Ike: Countdown to D-Day

Dwight D. Eisenhower was the perfect choice for Supreme Commander of the Allied Expeditionary Forces that stormed French beaches on the one D-Day that indelibly evokes 6 June 1944. Having successfully commanded the forces that invaded North Africa and subsequently Sicily, Eisenhower was the right man at the right time, the indispensable molder of a coalition with perhaps too many headstrong generals and admirals. All these senior officers had combat command experience-Eisenhower never left the United States during World War I. He was a remarkably competent staff officer whose abilities were noted by, probably, the shrewdest judge of Army men in America, George Marshall. And Marshall elevated his protege from lieutenant colonel to General of the Army in a very short period.

The problem with portraying Eisenhower in the tense and confusing period before the actual invasion is that never-ending talk, not action - briefings, meetings, staff reports - were the basis for the Supreme Commander's decision to launch the invasion or postpone it. Weather issues were critical but The Weather Channel has much more excitement every night than that found in the calm, Scottish-accented reports RAF Group Captain Stagg, Eisenhower's meteorologist, delivered several times a day.

"Ike: Countdown to D-Day" has no battle sequences nor does it explore the emotional territory of the fighting men who would begin what Eisenhower termed "The Great Crusade," the title of his postwar bestselling memoir.

Tom Selleck, in an outstanding performance, captures the nuances of a general with high ideals and a simple but consummate love of his country. British generals and some American ones, including Patton, decried Eisenhower's lack of battlefield command experience and even his ability to grasp complex tactical situations. They were, to a certain degree, correct but what they missed was that his job was not to micro-manage combat but to hold together men of extreme temperaments and often mutual dislikes against the forces that might pull them apart and damage the coalition effort.

Selleck's Eisenhower is quiet, thoughtful and fully engaged in being an ALLIED leader and his gifts in that capacity are well reflected by this actor. Yes, some incidents are perhaps subject to challenge by the historically knowledgeable (including me) but in the main this is as accurate a movie dramatization of D-Day planning and decision-making as we're likely to get.

While Eisenhower's driver and confidant, Kay Summersby, an attractive Englishwoman in uniform, is present kudos go to the writers and director for not hyping up the film with an unnecessary romantic digression into the general's alleged extramarital affair with the winsome chauffeur.

This film might bore some but it's a fairly good capture of the tensions and issues preceding the issuance of one of the most momentous orders in the history of warfare: "Let's go!," Eisenhower simple command that translated years of preparation into a massive assault that presaged the liberation of Europe.

9/10

There must be an unwritten rule in Hollywood that any movie about Eisenhower must demean George Patton. They did it 20+ years ago with the mini-series by the same name, taking a real incident in which Patton, to Ike's surprise, had a contingency plan for the battle of the Bulge and whipped his troops into a 180-degree turn to come to the rescue of Bastogne. In the movie, Ike coaxed an extremely reluctant Patton into it; in every historical account, Patton practically begged for the chance.

Now we have a new one in which the always likable Tom Selleck plays Eisenhower (a happy choice of actors, although Selleck really should've dyed his hair) and we get to see anew his struggles with Churchill, Montgomery and other Brits, not to mention the loathsome Chuck deGaulle. But does Patton fare any better? Nope. Not only did this movie manage to combine the Sicilian slapping incident--which had happened a year earlier--in with the "Knutsford incident," but it, like some newspapers of the day, manages to misquote Patton again (he really DID mention the Russians, even the Knutsford witnesses say so) in order to throw in a 21st century politically correct diatribe about "racialism". And what happens? Blood 'n' Guts Patton trembles at the mighty Ike, promises to be good, and when graciously forgiven, pulls a scene straight from Blazing Saddles ("Mongo have deep feelings for Sheriff Bart!") and throws his arms around Ike, hugging him so violently he (Patton) loses his helmet in the process. It made me laugh to hysterics.

The rest of the movie isn't bad. Thankfully, the Summersby romance thing seemed to be ignored or at least irrelevant in this movie, concentrating on the tensions among the leadership. The part where Ike talks to the airborne troops shortly before they depart is very well done.

But Eisenhower was a decent enough general and politician to stand up to scrutiny on his own. It isn't necessary to make him look better by making George Patton look worse. Patton was infinitely capable of making himself look bad, and he did plenty of times on his own. Fictionalizing Patton doesn't make Ike look better. It just makes the writers look cheap.

I would really recommend seeing the DVD due to the excellent commentary by Selleck, the writer and director.

Argument about the Second World War - what went wrong, what went right, why things were done - and of course about the historical accuracy of any depiction in film - is one of those great indulgences of mankind.

But I think this movie very faithful to history - and those who say that a single particular meeting with Churchill at which Y was decided did not occur, because instead there were a dozen meetings in which Y was gradually decided -- or that there were also A, B and C people at other meetings - are simply not dealing with every movie's need to compress a true story.

I think this movie (though it does acknowledge that there was some condensing of character and incident) is truly excellent.

There is a maturity about the playing (and Selleck is really superb - a tribute to the seriousness with which he took the task of playing a hero who had an obviously immense impact on history) and sober approach to the issues -- that make it very moving.

The movie does a wonderful job at showing Ike grappling with:

a) the difficulties of others' personalities (DeGaulle, Patton, Miller, Montgomery),

b) the tactical decisions (how near to the landing do you have the paratroops drop - and do you change your mind as you learn of German troop movements? The need for a full or half moon as well as good weather; the likelihood of further delay to see if things improve -causing a loss of German surprise about place of invasion).

It's just superb in every way - it will make you wish this were part of a 12 or 14 hour series about Eisenhower in wartime.

Selleck (with his Midwestern accent and - for this movie - very deliberate in movement and speech - makes a superb Eisenhower).

There are no combat scenes in this wartime drama, yet it offers a compelling portrait of Ike and a gripping depiction of all the strategy meetings involved in the Allied landing in Normandy. I'm one of the few who has not yet seen Saving Private Ryan, and think this might be a useful movie to have watched first. The film chronicles the complicated planning meetings during the three month build up to D-Day, the operation masterfully orchestrated by the American General Dwight D. Eisenhower in his position as Supreme Commander of the Allied Expeditionary Force.

Tom Selleck is positively brilliant in his portrayal of Ike. Like every other viewer, I knew what the real Eisenhower looked like but while watching this movie, I didn't see Tom Selleck or Magnum. I saw Ike. The movie gives a moving portrait of this confident and decisive but not egotistical general. Fortunately, it avoids any depiction of an alleged romantic affair with his chauffeur Sommersby, best not to cast needless aspersions. It especially provides a touching glimpse into this leader's inner turmoil, secret doubts, and emotional anguish at sending soldiers into a dangerous battle bound to involve high Allied casualties. The battle depicted in this film is truly Eisenhower's inner one.

The most wrenching scene is definitely the one in which Eisenhower himself visits the paratroopers on the eve of the landing. As this group is expected to suffer especially high casualties, he realizes that he is undoubtedly sending many of them off to their deaths. However, given the dire wartime situation, he realizes he has no choice. His unpretentious friendliness with these paratroopers is touching as he tries to put them at ease, shares a cigarette with them, and shows genuine interest in their personal lives...uncharacteristic of a military commander in his position.

The inner squabbling between the generals is also interesting, the various egos of those who disagree on strategy. It's obvious why there needs to be one leader with the final word! Ike exhibits both able tactical strategy but also admirable people skills, dealing respectfully with both the political leaders and the other generals, seeking their opinions, but unafraid to ultimately insist on his chosen course of action. Generals Montgomery, Patton, and Bradley are all highly involved in the planning operation. I'm no expert on the historical accuracy about any of these generals, so will leave such commentary to others better informed.

Charles DeGaulle is certainly cast as an irritating, unsympathetic, and uncooperative obstacle to the Allies' plans, though some have commented that this depiction is inaccurate. Hopefully. While I hesitate to disparage the dead, he comes across as quite despicable here. Churchill is also shown of course, behaving very Churchillian!

The planning operation of Operation Overlord makes a riveting story. I was especially taken with the operation's total dependence on the weather reports near the target date. The pressure must certainly have been on these meteorologists to get their forecast right! Sellick brought to life an historical figure I had previously really never thought much of, though Eisenhower must have been regarded quite heroically in public opinion for him so have gained such an endearing nickname. I hope his portrayal in this movie is accurate, because I would like to believe that Ike actually was in real life the very capable but unpretentious and compassionate man of integrity depicted here.

I have to say I think this may be Tom Selleck's best acting performance. He doesn't necessarily deserve an Emmy, but I'm also not being sarcastic; this is definitely a quality performance, not because it is some scene-chewing piece of grandstanding, but because it is subtle, honest, and to the point. The way Selleck shows Ike's moments of anguish over his awful responsibility are understated but no less compelling, and actually give some sense of what the actual man had to go through.

Although there are some inaccuracies in the film (Ike visits the paratroopers in the DAYTIME on June 6th? Those guys had dropped into France some 12 hours earlier!), I think we still get a good sense of how things were happening around Ike before D-Day. And contrary to some other opinions, I thought the portrayals of Churchill and Montgomery were both well-done and totally fair.