Un policía duro pero mediocre debe escoltar a una prostituta de Las Vegas a Phoenix, para que ella pueda declarar en un juicio de la mafia, pero muchos apuestan a que no llegarán a la ciudad... Leer todoUn policía duro pero mediocre debe escoltar a una prostituta de Las Vegas a Phoenix, para que ella pueda declarar en un juicio de la mafia, pero muchos apuestan a que no llegarán a la ciudad con vida.Un policía duro pero mediocre debe escoltar a una prostituta de Las Vegas a Phoenix, para que ella pueda declarar en un juicio de la mafia, pero muchos apuestan a que no llegarán a la ciudad con vida.
- Ganó 5 premios Primetime Emmy
- 17 premios ganados y 67 nominaciones en total
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I admit I didn't watch "The Practice" as a regular show, but I saw enough to see that it was a dark, clever series examining the everyday work of a small Boston firm who primarily defended criminals. "Boston Legal" is a much different show. Centered around a civil and corporate firm that only occasionally deals in criminal cases. The place is a circus, it's David E. Kelley's hybrid of "The Practice" and "Ally McBeal," although the latter included hallucinations and bizarre love lifes.
Emmy-winner James Spader, the ever shameless and subtly self-destructive Alan Shore is the slimy playboy who, like it or not, is a fantastic attorney. Denny Crane (fellow Emmy-winner William Shatner) seems like the perfect match for Shore's unpredictable fashion. Both men are unorthodox, and Denny is slipping. He's also a great attorney, but he doesn't know it half the time. The two are the perfect team, each willing to forgive the other for their shortcomings in the area of law, and cover each other as such. Paul Lewiston (Rene Aberjonois) is the figurehead of everything they are not. He is respectable, by-the-book, and without conscience. The embodiment of the sleazy corporate attorney, and more concerned with keeping a client than with admitting a falacy on their part. Brad Chase (Mark Valley) is in the same boat insofar as playing by the rules, but he's Denny's man, and it pisses him off that Alan gets all the attention for his crimes. Laurie Colson (Monica Potter) is the idealistic attorney who has dabbled in Alan Shore's method of practicing law with disastrous consequences. Tara Wilson (Rhona Mitra) is finally sleeping with Alan, and happily playing along in his little game. And Sally Heep (Lake Bell) has all but disappeared since she broke up with Alan, so that she is little more than an errand boy (girl).
And most recently Candice Bergen has joined the cast at Crane, Poole, and Schmidt, as Shirley Schmidt (Edwin Poole has gone off the deep end after showing up at work, having only dressed the top half of his body.) and she appears to be Alan Shore in reverse. She's manipulative, wisecracking, and short with answers, but she seems to appeal to the ethical way of practicing law. Now back from New York and busting balls due to a law suit filed by one of their employees, she seems a welcome edition to the show.
Perfect follow-up to "Desperate Housewives," and just as funny. It's proof that David E. Kelley still has a few tricks up his sleeve.
Emmy-winner James Spader, the ever shameless and subtly self-destructive Alan Shore is the slimy playboy who, like it or not, is a fantastic attorney. Denny Crane (fellow Emmy-winner William Shatner) seems like the perfect match for Shore's unpredictable fashion. Both men are unorthodox, and Denny is slipping. He's also a great attorney, but he doesn't know it half the time. The two are the perfect team, each willing to forgive the other for their shortcomings in the area of law, and cover each other as such. Paul Lewiston (Rene Aberjonois) is the figurehead of everything they are not. He is respectable, by-the-book, and without conscience. The embodiment of the sleazy corporate attorney, and more concerned with keeping a client than with admitting a falacy on their part. Brad Chase (Mark Valley) is in the same boat insofar as playing by the rules, but he's Denny's man, and it pisses him off that Alan gets all the attention for his crimes. Laurie Colson (Monica Potter) is the idealistic attorney who has dabbled in Alan Shore's method of practicing law with disastrous consequences. Tara Wilson (Rhona Mitra) is finally sleeping with Alan, and happily playing along in his little game. And Sally Heep (Lake Bell) has all but disappeared since she broke up with Alan, so that she is little more than an errand boy (girl).
And most recently Candice Bergen has joined the cast at Crane, Poole, and Schmidt, as Shirley Schmidt (Edwin Poole has gone off the deep end after showing up at work, having only dressed the top half of his body.) and she appears to be Alan Shore in reverse. She's manipulative, wisecracking, and short with answers, but she seems to appeal to the ethical way of practicing law. Now back from New York and busting balls due to a law suit filed by one of their employees, she seems a welcome edition to the show.
Perfect follow-up to "Desperate Housewives," and just as funny. It's proof that David E. Kelley still has a few tricks up his sleeve.
If the first episode is any indication, Boston Legal will continue what it started as "The Practice" last year and remain on the air. Given the splash made by James Spader on the waning Practice, this spin off was developed. And last night's episode was clever and funny, with a black woman charging racial discrimination for her daughter who was not cast as Annie. Every time anyone looked at this kid, she sang "Tomorrow." The episode sported a cameo appearance and a hilarious bit by the Reverend Al Sharpton. There were other subplots, but for me, Annie stole the show! Rebecca de Mornay seems missing from the cast, but there is the neat addition of Mark Valley, from the ill-fated, also excellent "Keen Eddie." I look forward to future episodes to see what Spader, Shatner and the able cast will be up to.
I think you should watch this show.
It's delightfully weird.
Totally unrealistic, it has just enough I-don't-know-what to enable the all important willing suspension, and once you got that, you're golden.
Here's the little stuff, the stuff that you'll enjoy but don't need to go out of your way for:
1) It has Candice Bergen! Bergen fulfills her role (uber-classy uber-MILF) perfectly. (Plus, she's Candice Bergen. To this date, no one does Bergen as well as Bergen.)
2) Clemenson/Espenson is likable and offbeat. One of the best "spice" characters since, oh, I dunno, Hill Street Blues.
3) Sometimes John Larroquette shows up, and he's so tall! He doesn't have to actually say anything funny. He's John Larroquette. It's a grin just for him to show up. (That sounds dismissive and snarky, but it's not meant to be. I honestly believe this is Larroquette's great comic gift: he shows up. That's all he needs to do. That's what he does. It doesn't matter what he says, because all the humor is in the wry, sardonic (and tall) presence. On Night Court, he had some funny lines, but that was actually a distraction. Remember The West Wing and The Practice... he had no funny lines there, but the effect was the same: Larroquette's wry, sardonic (and tall) presence = a grin. (Although, to be fair, in The Practice he did actually play a character in addition to showing up.))
4) It has William Shatner!
And here's the big stuff, the stuff you'll never experience if you don't go out of your way to watch a few episodes:
1) It has William Shatner! Star Trek gave us William Shatner giving us Captain James T. Kirk. Boston Legal gives us William Shatner giving us William Shatner (as Denny Crane)... the intelligent goof we always suspected was playing Captain Kirk. Even if you weren't a Trekkie, it's such a cool feeling to feel like you're getting to hang out with the *real* Captain Kirk, the (intelligent, goofy) man behind the myth.
2) Despite -- or rather, alongside -- the show's unabashed unrealistic stance, it takes an honest stab at depicting honest emotions, especially (but not only) in the traditional closing scene, where Spader/Shore and Shatner/Crane share a Scotch, a cigar, a presumably rather nippy Boston evening, and a friendship.
3) It has James Spader! Who? James Spader! Who's Jame's Spader? I don't know, I never heard of him before I saw this show, but he's incredible. His character (Alan Shore) brings something unlike anything I've ever seen on television... a character that is, I think, truly Shakesperean in its immediacy and otherness.
In fact, I believe this is the secret ingredient of Boston Legal's success. Spader's Shore has a Shakesperean otherness, and once we accept this otherness (as we are compelled to do), it doesn't matter how unrealistic (or compressed or reductive) the rest of the show is. Once we (the audience) have signed up for this otherness, once the writers have that signature on the dotted line, they're free play around and cut corners as they like. Thankfully, they often (though not always) do so to good effect.
It's delightfully weird.
Totally unrealistic, it has just enough I-don't-know-what to enable the all important willing suspension, and once you got that, you're golden.
Here's the little stuff, the stuff that you'll enjoy but don't need to go out of your way for:
1) It has Candice Bergen! Bergen fulfills her role (uber-classy uber-MILF) perfectly. (Plus, she's Candice Bergen. To this date, no one does Bergen as well as Bergen.)
2) Clemenson/Espenson is likable and offbeat. One of the best "spice" characters since, oh, I dunno, Hill Street Blues.
3) Sometimes John Larroquette shows up, and he's so tall! He doesn't have to actually say anything funny. He's John Larroquette. It's a grin just for him to show up. (That sounds dismissive and snarky, but it's not meant to be. I honestly believe this is Larroquette's great comic gift: he shows up. That's all he needs to do. That's what he does. It doesn't matter what he says, because all the humor is in the wry, sardonic (and tall) presence. On Night Court, he had some funny lines, but that was actually a distraction. Remember The West Wing and The Practice... he had no funny lines there, but the effect was the same: Larroquette's wry, sardonic (and tall) presence = a grin. (Although, to be fair, in The Practice he did actually play a character in addition to showing up.))
4) It has William Shatner!
And here's the big stuff, the stuff you'll never experience if you don't go out of your way to watch a few episodes:
1) It has William Shatner! Star Trek gave us William Shatner giving us Captain James T. Kirk. Boston Legal gives us William Shatner giving us William Shatner (as Denny Crane)... the intelligent goof we always suspected was playing Captain Kirk. Even if you weren't a Trekkie, it's such a cool feeling to feel like you're getting to hang out with the *real* Captain Kirk, the (intelligent, goofy) man behind the myth.
2) Despite -- or rather, alongside -- the show's unabashed unrealistic stance, it takes an honest stab at depicting honest emotions, especially (but not only) in the traditional closing scene, where Spader/Shore and Shatner/Crane share a Scotch, a cigar, a presumably rather nippy Boston evening, and a friendship.
3) It has James Spader! Who? James Spader! Who's Jame's Spader? I don't know, I never heard of him before I saw this show, but he's incredible. His character (Alan Shore) brings something unlike anything I've ever seen on television... a character that is, I think, truly Shakesperean in its immediacy and otherness.
In fact, I believe this is the secret ingredient of Boston Legal's success. Spader's Shore has a Shakesperean otherness, and once we accept this otherness (as we are compelled to do), it doesn't matter how unrealistic (or compressed or reductive) the rest of the show is. Once we (the audience) have signed up for this otherness, once the writers have that signature on the dotted line, they're free play around and cut corners as they like. Thankfully, they often (though not always) do so to good effect.
10JJC-3
I don't know, for a guy in his early 70's who has been royally and unfairly panned for his entire career, William Shatner as Denny Crane may be the absolute highlight of his long career! What a role and what a show. My ultimate benchmark as to how good a show is how fast I am back to that show during the commercial breaks. Didn't miss one second of Boston Legal so I guess that tells you that I liked it a lot. Of course the "Shat Man" drew me in but the overall show got me hooked. Well worth the late hour on Sundays. Rene Auberjonois ( of DS 9 fame) was an added surprise.
Programs like Boston Legal are competing for some very coveted viewers. Dangerous Housewives may be more the taste for those looking for "the edgey dramedy" on prime time and Nip/Tuck and Rescue Me have also found a loyal following with some pretty important demographics.* The kind of viewers that can keep a show like Boston Legal alive for a few seasons.
I'm a huge fan of the show...and was one of those people who only began to watch The Practice when Spader appeared. The moral ambiguity of the show's primary characters and the splash of David Kelly made for a wonderful show. That it found the viewers it did is a tribute to the inspired casting and originality of it's story lines. I think Shatner is a wonderful comeback story and the inclusion of Mark Valley may prove to be a superb choice...introducing a fellow who is much more than a pretty face. His character will go nose to nose with Alan Shore and not in the fluttery Major Burns manner. This is a guy who's gonna a win a few...and that in itself bodes well for the show. I look forward to reading everyone's comments on this terrific show.
*This year the Sopranos will return with first run episodes again and it's the farewell season. The show will runs opposite Boston Legal as will Nip/Tuck.
I'm a huge fan of the show...and was one of those people who only began to watch The Practice when Spader appeared. The moral ambiguity of the show's primary characters and the splash of David Kelly made for a wonderful show. That it found the viewers it did is a tribute to the inspired casting and originality of it's story lines. I think Shatner is a wonderful comeback story and the inclusion of Mark Valley may prove to be a superb choice...introducing a fellow who is much more than a pretty face. His character will go nose to nose with Alan Shore and not in the fluttery Major Burns manner. This is a guy who's gonna a win a few...and that in itself bodes well for the show. I look forward to reading everyone's comments on this terrific show.
*This year the Sopranos will return with first run episodes again and it's the farewell season. The show will runs opposite Boston Legal as will Nip/Tuck.
¿Sabías que…?
- TriviaDuring the series, whenever Denny Crane (William Shatner) opens his cell phone, it makes the same sound effect as the communicators from the original "Star Trek" series in which he played the role of Captain James T. Kirk.
- ErroresThroughout the series, Alan Shore and Denny Crane sit on the balcony overlooking the city of Boston. However, during the cold winter months, you never see the breath of either character, thus demonstrating that the "balcony" is part of a set, and not an actual location.
- Citas
Denny Crane: [repeated throughout series] Denny Crane...
- ConexionesFeatured in The 62nd Annual Golden Globe Awards 2005 (2005)
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