Cuatro mejores amigas traman un plan para mantenerse conectadas mientras sus vidas avanzan en diferentes direcciones: se pasan un par de pantalones vaqueros de segunda mano que se ajustan pe... Leer todoCuatro mejores amigas traman un plan para mantenerse conectadas mientras sus vidas avanzan en diferentes direcciones: se pasan un par de pantalones vaqueros de segunda mano que se ajustan perfectamente a cada uno de sus cuerpos.Cuatro mejores amigas traman un plan para mantenerse conectadas mientras sus vidas avanzan en diferentes direcciones: se pasan un par de pantalones vaqueros de segunda mano que se ajustan perfectamente a cada uno de sus cuerpos.
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- 1 premio ganado y 14 nominaciones en total
Maria Konstadarou
- Yia Yia
- (as Maria Konstandarou)
Jacqueline Ann Steuart
- Lena's Mother
- (as Jacqueline Stewart)
- Dirección
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- Producción, taquilla y más en IMDbPro
Opiniones destacadas
We often have expectations that a movie will follow a book to the letter. Due to time limitations, creative ideas, etc. the film makers often need to adjust the story from the book to fit the film. As a lover of both books and film I ask that those who turn a book into a film follow the spirit and the feeling of the book. I believe the Sisterhood of the Traveling Pants director and screenwriters did just that.
Basically the book tells the story of 4 teenage girls who are experiencing their first summer apart ever, since they have known each other since birth. Unbelievably, they find a pair of jeans which fits each girl amazingly well, although they have very different body shapes. They take this to mean the pants hold some sort of magic, so promise to send the pants to each other throughout the summer and use it as a way of keeping in touch with each other (thus - the traveling pants). The pants are sent from Tibby (staying at home) to Bridget (in Baja California, Mexico at Soccer camp) to Carmen (with her father in North Carolina) to Lena (visiting her grandparents in Greece).
Three of the story lines are very true to the book, although with slight variations. Tibby's storyline is almost a perfect match to the book, Bridget's is close, and Carmen's is slightly varied showing her in a less mature light than in the book. Lena's story, on the other hand, is told completely in reverse of the book. However, I can understand the need to make this change, as the twists and turns of Lena's story in the book would have been difficult to project onto film. The end result: the girls experience the same issues in the movie as they did in the book, and they change in the way the book indicated. The "feel" of the movie is the same as that in the book.
This film is truly a coming of age story about young high school girls. It is beautifully filmed with lovely scenery from both Greece and Mexico. The actors portraying the young girls are very well cast and match the descriptions from the book. As a librarian, I can tell you that no movie can ever equal the movie you make in your head while you are reading a book. But, this movie is beautiful in its own right, and a lovely story of growing up female and experiencing love, passion, death, and disappointment. The girls learn that the love and friendship they share will help them to get through all the issues of growing up.
Basically the book tells the story of 4 teenage girls who are experiencing their first summer apart ever, since they have known each other since birth. Unbelievably, they find a pair of jeans which fits each girl amazingly well, although they have very different body shapes. They take this to mean the pants hold some sort of magic, so promise to send the pants to each other throughout the summer and use it as a way of keeping in touch with each other (thus - the traveling pants). The pants are sent from Tibby (staying at home) to Bridget (in Baja California, Mexico at Soccer camp) to Carmen (with her father in North Carolina) to Lena (visiting her grandparents in Greece).
Three of the story lines are very true to the book, although with slight variations. Tibby's storyline is almost a perfect match to the book, Bridget's is close, and Carmen's is slightly varied showing her in a less mature light than in the book. Lena's story, on the other hand, is told completely in reverse of the book. However, I can understand the need to make this change, as the twists and turns of Lena's story in the book would have been difficult to project onto film. The end result: the girls experience the same issues in the movie as they did in the book, and they change in the way the book indicated. The "feel" of the movie is the same as that in the book.
This film is truly a coming of age story about young high school girls. It is beautifully filmed with lovely scenery from both Greece and Mexico. The actors portraying the young girls are very well cast and match the descriptions from the book. As a librarian, I can tell you that no movie can ever equal the movie you make in your head while you are reading a book. But, this movie is beautiful in its own right, and a lovely story of growing up female and experiencing love, passion, death, and disappointment. The girls learn that the love and friendship they share will help them to get through all the issues of growing up.
The only magic realism in The Sisterhood of the Traveling Pants is the one, one-size-fits-all pair of jeans worn the four female friends, whose summer adventures bring a dose of realism magical only for the insights into life, the pain and pleasure that come in from age seventeen to the end. As a coming-of-age film, this ranks with the best of them for non-condescending, adult-like perceptions, with nary a "like" in the girls' vocabulary.
Two of these lifelong chums have summer romances that transcend the usual sun and sand trifles; the other two deal with even more substantial challenges, ones that involve connecting with family or friends after years of disconnection. Sisterhood of the Traveling Pants offers no easy solutions to questions about openness, sexuality, parental neglect, and death. Rather each girl has an epiphany that grows naturally out of the frustrations accompanying inexperience and immaturity.
Love on a Greek island while riding a scooter like Audrey Hepburn through the streets of Rome demands confronting the intrusions of family reminiscent of Romeo and Juliet; love on a beach in Mexico unleashes longing for a parent that goes beyond a beautiful boy; a new life for a parent means the death of an old one for a child; and teen alienation turns to acceptance and even love through the magic of a new friend.
None of these realistic setups for teen enlightenment can make an engaging film unless the actresses are believable, and in Sisterhood each young woman carries her role with deftness and sincerity sometimes not found in the most seasoned actresses. Special recognition should be given to Jenna Boyd as 12-year old Bailey, who believably transforms one teen from misogynist to humanist. This little actress has the chops to win the Oscar someday.
The ten rules of the sisterhood are dominated by the logistical one that states, "You must pass the pants along to your sisters according to the specifications set down by the Sisterhood." FedEx does the delivery; the girls supply the specific adventures that echo the anguish and resilience of being a teen in a society that sometimes doesn't care. You will care for each girl; I guarantee it as if it were a pair of Levis, sturdy and malleable, sexy and comfortable. Come to think of itthat's Sisterhood of the Traveling Pants.
Two of these lifelong chums have summer romances that transcend the usual sun and sand trifles; the other two deal with even more substantial challenges, ones that involve connecting with family or friends after years of disconnection. Sisterhood of the Traveling Pants offers no easy solutions to questions about openness, sexuality, parental neglect, and death. Rather each girl has an epiphany that grows naturally out of the frustrations accompanying inexperience and immaturity.
Love on a Greek island while riding a scooter like Audrey Hepburn through the streets of Rome demands confronting the intrusions of family reminiscent of Romeo and Juliet; love on a beach in Mexico unleashes longing for a parent that goes beyond a beautiful boy; a new life for a parent means the death of an old one for a child; and teen alienation turns to acceptance and even love through the magic of a new friend.
None of these realistic setups for teen enlightenment can make an engaging film unless the actresses are believable, and in Sisterhood each young woman carries her role with deftness and sincerity sometimes not found in the most seasoned actresses. Special recognition should be given to Jenna Boyd as 12-year old Bailey, who believably transforms one teen from misogynist to humanist. This little actress has the chops to win the Oscar someday.
The ten rules of the sisterhood are dominated by the logistical one that states, "You must pass the pants along to your sisters according to the specifications set down by the Sisterhood." FedEx does the delivery; the girls supply the specific adventures that echo the anguish and resilience of being a teen in a society that sometimes doesn't care. You will care for each girl; I guarantee it as if it were a pair of Levis, sturdy and malleable, sexy and comfortable. Come to think of itthat's Sisterhood of the Traveling Pants.
Saw this movie with wife and two grand daughters. I was the only male in the audience--but, hey, there were only four people in the theater. And I think this is too bad. While I suppose this is a teenage chick flick, I thought it transcended most of that genre in that the main characters were intelligent, genuine human beings and not MTV stereotypes. The four actresses were up to the material and were able to convey their characters' strengths and weaknesses effectively. I also appreciated (as a male) that the young men in the film were shown as caring and decent--not just "dreamboats", funny sidekicks, or sex-crazed drunken frat boys--the other male stereotypes in so many films aimed at teens. This is a movie I think most females can relate to and that most mature viewers could enjoy except, maybe, for the guys who are still in arrested development and think that the only good movie is one where people and things get blown up or otherwise destroyed. And, hey, I like those movies too when they have a good script and good direction.
My 10 year old daughter and I went to see this yesterday. I haven't read the books, but she has. We had mixed reviews...I enjoyed the movie but Elizabeth was terribly disappointed. She kept whispering "Mom, that's not in the book"..."that didn't happen that way"...and apparently some pretty major discrepancies exist.
Because I didn't have any plot expectations. I thought the movie was well done. The characters were believable, the acting was great, the topics were handled in a manner that was suitable for my pre-teen to watch. The comments I overheard from the other audience members (99% teenage girls at this Friday matinée!) were positive.
My rating is a combination of my score (8 or 9) and her score (4 or 5). So just a word of caution...if you expect the move to follow the book, you may be disappointed.
Because I didn't have any plot expectations. I thought the movie was well done. The characters were believable, the acting was great, the topics were handled in a manner that was suitable for my pre-teen to watch. The comments I overheard from the other audience members (99% teenage girls at this Friday matinée!) were positive.
My rating is a combination of my score (8 or 9) and her score (4 or 5). So just a word of caution...if you expect the move to follow the book, you may be disappointed.
I went to see this movie with my wife and, upon entering the theater, immediately became uncomfortable. There was only one other man at the screening and he was obviously feeling a little out of place as well (although he seemed relieved to see me walk in). I was expecting a teen soap opera, but what the movie delivered was quite different. This movie is more like a modern-times "Little Women" or a teen girl version of "Dead Poets Society". In other words, it's something that I haven't seen any sign of for decades....an intelligent drama aimed at teenage girls. My response to seeing this movie was similar to how i felt after seeing "Babe". I know this is an odd comparison, but both were thoughtful, intelligent movies aimed at a target audience that is usually fed cinematic rubbish. The elements of good film-making are on full display here. Strong acting, sure-handled directing, terrific writing....everything that makes a movie great. If you are a teenage girl or have one in your life, this is an absolutely must-see movie. If you don't, you'll still have a good time.
¿Sabías que…?
- TriviaBlake Lively's (Bridget) father Ernie Lively plays her father in the movie.
- ErroresTibby's nose ring keeps changing locations between scenes. Sometimes it's on the middle of the nostril, sometimes it's too high up her nose to be real.
- Créditos curiososWhen "These Days" by Chantal Kreviazuk is playing during the end credits, the pants look like the girls put all these designs on the pants of what their summer was like.
- Bandas sonorasTime of Our Lives
Written by Paul Van Dyk
Performed by Paul Van Dyk featuring Vega 4
Courtesy of Mute Records
Under license from EMI Film & Television Music
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idiomas
- También se conoce como
- The Sisterhood of the Traveling Pants
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 25,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 39,053,061
- Fin de semana de estreno en EE. UU. y Canadá
- USD 9,833,340
- 5 jun 2005
- Total a nivel mundial
- USD 42,013,878
- Tiempo de ejecución1 hora 59 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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