CALIFICACIÓN DE IMDb
6.0/10
14 k
TU CALIFICACIÓN
Agrega una trama en tu idiomaLive-action sci-fi movie based on a 1973 Japanese animé of the same name (Shinzo Ningen Casshân). Theme song by Utada Hikaru.Live-action sci-fi movie based on a 1973 Japanese animé of the same name (Shinzo Ningen Casshân). Theme song by Utada Hikaru.Live-action sci-fi movie based on a 1973 Japanese animé of the same name (Shinzo Ningen Casshân). Theme song by Utada Hikaru.
- Dirección
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- Elenco
- Premios
- 1 nominación en total
Opiniones destacadas
The good: Very beautiful scenes.
The bad: The movie was about 40 minutes too long, with repetitive flashbacks, scenes unnecessarily drawn out even after the dialogue and action has ended, a meandering plot (with plenty of plot holes), characters that act inconsistently or unbelievably, a forgettable soundtrack, and one -awesome- action scene/battle roughly around the 15% mark that makes you think the rest of the movie will feature scenes just as great, but it's just one long anti-climax after that point.
It also asks many naive questions about war/mankind/humanity to make a pretense at being remotely philosophical. It doesn't discuss what possible answers there could be to those questions, but it takes a mediocre movie and supposedly makes it 'deep.' Strangely enough, it seems that it's this very aspect of the movie that resonated with females (alongside the great visuals), who uniformly gave this movie high ratings.
This movie is barely a 6, for me.
The bad: The movie was about 40 minutes too long, with repetitive flashbacks, scenes unnecessarily drawn out even after the dialogue and action has ended, a meandering plot (with plenty of plot holes), characters that act inconsistently or unbelievably, a forgettable soundtrack, and one -awesome- action scene/battle roughly around the 15% mark that makes you think the rest of the movie will feature scenes just as great, but it's just one long anti-climax after that point.
It also asks many naive questions about war/mankind/humanity to make a pretense at being remotely philosophical. It doesn't discuss what possible answers there could be to those questions, but it takes a mediocre movie and supposedly makes it 'deep.' Strangely enough, it seems that it's this very aspect of the movie that resonated with females (alongside the great visuals), who uniformly gave this movie high ratings.
This movie is barely a 6, for me.
I have just finished watching Casshern and overall it was a visually stunning feast for the eyes with a beautifully woven fairytale at its heart. Unfortunately the fairytale was somewhat drowned under layer upon layer of heavy handed and mostly unnecessary exposition that ponders on for two long and mind-numbing hours, the result being that I am baffled by the entire experience. On the one hand I loved the movie; the style of the film was exceptional, every aspect of the world the director had created strained with the quality that is lacking in most western films. The cinematography was perfectly executed, the design work was breathtaking and the idea at the core of the narrative was ingenious. On the other hand these qualities cannot make up for the script, which is overly long and excruciatingly convoluted; taking an unnecessarily long and ponderous route to a conclusion that, in the hands of a better writer, could have been much more straightforward without necessarily losing any of the emotional complexity of the narrative or its characters. I would recommend seeing this movie if just to experience the spectacular visual feast that it is, but I can't help thinking that the story could have been treated so much better.
This movie grabs you right from the beginning with its audio/visual bombardment that keeps your eyes and ears at maximum capacity. This doesn't last all the way through, there's interspersed moments of artistic pause. Those frozen moment scenes looked like a master's canvas come to motion, if not life. Don't blink.
The plot of the movie revolves around a battle of life and death, with the love story subplot on the main character. As many scripts set in Japan do, they revolve the drama around "honor" and whatever twisted concept the characters have of it. Often "honor" demands that everyone dies. A lot of people die, but the violence is pretty good, more conceptual than graphic, and it delivers its intended impact well. But it eventually gets over the top, and you start wondering if anyone is going to live.
There's more than a few plot-holes, and they are big enough to drive a Honda through. You get the idea they shot reels of film and thought about how to piece it together afterward. People do things for impossible reasons, and unlikely motivations (twisted sense of honor becomes a generic excuse). To their credit, with such a twisted plot piecing together scenes, they don't make the mistake of turning the plot on a dime anywhere, so you won't get lost. You know who the bad guys are (3 different groups!) and who the good guys are (the hero, his immediate family, and all innocents), and you know who it's going to come down to in the end.
To anyone who watches this with subtitles, blame the incoherent reasons behind character's actions on bad subtitle translations.... and it becomes a better than average movie, even good. Turn out the lights and crank the volume. Sci-Fi fans, this is a don't miss.
The plot of the movie revolves around a battle of life and death, with the love story subplot on the main character. As many scripts set in Japan do, they revolve the drama around "honor" and whatever twisted concept the characters have of it. Often "honor" demands that everyone dies. A lot of people die, but the violence is pretty good, more conceptual than graphic, and it delivers its intended impact well. But it eventually gets over the top, and you start wondering if anyone is going to live.
There's more than a few plot-holes, and they are big enough to drive a Honda through. You get the idea they shot reels of film and thought about how to piece it together afterward. People do things for impossible reasons, and unlikely motivations (twisted sense of honor becomes a generic excuse). To their credit, with such a twisted plot piecing together scenes, they don't make the mistake of turning the plot on a dime anywhere, so you won't get lost. You know who the bad guys are (3 different groups!) and who the good guys are (the hero, his immediate family, and all innocents), and you know who it's going to come down to in the end.
To anyone who watches this with subtitles, blame the incoherent reasons behind character's actions on bad subtitle translations.... and it becomes a better than average movie, even good. Turn out the lights and crank the volume. Sci-Fi fans, this is a don't miss.
Having received my copy of Casshern from CD-wow today,my thoughts were to hang on till the weekend to view this movie!But for some reason,my thoughts were telling me to watch it NOW,Tonight never mind the weekend and my god how right was i to trust them.I cant think of any film in my 20yrs+ of movie watching that has left me stunned and speechless!This is cinematic genius,and master-craft in narrative,visuals,soundtrack&meaning.From the CGI shots a plenty to the rounding up of the meaning using simple camera visuals,i simply cant recommend this film enough,my only gripe is that I know need to see this baby on the biggest screen possible.To all you film fans out there don't sell yourself short,leave everything behind and lose yourself in this film.This is for all you who believe,trust me!!!!
Casshern sacrifices narrative continuity in favour of aesthetic grandeur. Kazuaki Kiriya made his feature debut with Casshern and had previously devoted his time to music videos, the influence was overbearing. Soundtrack motifs played in crescendo to action sequences throughout the film, intense colour and CGI made the film visually intense but shot to shot and scene to scene continuity suffered. I found it difficult to follow the story often lost in a mess of fragmented shots and incoherent animations. The plot itself was no linear transgression of events, the film resolves instead on a message rather than a resolution. Kiriya places emphasis upon metaphor rather than storytelling which is unusual. Hollywood fans like myself will probably find the film too messy to deal with, Casshern leaves many loose ends which some may find intriguing. Casshern does offer stunning visuals with big budget action sequences and fresh looking CGI. For die hard 'Art film' fans, the film was so enigmatic and metaphorical, fans of narrative cinema like myself may fall asleep!
¿Sabías que…?
- TriviaOne of several films around the world that was produced almost entirely on a "digital backlot" (i.e. shot with the actors in front of blue/green-screens with all backgrounds added in post-production, a technique which has been used for TV, video and video game production for many years). Although which movie was shot first is debated, the other movies (released in 2004-05) include: Immortel (ad vitam) (2004), Capitán Sky Y El Mundo Del Mañana (2004), and La ciudad del pecado (2005).
- ConexionesFeatured in WatchMojo: Top 10 WORST Live Action Anime Films (2017)
- Bandas sonorasRequiem
By The Back Horn
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- How long is Casshern?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 6,000,000 (estimado)
- Total a nivel mundial
- USD 12,636,656
- Tiempo de ejecución2 horas 22 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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By what name was Casshern (2004) officially released in Canada in English?
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