The Deal

Christian Slater in "The Deal". Good lord in heaven: what did Slater do in a former life to deserve this movie? He has made a lot of really bad choices lately ("Mindhunters", "Masked and Anonymous", "Alone in The Dark") but this is the kind of script even Oliver Platt would walk away from. A laughably bad script from first (and hopefully last) time screen writer, Ruth Epstein, who should have kept her job at Goldman Sachs. The pathetic premise of an oil conspiracy is about as thin as an Olsen Twin, and the dialog is twice as brittle; made doubly so by Angie Harmon when she tries to pull off a Russian accent (which, if I've done my math right, means the dialog has the octo-brittleness of a single Olsen, but I digress). Slater tries to crawl his way through a flimsy maze of corporate deceit, while woman after woman can't help but chew his tongue. Slema Blair is actually very good as his tree-hugging girlfriend who shows him the path to salvation, only the scene where she actually show him anything must have been deleted, 'cause I never saw it. Maybe they're saving it for the DVD. There is simply nothing thrilling about this thriller. They must have just figured if the stacked the cast with actors like Robert Loggia and John Heard they could ad-lib their way around the awkward exposition. Director Harvey Kahn, who has produced an impressive body of work but directed nothing of note, must have compromising photos of the cast. Ultimately, Slater is totally miss-cast as a Wall Street hack. They should have gone with an unknown and then maybe they could have gotten away with the low budget production values and pass 'The Deal' off as a student film. You have been warned.

Director Harvey Kahn was completely deprived of any inspiration in bringing to screen this political thriller story, happening in the corridors of the big corporate companies dealing with dirty oil deals, in a close but probable future where the western world is immersed in a war with the Arab oil-rich countries.

Nothing can really save this production. The screenplay is routine and full of stereotypes, not batter in complexity than a mid-level TV movie. Acting of Christian Slater is fair, and Selma Blair getting full time screen is quite promising as an actress, but not enough to carry the film higher. Directing is mediocre, it keeps the conflict being obscure and confusing at the start, does not make anything happening on the screen more clear or more interesting later, and moves the camera in a neutral and dry manner.

Routine stuff, nobody would have been sorry if this film was not made.

This film feels like a 70s TV series and is disposable. For example, take a look at the plane scene with Selma Blair and Christian Slater. Why, in this day and age, yes 2005 is still 'this day and age' use such an obvious fake airplane interior cabin? Little things like that annoy me and lose me because it's so avoidable.

Moving onto the story - I thought I must have been distracted, as we often are today, but looking at my cell phone, because I kept having to rewind to the beginning to figure out when and how this slop started. It just kind of 'starts'. There's no character development, and Slater's foiled 'hookups' have no depth or development behind them.

The United States is in an oil crunch. So, when the banking firm that "Tom Hanson" (Christian Slater) works for gets an opportunity to make a deal with an oil firm that might have the inside track on some foreign oil, the firm is only too happy to jump at the chance. But there are risks involved, and Tom doesn't know the oil business that well. Add insider politics, the Russian mafia, along with corporate greed, and you have the basics of this movie. As usual, Christian Slater performs quite well. So too, does Selma Blair as his environmentalist girlfriend, "Abbey Gallagher". Unfortunately, I didn't care too much for the performance of Angie Harmon as the mysterious "Anna" mostly because her Russian accent seemed too artificial. One minute she's speaking in perfect English, and the next her accent is off the charts. Likewise, I thought the ending was too quick and convenient. But in any case, I still enjoyed the movie, and believe it's worth a look for those who like films of this nature.

THE DEAL was made when the idea of paying $6 per gallon of gas would spark international intrigue: now that we're well over $3.35 per gallon that price seems less than shocking! The concept of showing how big business and the government cover up the absurd under the table Deals such as the one that is the focus of this meager script is now so de rigueur that there is no melodrama or intrigue to this story. One must credit writer Ruth Epstein, director Harvey Kahn, and executive producer/star Christian Slater for caring enough about the chaos oil supplies and their impact on the world at large are causing, but the sad truth is that this tale is so ho-hum in that we all read this very story in the newspaper everyday that it hardly seems to merit a movie.

The cast is sterling - Christian Slater as a Wall Street type, Robert Loggia as the dirty hands dealer type, Selma Blair as the idealist, and Colm Feore, John Heard, Kevin Tighe, etc all try their best to make this flabby script meaningful. The star of the movie is the musical scoring by Christopher Lennertz...and that says a lot. Without an arc of plot line and without a bit of new information about the corruption at the highest levels of this country, this film just doesn't get off the ground. Grady Harp