girl, the up-and-comer, the bad guy. The film doesn't intend to be a serious drama. Even the "bad guy" really isn't bad. It's more about the spirit of competition and getting back on your feet after you've been knocked down (no pun intended).

To me the film excels in its visuals. The film is shot beautifully with vivid colors that set the mood perfectly for each scene. And the finale? A duel in the wind-swept grass! How old-school is that?! Throw Down is a great film if you go in with little or no expectations of what it's "suppposed to be like." Just sit back and enjoy the ride.