The Truth About Love

I just watched this movie and while it's not the best thing I've ever seen it was a cute romantic comedy. Can't say that I saw any of the goofs that have been mentioned -- but then I wasn't looking for them. Or maybe the DVD copy I rented had been edited/fixed. Some of the nice things from my perspective: 1) Nice location shooting - I think it was Bristol. It had a different feel from the usual London setting and was very well photographed for the most part. 2) The leads were just fine - it was good to see Dougray Scott sporting his native (at least I think it was native)Scottish accent(it's an American thing :)and I have to say I do like Jennifer Love Hewitt. It did seem like her accent may have been looped at the beginning (the tone of the soundtrack suggested it)maybe to give her a better chance to nail the dialect, but overall I do think it was her. And while I think she needs a bit more seasoning/maturity as an actress, she has a very expressive face and natural way about her on screen -- and that's got to be a plus. So, if you just want a kick-back, lazy day on the sofa movie this is worth 90 minutes of your time.

I enjoyed "The Truth About Love"because frankly it evokes memories of the improbable romantic comediesof the thirties and forties (with the addition of cell phones and phonesex to give it a contemporary touch). It's comparable to films like TheAwful Truth and Bringing up Baby, though not quite of theirquality. I liked the fact that the three main characters, the husband,the wife, and the best friend, were very distinctive -- that they didn't have the dreadful sameness of the looks of some of today's Hollywood leading men and women. Jennifer Love Hewitt, Jimi Mistry and Dougray Scott deliver good performances in this screwball comedy. When I select a movie to watch, I don't always require a blockbuster film with a perfect script, just one that is pleasant and fun to watch. The Truth About Love was just right for middle of the night viewing.

Whattt was with the sound? It sounded like it was all dubbed.

Otherwise, bad. Plot = bad. Accents = bad (even Dougray, and we live in Scotland), Acting = bad, Harp = bad, Sex scenes - bad/cringeworthy.

Still, we watched it until the end in disbelief. How could such a good roll call of actors perform so badly? Will they ever get a decent job again?

Bad, Bad, Bad. By the way, we gave it 3 because we at least were enticed to watch it to the end due to its bizarre plot, etc.

And to the older reviewer - I totally agree, it was like a romantic farce from the 1940s. How did it get made in 2004?

OK, OK, there were some OK bits. They had a nice house in Bristol. Dougray had a nice boat. Jennifer looked nice in a little outfit. But how come the sister got all the men?

Barely watchable romantic "comedy" with really almost no funny lines I can remember. Painfully predictable in all respects. You know in the first 10 minutes EXACTLY how this is going to proceed and of course end. Why do these scripts get approved and financed? Pass pass pass. IMDb for some inexplicable reason says I need to have 10 lines in my review. So by reading the next lines you will get a feel for how you will feel watching this movie (unless you are 7 yrs old like my daughter and I am sure this movie will be fascinating, as well as totally inappropriate): I am so bored I am so bored I am so bored I am so bored I am so bored I am so bored I am so bored I am so bored I am so bored I am so bored I am so bored I am so bored I am so bored I am so bored I am so bored I am so bored I am so bored I am so bored I am so bored I am so bored I am so bored I am so bored I am so bored I am so bored.

Yet another British romantic comedy which audiences all over the world seem to have a ravenous appetite for. This feeble effort is an unintentional parody of the genre - all the classic clichéd scenes are here from ridiculously elaborate misunderstandings to running after departing trains to declare one's love. The characters are one-dimensional caricatures save for Love-Hewitt who manages to bring some cohesion to the film. Things threaten to spiral out of control in the plausibility department as the film progresses; our good-natured suspension of belief finally comes crashing down during the preposterous ending. If you're looking for a Bridget Jones, Notting Hill kind of experience you won't find it here.