Una chica fuera de serie

I saw this film a while ago now, but I didn't forget it. It simply is one of those films that not a lot of people know, not a lot of people like, but I am one of those people. It just has something magical inside. I will confess that I've never seen the Korean version, but I do like this one very much. The cast was brilliant, the story, the film itself was so artsy, if that's the right word. Just beautiful. Now, I will not go into the details, because I may not remember everything clearly, but I do remember the end and as we all know, the endings are the best part and this film had a brilliant one. http://citizen-cinephile.blogspot.co.uk/

Watch the Korean version first. This version will just act as a spoiler. This is Hollywood just taking the short cut. Look at what is huge in other countries and ripping it off. I was fortunate enough to see the Korean version first, if I hadn't this would have lessened the impact.

The acting was only OK. A lot of the emotion was zapped out of the story. In the Korean version the Sassy girl was played and presented better. You knew there was something intriguing about the girl. She seemed emotionally hurt. In this version she seemed more psychotic, She just seemed to attack.

This movie is an American adaptation of the Korean version of the same name. Cuthbert and Bradford both fail to recreate the integral chemistry of the characters from the original version. In comparison to Jun Ji-hyun's portrayal of the "sassy girl", Cuthbert's performance was uninspired and often times painful to watch. Jun Ji-hyun's organic performance of a lively yet complex girl becomes forced and unconvincing in Cuthbert's attempt. One is awkwardly aware throughout the film that Cuthbert is trying to mimic a character rather than becoming the character herself. Besides Bradford's "good boy" image, he contributes nothing to the role. He lacks the emotion and passion of the original character. As for the movie, it is a scene by scene copy of the original version, each more poorly executed than the next. Rather than a cute romantic comedy created by the natural interactions of the characters, this movie feels fake, choppy, and poorly made for budgeted movie. If you're going to watch both versions, make sure you see this one first before the original. To do the opposite would be akin to reading the book and then seeing the adapted movie.

Not seeing the original My Sassy Girl, a Korean film from 2001, I appreciated it more than I probably should've. Once in a while, on a weekday, I'll watch a romantic comedy for the hell of it. I'll usually wind up liking it, but sometimes I don't want to watch something very negative and I'll just turn on something uplifting and positive like this film. There isn't much really to hate on a film like this.

Basically, you know the story. Guy meets girl, they fall in love, they break up, they get back together. Movie is over. This one decides to tweak the formula just a bit to try and stand out. Charlie Bellow (Bradford) is a high strung up and coming businessman who just wants one thing; to succeed. One day he is in a subway and finds a girl (Cuthbert), drunk out of her mind, who is about to get struck by a train. He pulls her intoxicated self to safety, and chemistry begins.

He takes her back home to his friends apartment where they await her recovery. When she finally does, the relationship from the two is a bit rocky, but soon they become closer and closer. That is when both realize they are beginning to fall for each other. Of course the audience has known that since the beginning.

Jesse Bradford was also the guy who played the misogynistic jerk in I Hope They Serve Beer in Hell a year later. It's fun seeing him actually fond of girls. Especially after he played such a simple minded character acting on impulse. It's nice to see him appreciate women. Elisha Cuthbert is also a gorgeous, and wonderful add to the film. Neither her or Bradford do anything wrong and their chemistry is believable.

It's not hard to get me to like a romantic comedy. If the story is cute, the characters are believable, the dialog is realistic, and it doesn't seem forced it works for me. In the grand scheme My Sassy Girl doesn't stand out, but it's enough to keep you interested. Still, I will go ahead and assume the original is the one worth seeing.

Starring: Jesse Bradford and Elisha Cuthbert. Directed by: Yann Samuell.

(Spoilers) So, we have a film about a woman who can't let go of her first love, whom she obviously idealized. She subsequently struggles to accept a new suitor for what he is in his own terms. Instead, she wants him to magically become the old guy. It's more than ironic that so many of the critiques of this film do exactly that—fail to judge it on its own terms. So maybe your former lover really was superior, maybe Jordan's ex was better than Charlie, and, yes, maybe the original Korean version of this film was better than the American remake. I can accept that. But judge this film on its own terms, please.

The way the plot unfolds – without my spoilers – allows the oddities of its characters to go unexplained until near the end. In retrospect I found Jordan's character and behavior quite plausible. Similarly, Charlie is a bit two-dimensional at first, but then what do you expect from French Lick, Indiana – an artsy guy like Larry Bird? The guy's ambition is to go into corporate agricultural, after all. There really are people like that. This mysterious girl lures him into something more alive, to use his term. She gains depth in retrospect, once we understand her, and he gains depth because of her.

The plot is simply instinctive love exerting a force that carries two young lovers through well-placed doubts and formidable emotional perils. Not terribly original—perhaps even trite, but I liked it. Restrained as I once was by dull ideals, I strongly identified with Charlie's simultaneous resistance and compulsive attraction to this vector- deficient girl who takes over his life. Several times I told him to run fast and far. Yet, although I couldn't understand why, instinct told us to stay.

Based on the alleged quality of the original film, this remake of My Sassy Girl probably could have been a masterpiece, but this film is just fine in its own right. I take issue with much of what Hollywood does, including falling short in remakes, bringing every film to a cliché ending, and grossly overstating the presumed wealth of most characters – none of my physician friends live in anything near the multi-floor Manhattan mansion that the doctor, maybe 15 years out of med school – inhabits. With all its flaws, however, My Sassy Girl pleasantly filled an evening and made me smile.