CALIFICACIÓN DE IMDb
5.3/10
4.6 k
TU CALIFICACIÓN
Borracho, Archie envía un San Valentín a la esposa de su mejor amigo por error.Borracho, Archie envía un San Valentín a la esposa de su mejor amigo por error.Borracho, Archie envía un San Valentín a la esposa de su mejor amigo por error.
- Dirección
- Guionistas
- Elenco
Kirris Riviere
- Supporter #2
- (as Kirris J. Riviere)
Opiniones destacadas
Yet another British romantic comedy which audiences all over the world seem to have a ravenous appetite for. This feeble effort is an unintentional parody of the genre - all the classic clichéd scenes are here from ridiculously elaborate misunderstandings to running after departing trains to declare one's love. The characters are one-dimensional caricatures save for Love-Hewitt who manages to bring some cohesion to the film. Things threaten to spiral out of control in the plausibility department as the film progresses; our good-natured suspension of belief finally comes crashing down during the preposterous ending. If you're looking for a Bridget Jones, Notting Hill kind of experience you won't find it here.
Whattt was with the sound? It sounded like it was all dubbed.
Otherwise, bad. Plot = bad. Accents = bad (even Dougray, and we live in Scotland), Acting = bad, Harp = bad, Sex scenes - bad/cringeworthy.
Still, we watched it until the end in disbelief. How could such a good roll call of actors perform so badly? Will they ever get a decent job again?
Bad, Bad, Bad. By the way, we gave it 3 because we at least were enticed to watch it to the end due to its bizarre plot, etc.
And to the older reviewer - I totally agree, it was like a romantic farce from the 1940s. How did it get made in 2004?
OK, OK, there were some OK bits. They had a nice house in Bristol. Dougray had a nice boat. Jennifer looked nice in a little outfit. But how come the sister got all the men?
Otherwise, bad. Plot = bad. Accents = bad (even Dougray, and we live in Scotland), Acting = bad, Harp = bad, Sex scenes - bad/cringeworthy.
Still, we watched it until the end in disbelief. How could such a good roll call of actors perform so badly? Will they ever get a decent job again?
Bad, Bad, Bad. By the way, we gave it 3 because we at least were enticed to watch it to the end due to its bizarre plot, etc.
And to the older reviewer - I totally agree, it was like a romantic farce from the 1940s. How did it get made in 2004?
OK, OK, there were some OK bits. They had a nice house in Bristol. Dougray had a nice boat. Jennifer looked nice in a little outfit. But how come the sister got all the men?
I admit that I had a teeny weeny part in this film made in 2004 but I didn't get to see it until early August 2006 on DVD. Even though I am in it I must say that I think some of the bad reviews are mean spirited and downright unfair. Above all there are some very moving scenes from Jennifer Love Hewitt (who when I met her in Bristol came across as having an unbelievably lovely personality being a wonderful ambassador for Americans). The scene where she cuts up the hubby's suits shows some heartbreaking facial expressions which any female who has been cheated on will empathise with. The actress playing the artist/mistress gave a cracking performance too - great accent and venom portrayed. I am not surprised it was such a big hit in South Korea. I watched it having read bad reviews and feeling disappointed that it hadn't gone big screen - but when I saw it I was pleasantly surprised. I do so hope directors will use Jennifer Love Hewitt's talents in more films. It also reflects contemporary Bristol so well - great shots of the Suspension Bridge & interiors of our modern buildings. It reflects the nuances of "love" in the early 21st century and future generations will enjoy it for that reason rather in the way we smile when we look back at representations of Victorian "courtship" and love.
Barely watchable romantic "comedy" with really almost no funny lines I can remember. Painfully predictable in all respects. You know in the first 10 minutes EXACTLY how this is going to proceed and of course end. Why do these scripts get approved and financed? Pass pass pass. IMDb for some inexplicable reason says I need to have 10 lines in my review. So by reading the next lines you will get a feel for how you will feel watching this movie (unless you are 7 yrs old like my daughter and I am sure this movie will be fascinating, as well as totally inappropriate): I am so bored I am so bored I am so bored I am so bored I am so bored I am so bored I am so bored I am so bored I am so bored I am so bored I am so bored I am so bored I am so bored I am so bored I am so bored I am so bored I am so bored I am so bored I am so bored I am so bored I am so bored I am so bored I am so bored I am so bored.
This is not a bad film. Let me start by stating that. It is also not a great film. Like all films involving Jennifer Love Hewitt most viewers are going to rate this picture entirely upon his or her opinion of the young actress. For reason I have never entirely understood, this brunette seems polarizing to people.
The film clearly is a vehicle for the actress. But it is not her performance that drives the picture. This is a genuinely intelligent film about sex, fidelity, and the strange way that love itself often gets lost in people's best efforts to supposedly find love.
Jennifer Love Hewitt plays Alice Holbrook, a young nurse who discovers that her husband is either cheating on her or is attempting to play games with her in order to spice up their sex life. Desperate for a change, and eager to believe the best about her husband, Hewitt engages in several attempts to learn the truth, and to entice her husband further.
Like a bad episode of Three's Company, this film uses every trick in the book to keep all of its characters colliding in silly scenarios. Hewitt disguises herself, her voice, people mistake each others cell phones, etc. All of this wears thin. Yet, the innocence of Hewitt's character keeps the viewer in a forgiving mood.
The cheap, predictable, and goofy plot twists are not executed in the film very well at all. There is a strange side plot involving the trial of a soccer player that makes no sense.
The comedy part of this rom-com is lacking. This is why the film does not approach greatness.
But apart from the antics, this film has its moments. The dilemma that Alice faces is all too real for young girls. And her attempt to keep her cheating husband at the cost of her own pride is also true to form. Most women, when faced with keeping a broken love or their own pride, choose broken love. At least for awhile.
Of course, Jennifer Love Hewitt plays dress up for both Alice's husband as well as for her male fans. No actress does both "goody goody" and "sexy sexy" like Jennifer Love Hewitt. The film teases, seems to promise more, then simply teases.
What redeems the film is its uplifting message about love and hope, while contrarily pulling no punches with its assessment about human nature. It is a refreshing thing to find a film that is daring enough to be honest, and also not too arrogant to shy away from optimism. Men are sex crazed pigs. Women do dumb things to save relationships best left behind. People make mistakes. And yet, things still work out.
Now back to our polarizing actress. This is one of several movies, and now a television show as well with Ghost Whisperer, that Hewitt has made which intentionally works to show a moral and hopeful perspective about the world. I don't want to give too much credit to the young girl- but why not?- I am deeply impressed with her consciousness choices of work.
The film clearly is a vehicle for the actress. But it is not her performance that drives the picture. This is a genuinely intelligent film about sex, fidelity, and the strange way that love itself often gets lost in people's best efforts to supposedly find love.
Jennifer Love Hewitt plays Alice Holbrook, a young nurse who discovers that her husband is either cheating on her or is attempting to play games with her in order to spice up their sex life. Desperate for a change, and eager to believe the best about her husband, Hewitt engages in several attempts to learn the truth, and to entice her husband further.
Like a bad episode of Three's Company, this film uses every trick in the book to keep all of its characters colliding in silly scenarios. Hewitt disguises herself, her voice, people mistake each others cell phones, etc. All of this wears thin. Yet, the innocence of Hewitt's character keeps the viewer in a forgiving mood.
The cheap, predictable, and goofy plot twists are not executed in the film very well at all. There is a strange side plot involving the trial of a soccer player that makes no sense.
The comedy part of this rom-com is lacking. This is why the film does not approach greatness.
But apart from the antics, this film has its moments. The dilemma that Alice faces is all too real for young girls. And her attempt to keep her cheating husband at the cost of her own pride is also true to form. Most women, when faced with keeping a broken love or their own pride, choose broken love. At least for awhile.
Of course, Jennifer Love Hewitt plays dress up for both Alice's husband as well as for her male fans. No actress does both "goody goody" and "sexy sexy" like Jennifer Love Hewitt. The film teases, seems to promise more, then simply teases.
What redeems the film is its uplifting message about love and hope, while contrarily pulling no punches with its assessment about human nature. It is a refreshing thing to find a film that is daring enough to be honest, and also not too arrogant to shy away from optimism. Men are sex crazed pigs. Women do dumb things to save relationships best left behind. People make mistakes. And yet, things still work out.
Now back to our polarizing actress. This is one of several movies, and now a television show as well with Ghost Whisperer, that Hewitt has made which intentionally works to show a moral and hopeful perspective about the world. I don't want to give too much credit to the young girl- but why not?- I am deeply impressed with her consciousness choices of work.
¿Sabías que…?
- ErroresOutside the courtroom, a crewmember on the right-hand side of the screen next to a lamppost wearing a large greenish-brown jacket is visible, ushering the extras to their marks.
- Citas
Alice Holbrook: Anonymous never thinks. She does.
- Créditos curiososThe opening credits are shown on animated envelopes.
- ConexionesReferences Buffy, la cazavampiros (1997)
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
- How long is The Truth About Love?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- También se conoce como
- Su Thât Vê Tình Yêu
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total a nivel mundial
- USD 2,298,345
- Tiempo de ejecución
- 1h 40min(100 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.78 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta