Kyûtî Hanî

I have to go with the other posters. This was the most amazing and revolutionary action-adventure I have seen since "Road Warrior" way back when! Yes, maybe I sound like a nut after saying that, but the energy from the Fantasia Festival debut of this movie has convinced that I am not insane after all. "Cutie Honey" (the most unlikely action-film title I ever heard or could imagine) deserves to go down in film history as one of the greatest action-adventures of all time. For instance it's 10X better than the Lethal Weapon series, and Quentin Tarantino only wishes he had the talent to create a film like this (rather than steal it).

Then again, since "Hollywood" denigrates films like this? I am not sure what its fate will be. But if it got a US release it could revolutionize the US film industry like nothing people have seen. In the meantime I only hope anyone reading this has a chance to see this amazing film.

It's that F'N good.,

Let's put it clear from the beginning, the film is an exercise in style, and the style is anime. If you like anime, this is THE FILM you'd love to see, characters, timing, acting, dialog, cameras, lights, sound...An fan's dream, a film made by a man who loves anime for all the people who love anime. When I found that Anno, the man who made Neon Genesis Evangelion, was in this project, I thought it would be great. When I finally saw it, I found it was better, I kept a smile all time long. If you don't like it, well, try something else. If you don't like blues, you'd protest about repetitive riffs and metrics, long guitar solos and so on. Each kind of art has its codes, and if you share them you understand and appreciate it. For me, this is a masterpiece of live action anime.

Saw Cutie Honey at the Leeds Film Festival on Saturday... not sure if James Maruyuma had been paying attention until the last half of the movie, because people breaking into song for no particular reason and "metaphysical" (actually psycho-sociological but nevermind) thoughts about love and opening your heart to people are there throughout. The film is 95% very very very silly, with a couple of curveball moments where things get a bit more serious, then right back into silliness and fluffiness again. The film is shot and edited in a very anime-esque way, with extensive use of CG to enhance the stylisation and "cartooniness" that's already quite abundant from the costumes and overacting. In fact, so much effort has been spent making the live action film feel like an animated film that one sometimes wonders why they didn't just animate it ;) The answer is, of course, the super-cuteness of Sato Eriko (though I was actually more partial to Ichikawa Mikako's super-repressed detective character, make of it what you will).

Overall, very very camp and silly fun with a fluffy message about the power of love n' stuff. Not the stuff classics are made of, but worth seeing if the opportunity arises.

I've always had a bit of a love/hate relationship with anime. Quick flashes of artwork reconciled within the plot lines of the larger work have always felt more intrusive than they have integral to the total story, but, as could any reader, there's always something in there worth appreciating. Whether it's the personal history of the lovable lead or the angry clutter of a villain bent on destroying life, some element always gels, fueling the vicarious excitement for as long as I'm willing to suspend disbelief.

Then again … when the lead actress is an absolute knockout having the time of her life chewing scenery, slaying bad guys, and decked in spandex, who am I really kidding? The live-action (the term should be used loosely, as the film is full of heavy CGI sequences) adaptation of "Cutie Honey" feels like an idea that originated from anime but desperately desired to rise above the conventions of the literature. In this story, Honey – an ordinary office girl turned super-powerful android by magical uber-genius of her deceased scientist/father – is granted the chance of, well, her second lifetime: she can avenge dear ole dad's death by bringing an end to the notorious Panther Claw gang … but is she willing to risk the lives of her new-found friend, Detective Natsuko Aki (Mikako Ichikawa), in the process? Of course, androids have never been lovelier than this one embodied by Eriko Sato. As Honey, Eriko bears the weight of the film, delivering a performance of a visual marvel: her features strike an almost perfect balance between doe-eyed-anime-schoolgirl-cuteness and drop-dead-gorgeous-comic-book-heroine-beauty. She's perfectly cast, and it would appear that she knows it! She uses her feminine wiles and impish lunacy from start to finish with nothing short of total commitment. Such dedication should give even the most impotent Scrooge something to admire, if not a resurrection of male blood flow. Yes … she's … just … that … stunning. In her capable hands, what could have been a farce becomes a force to be reckoned with.

"Cutie Honey" is not without its flaws. The high-fashion, sparkly camp design works well most of the time, coupled with some terrific special effects work. Anime sequences – largely used for flashbacks and battlefield filler – are impressive, but these scenes don't offer much to differentiate themselves from straight anime pictures. Despite or to the advantage of the goofy feel-good banter, the actors all seem to enjoy themselves, as it's clear that no one is taking this stuff too seriously.

At some points, I couldn't suppress the "What am I watching?" effect. Normally, a film like "Cutie Honey" is not my cup of tea … but, one scene later, I was drawn up into this goofy world once more, laughing at the campy villains or admiring what little fabric the costume designer refused to waste on Eriko's ordinary-girl-alter-ego outfits.

Did I mention that Cutie is a real cutie? In the end, there's something wholesomely redeeming to watch a group of mismatched heroes take time out from saving the world to drink sake, let loose, and sing karaoke.

Taking its cue from similar movies like 'Charlie's Angels' and 'Austin Powers', Anno Hideaki's 'Cutie Honey' is a mixed bag of zany humor, outlandish action, campy acting and psychedelic animation. Based on the cult anime and manga series by iconic Japanese Manga writer Nagai Go, the movie begins with a crowd-pleasing opening sequence that really captures the essence and feel of the 1973 anime cartoon. However, the rest of the movie fails to match up with the awesome first fifteen minutes of the feature.

Sato Eriko is certainly pleasing to the eyes and is absolutely picture perfect as Kisaragi Honey/Cutie Honey, however her constant childlike innocence and carefree attitude becomes somewhat grating during the course of the film. Ichikawa Mikako is also good as Aki Natsuko but unfortunately she too is hampered by the limitations of her character's simplistic and cartoonish characterization.

The action is surprisingly top notch and the so-called 'Honey-mation' (live action footage mixed in with cartoon animation) sequences are really inventive and recalls the flawed movie 'Tank Girl' in some instances.

The movie really bogs down towards the middle with a series of candid scenes of Sato Eriko in a variety of disguises. It was totally unnecessary and was probably done to fulfill the 'Cosplay' (Costume Play) fetishes and fantasies of its target audience.

The movie really gets weird and offbeat when Oikawa Mitsuhiro as Black Claw breaks out in a song and dance number towards the end of the movie for no apparent reason. Perhaps this might have been appropriate in a spoof movie like 'Team America: World Police' but seems totally out-of-place here. In fact Koda Kumi's cameo earlier in film screamed out blatant 'product placement' as she also sings most of the songs for the film soundtrack.

The ending was the biggest disappoint. As with Anno's 'Evangelion' finale, the promise of an exciting, slam-bang finale are quickly dashed and instead we are treated to metaphysical ramblings and pretentious lecturing about the 'meaning of love' and how 'Sister Jill' should embrace love and evolve to the next level.

Being a fan of the 1973 anime series, I really wanted to like 'Cutie Honey' more. It's not a bad film and is at times quite enjoyable. However, I just wish that the movie followed through with the promising beginning opening few minutes and delivered something a bit more rousing and original.