The Baxter

I saw this movie during the "Free Drive-In Movies at Rockefeller Center" series in New York City, on 15 June 2005. It doesn't get a wider release until later this summer, but when it does, I would see this movie with my grandparents. Heck, I could see this movie with my great- grandparents. I could go see this with my snobby friends, and my culturally clueless friends, and I think they all would like it. I'm actually looking forward to bringing my parents to see it, because not only do I think they'll really enjoy it, but I feel like it's finally one of those "movies their weird artsy daughter likes" that I can show them and know that they won't be either appalled over or baffled by.

This is in NO way intended to imply that The Baxter is boring or sappy or in any way oversimplified – completely the opposite. The film and the characters are complex, even though they are intentionally written as types. Despite being told through a series of flashbacks, there is no plot that can be ruined by showing the ending at the beginning – the whole point of the story is that you already know how these things always end, and the story is in how the characters get there. Like any good character study, the film makes the most of its preordained plot by reaching those ends through uniquely-developed means.

One of the reasons that so many movies that could be labeled "family appropriate" are so bad is because the fact that they're so decent feels so contrived – like the raunchy and disturbing parts of life are taken out, and what's left becomes the plot of a PG movie. What makes The Baxter different in its broad appeal is not that it aims low, but that it lifts the audience up to its level. It encourages the viewer to explore other facets of the romantic comedy standard without ever leading them into territory so foreign or artificial that they are unable to relate to the characters or the circumstances. Quite simply, this is a decent and proper and earnest movie because it's told from the point of view of decent and proper and earnest people. It's good, and it's damn good, because, among other things, like excellent costume and set designs, great characters, ridiculous attention to detail, and beautiful directorial choices, it doesn't cater or pander to any one sort of person or audience – it's a clever take on a timeless theme, and it's executed in a way that that just about anyone can appreciate. It's sincere, it's honest, it's believable, it's incredibly moving, and it's memorably unique – it also just so happens to be extremely polite, because some movies, like some people, are just polite by nature, and that's what makes them who they are. Highly recommended.

The wonderful thing about browsing video stores is coming across films that never came to your local theater - because they were filled with garbage such as "Fever Pitch" and "Be Cool" - and finding out these small films are actually pretty good.

"The Baxter" is certainly one of those films. It's surprisingly sweet without getting maudlin. The characters' neuroses are all charming without ever seeming to be unnatural. And the film's also awfully funny.

It's helped immensely by a superbly deadpan performance by Michael Showalter. He plays his character completely straight and the laughs come naturally. And the always wonderful Michelle Williams again proves why she's quite possibly one of the most under-rated actresses today. She's so good at playing slightly quirky people without ever seeming odd. Just take a look at turn in "The Station Agent" (2003).

The film gets wonderful supporting work from Elizabeth Banks, Justin Theroux - his entrance is priceless - and a genuinely funny cameo from Peter Dinklage.

"The Baxter" isn't the greatest comedy, but it's certainly better than most of the fare that's in theaters right now. It has a certain honesty. You can't help but feel for the title character and his predicaments. Most of us have been there and it's hard not to like this chap. He also surrounds himself with oddballs who never take away anything from the film. Of course, they're movie people but they add something unique to this special little film.

I genuinely enjoyed this film. Even more after multiple viewings. You must take it for what it is (which is a light hearted romantic comedy) yet its humor is not of the typical Hollywood romantic comedy. The boys of stella give it some edge while managing to maintain a seamless blend with the romantic aspects of the movie. Its not a "mean" edge, or a "hip" edge or a "dirty" edge that the humor has, its more of an absurdist edge that the Stella troupe is known for. However, where Stella can often fail (and succeed for that matter) is when they go too far, and the entire storyline and every moment becomes absurd, and things risk getting to a point where they are no longer funny. I think the boys have found the perfect showcase of their brand of humor in this film because the absurdist aspects are thoughtfully sprinkled on top of a solid foundation of a cookie cutter romantic comedy story. Much of the film is smile and giggle funny, with a few moments of absolute humour nukes. Most importantly, you grow to genuinely like and care about the characters in the film. Justin Theroux is genius as Bradley.

This film wasn't exactly life-altering for me, but it definitely got me thinking about ex- boyfriends, and how things may have been different - or how things turned out for them. It's upbeat in that"there are no losers - there's somebody for everybody," but it might take one hell of a journey to find your other half. This movie explores the kind of people that never get discussed in film or media - because they're not cool enough, or sexy, or too neurotic, etc.. But in this movie, you fall in love with the characters who seem a bit out of step, and it makes you want to bitch-slap the pretty people. I give Showalter major props for actually achieving a unique crowd-pleaser. Oh, and it's absolutely hilarious. He has a long career ahead of him.

The Baxter (2005) written and directed by Michael Showalter, is a very predictable--but enjoyable--movie.

Director Showalter has cast himself as Elliot Wendall Sherman, "The Baxter." "The Baxter" is the man who, although perfectly decent, gets left behind at the wedding altar when the romantic hero appears at the last possible moment.

Elizabeth Banks plays the elegant Caroline Swann, who falls in love--sort of--with Elliot. Michelle Williams is Cecil Mills, a girl-next-door type who has newly arrived in NYC.

The question, of course, is not what will happen--obvious--but how it will happen. The plot is weakened by unlikely premise that someone like Caroline would consider marrying Elliot.

Michelle Williams is delightful as the innocent young thing, and it would be quibbling to demand cinema verite from this film.

Just enjoy it for what it is--not memorable or ambitious, just pleasant and enjoyable.