Golpes del destino

I don't know why, but I went into the theater thinking I was about to see a female Rocky Balboa kind of deal. I left the theater in a daze. Overwhelmed by the simple truth of its conclusion. My hat to Clint Eastwood. What an extraordinary career. An artist of enormous proportions so well camouflaged behind a shy smile and a charming, clumsy attitude. I remember focusing on Clint Eastwood through a very different lens after sitting through "Pale Rider" a mythological, lyrical western. Actors love him because he, clearly, doesn't lie to them, doesn't kiss their asses. He quite simply gives them room to maneuver. Even someone like Meryl Streep, felt freer and capable to stretch herself all the way to Italy under his wing. Sean Penn, Kevin Bacon, Tim Robbins, Jude Law, Morgan Freeman, Gene Hackman yes mostly men but there was also, other than Meryl Streep, Genevieve Boujold. Marcia Gay Harden, Laura Linney and now Hillary Swank with a performance that not even "Boys don't Cry" could predict. The film is a triumph in every department. My stomach ached from feeling. That's a compliment Mr. Eastwood. Thank you very much.

No words will do justice to this movie. Just watch.

I didn't view this film until today because I simply wasn't interested in women in boxing; however, I wish I'd seen it years ago! Hillary Swank can never make another film and this one would be her crowning glory. It takes you on a wild ride of emotions from the beginning and Clint Eastwood's curmudgeon self is part of it all. Naturally, the "voice of God" in Morgan Freeman is there to explain it all and give some meaning to what each of the characters fell. By now, everyone knows the ending but I still won't spoil it for late-comers to the film like myself. I do believe much has been made about it and it's unnecessary. Yes, you will be torn about what is morally right but you can certainly understand how Eastwood's and Swank's characters feel! Please see this film. You will understand pugilism more than ever before and you just might see some of your own self in the film! It is well worth the time!

It would be difficult to imagine a more perfect trio of performers the likes of Hilary Swank, Clint Eastwood, and Morgan Freeman in their respective roles in the emotionally-charged "Million Dollar Baby."

My favorite scenes were the early sequences in which Maggie (Swank) visits the dowdy boxing gym and co-opts Eastwood's crusty boxing trainer Frankie into becoming her mentor. Along with the veteran, retired boxer Eddie, played by Freeman, the performances were as electric as the Ali shuffle.

In the overall arc of the story of "Million Dollar Baby," there were three extraneous subplots: (1) Frankie's visits to church and his talks with the priest; (2) the story of the mentally-challenged young man named Danger, who appears in the gym and is taunted by the boxers; and (3) Maggie's family members introduced in two scenes filled with such vulgarity that much of the film's hard-earned credibility was lost. Not only would the film have worked effectively without the subplots, it would have been a much better film without them.

While Eastwood's direction was superb, much credit should also go to the designers, especially the stylish work with lighting. I cannot recall a film as dimly lit as this one, and the subdued lighting contributed substantially to the characters and mood evoked in this sensitive film. The three main performances were standouts. But this film was also a very successful team effort.

Saw "Million Dollar Baby" in Manhattan last night. Clint Eastwood, one of the all-time most famous actors -- and directors -- has more than enough money where he could choose to pull the strings on block-buster, mindless action pictures, ala Jerry Bruckheimer, or comic books. Or, hell, in his twilight years he could just lay back and enjoy his millions. But no. He has chosen instead to make quieter, lower-budget, heart-felt, character driven films like "The Unforgiven" "True Crime" "Mystic River" and now Million Dollar Baby. And the world is a better place for it. Eastwood uses his multiple talents to make films that have something valuable to say. In the emotionally powerful, Million Dollar Baby, he tells an allegorical tale of boxing to subtly express themes of hope, redemption, sacrifice, persistence, and belief in one's self. The movie emphasizes that failure is a more honorable and personally fulfilling trait than never having tried, while also frowning upon laziness and leeching off others. But see the movie and judge for yourself. I personally consider great films as the ones where I leave the theater with a better understanding of human nature, or a desire to improve the world by even a little bit. Eastwood's latest more than succeeds on those counts.