The Magic of Ordinary Days

There's almost an Edna Ferber type of rural romantic fiber lurking in THE MAGIC OF ORDINARY DAYS, about a pregnant young woman (Keri Russell) whose father arranges a marriage for her with a farmer (Skeet Ulrich), an arrangement which leads very slowly to their mutual love.

It reminds me so much of the sort of tales Ferber would tell, particularly "So Big" which starred Jane Wyman and Sterling Hayden years ago, as a couple who gradually adjust to each other in a strained relationship.

Beautifully photographed in rural settings, it's almost a two-character tale, depending exclusively on the subtle performances of Ulrich and Russell. Both display talent, utterly convincing as the shy newlyweds who have trouble with the new arrangement until they manage to find common ground and mutual respect.

It's a slow moving character study, but worth a look if you like this sort of intimate tale, helped somewhat by the WWII subplot involving Japanese girl neighbors who befriend the wife, but never going too far astray of the central theme of loneliness on the part of two people searching for love.

Summing up: A much better than average Hallmark Hall of Fame TV movie.

I can't recall who said it, but someone once remarked that most people can handle the crises in their lives. But the aftermath of a given crisis, the day to day living one returns to is the tough part. That is what Keri Russell faces when during World War II days she is left pregnant during a romance with a soldier who up and left her.

In those days illegitimate birth was quite the stigma to the child and the mother bearing it. So in The Magic Of Ordinary Days Skeet Ulrich who has an agricultural exemption and one lonely life as a farmer agrees to marry her and take the child as his own.

Those kind of arrangements usually don't work out, but in this case the various crises the face plus just the ordinary day to day living trying to keep that farm running causes bonds between them to start and grow. It's not easy as Russell is college educated and Ulrich is just a man of the soil.

One of the side issues is the internment of the Japanese and a pair of Nisei girls, Tania Gunadi and Gwendolyn Yeo, arrive as farm workers. Their relatives are either interred or part of the Nisei 442nd Division fighting in the European theater. Russell is one of the few who treats them like human beings. Young Ms. Yeo is quite a handful to deal with also.

This is a very good Hallmark Channel with the leads getting good support from the ensemble cast.

In this Hallmark made-for-television movie, two young performers (Keri Russell and Skeet Ulrich) offer thoughtful character portrayals in the heartland of America during World War II. After becoming pregnant by a soldier (who never appears in the film), a young woman is forced to marry virtually by proxy; she is sent to the Midwest by her stern father and accepts a total stranger, Ray, as her husband. The film focuses on the bonding of a decent man of the earth and the more worldly, educated Livy. The film was earnest in its portrayal of the two main characters. There is also some beautiful cinematography of the American heartland. Although I did not find the overall effect of the film entirely plausible (including Livy's relationship with two Japanese women internment victims working the fields), I nonetheless applaud the Hallmark organization for a tasteful effort. Even the Hallmark commercials were refreshing when compared with the annoying generic commercials on television today.

During World War II, Livy was studying to be an archaeologist when she got pregnant, and she ended up in an arranged marriage to Ray, a kind but boring farmer who lived miles from most of the 'modern conveniences'. Livy tried hard to adjust to her new life but sometimes wondered if she had made a mistake. It helped that Ray's sister Martha treated her so warmly, and there were plenty of activities in the nearby towns, and caring people.

Ray needed help on his farm, and like many area farmers, he used Japanese from internment camps. Livy met two very nice and quite articulate Japanese girls, Rose and her sister Florie, who turned out to have been born in this country and quite educated. Ray cared little about the Japanese, thinking of them as needed to do farm work--and besides, his brother died at Pearl Harbor. We are reminded more than once that a war is going on--there are German POWs in the area, and the young Japanese women did explain what happened to their family.

Keri Russell did a good job as Livy, and Skeet Ulrich's Ray showed amazing patience with his wife. Mare Winningham was also good as Martha, and the two Japanese actresses were quite charming, though Florie smiled a little too much. Rose had almost no accent and Gwendoline Yeo made her quite dignified.

This was a pleasant family film, with almost nothing to keep children from watching. Even the references to premarital sex were handled quite tastefully.

I was at home one day a few weeks ago, off sick from work, and caught this movie during the day on one of our movie channels. I was expecting it to be sugary sweet - enough to make your teeth hurt - but the sweetness was restrained. I really enjoyed this movie! The plot was well-written, the character were wholly believable and it was not totally predictable. It made me want to be swept off by a big-hearted country gentleman. Haven't seen Skeet in a while, and was pleasantly surprised by his work in this movie. I've always liked Keri Russell (I think it may be curly-hair envy). Definitely a chick-flick, but one that I would like to own and watch more than once. Well done!