CALIFICACIÓN DE IMDb
7.8/10
8.3 k
TU CALIFICACIÓN
Agrega una trama en tu idiomaA mild-mannered gay dentist and a hedonist womanizer rekindle their unlikely friendship when the latter's terminal cancer drives them back together after a decade apart.A mild-mannered gay dentist and a hedonist womanizer rekindle their unlikely friendship when the latter's terminal cancer drives them back together after a decade apart.A mild-mannered gay dentist and a hedonist womanizer rekindle their unlikely friendship when the latter's terminal cancer drives them back together after a decade apart.
- Dirección
- Guionista
- Elenco
- Premios
- 8 premios ganados y 4 nominaciones en total
Johnny de Mol
- Floris
- (as Johnny de Mol jr.)
Wilhelmija Lamp
- Alijt
- (as Willemijn Lamp)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Through an awkward accident, Camiel (Marcel Hensema) meets Simon (Cees Geel). Camiel is an intelligent, shy, insecure, gay student studying to become a dentist. Simon is close to his opposite: a true Amsterdam mythical hero - down-to-earth, liberal, dry humoured seducer ("Couldn't you just instantly turn into a naked chick?") who owns two cafés and lives in the Dutch paradox - he's in the semi-legal business of running a hash home delivery service. Both are true products of Dutch society, as it is dreamed to be, with their multilingual, easy, matter-of-fact approach to life. But the film is mostly about Simon. Well, about Camiel looking Simon, fascinated.
So what is it about Simon that so fascinates Camiel? To a certain extent, Camiel is an outsider, he is just someone who walks the streets. He is not extraordinary in any sense. Neither his love life, nor his profession can help him up, nor does he play an instrument or have any hidden talent. When he meets Simon, it seems as if Simon has his whole life organised around himself, to be able to live his life fully. He is surrounded by his oddball friends and has a loving family (in Thailand!). And that with a forgiving smile which allows him to boyishly do as he pleases.
The second half of the movie is darker than the first, when the weight on the looming tragedy starts to be felt (Simon's approaching death). The second half of the film is more emotional, building on the characters and relationships of the first half. Notice the remarkable difference in the treatment of the subject with Les Invasions Barbares, of death, friendship, love, sex and society. Perhaps the last is the most remarkable, because somewhere Simon is the society. There is no clash with an outer world which is different to him - because the difference between the individuals is what makes up the society in which he lives. Similarly there is no generational gap either, Simon's children will make something out of their lives as he did with his, nothing fundamental has changed. It is Western society at its (brief?) peak.
If there is any weakness in the film, then it would have to be Simon's interest in Camiel, the reasons of which could have been more explicit (perhaps his stability, or his intelligence?). None the less, the audience takes on the role of Camiel, and is taken along into Simon's world. A world which is a rare glimpse into the liberal post-modern society which is (was?) The Netherlands. Camiel will not be the only one leaving impressed.
So what is it about Simon that so fascinates Camiel? To a certain extent, Camiel is an outsider, he is just someone who walks the streets. He is not extraordinary in any sense. Neither his love life, nor his profession can help him up, nor does he play an instrument or have any hidden talent. When he meets Simon, it seems as if Simon has his whole life organised around himself, to be able to live his life fully. He is surrounded by his oddball friends and has a loving family (in Thailand!). And that with a forgiving smile which allows him to boyishly do as he pleases.
The second half of the movie is darker than the first, when the weight on the looming tragedy starts to be felt (Simon's approaching death). The second half of the film is more emotional, building on the characters and relationships of the first half. Notice the remarkable difference in the treatment of the subject with Les Invasions Barbares, of death, friendship, love, sex and society. Perhaps the last is the most remarkable, because somewhere Simon is the society. There is no clash with an outer world which is different to him - because the difference between the individuals is what makes up the society in which he lives. Similarly there is no generational gap either, Simon's children will make something out of their lives as he did with his, nothing fundamental has changed. It is Western society at its (brief?) peak.
If there is any weakness in the film, then it would have to be Simon's interest in Camiel, the reasons of which could have been more explicit (perhaps his stability, or his intelligence?). None the less, the audience takes on the role of Camiel, and is taken along into Simon's world. A world which is a rare glimpse into the liberal post-modern society which is (was?) The Netherlands. Camiel will not be the only one leaving impressed.
This movie is about an unlikely friendship. Right at the start of it you learn that one of them is gay and polite, and the other is an outspoken, humorous heterosexual that has cancer, and might die sometime soon. The movie then goes back and forth along some fourteen years, starting with the day these guys met.
Sounds simple? You are in for some surprises. This is not just a film about a guy that is quite obnoxious and irresistibly lovely at the same time. It is also about being yourself, shy or not, and living in a country that has more tolerance to cultural diversity. But mostly about this man that always tries to do the right thing, and enjoy his life, and have a laugh with his friends, even as it looks like death might come sooner than expected. I love this guy. And the Netherlands never looked that much beautiful on film.
Sounds simple? You are in for some surprises. This is not just a film about a guy that is quite obnoxious and irresistibly lovely at the same time. It is also about being yourself, shy or not, and living in a country that has more tolerance to cultural diversity. But mostly about this man that always tries to do the right thing, and enjoy his life, and have a laugh with his friends, even as it looks like death might come sooner than expected. I love this guy. And the Netherlands never looked that much beautiful on film.
Extraordinary film with great humor and witty conversations. I was swept of my feet before the first 5 minutes were over. Yes, the movie is very funny - I had tears in my eyes from laughing - but sometimes the tears that had started from laughter, remained to be there because of the sadness of Simon's illness...
It's pace is quite fast, it's very difficult to get bored in viewing it. The play of lead actor Cees Geel is excellent, as viewer you fall in love with this guy from the start and won't be disappointed about him as the movie proceeds. He plays a very humorous and positive guy, who's a bit macho, but also very sweet. People around him are regularly been given a big smile on their faces.
But also Marcel Hensema is playing very convincingly as the gay Camiel who's studying to become a dentist. He's a bit more introvert than Simon, but he and Simon fit well together in both fun and conversations on life's issues and become very close friends.
I guess the movie is filled with typically Dutch issues. The nudeness and joints are all over the screen, but also the way conversations are held on being gay (Camiel) and how to deal with Cancer (Simon) could be seen as open-minded (or controversial?) Dutch.
All and all I found this movie highly entertaining while it touched some heavy emotions at the same time.
It's pace is quite fast, it's very difficult to get bored in viewing it. The play of lead actor Cees Geel is excellent, as viewer you fall in love with this guy from the start and won't be disappointed about him as the movie proceeds. He plays a very humorous and positive guy, who's a bit macho, but also very sweet. People around him are regularly been given a big smile on their faces.
But also Marcel Hensema is playing very convincingly as the gay Camiel who's studying to become a dentist. He's a bit more introvert than Simon, but he and Simon fit well together in both fun and conversations on life's issues and become very close friends.
I guess the movie is filled with typically Dutch issues. The nudeness and joints are all over the screen, but also the way conversations are held on being gay (Camiel) and how to deal with Cancer (Simon) could be seen as open-minded (or controversial?) Dutch.
All and all I found this movie highly entertaining while it touched some heavy emotions at the same time.
This film is extremely well elaborated. Without spoiling the movie for you, basically, Simon is a sad story between a drug-dealing, "living la vida loca" young man, and a gay man he unexpectedly met.
14 years later, they meet again, but this time, the situation is totally different.
The filmmakers do an excellent job at the beginning of the movie, that is, making people dive deep into the story, the characters and the general atmosphere. This has as consequence, later after the middle of the movie, that the filmmakers start playing with the audience's emotions, leveraging on all the details presented during the beginning to force the audience into the main topic of the movie.
The second half of the movie is the sad part of it. There, the lives of all the people involved are bound together by an unexpected tragedy. The film has an obvious ending, but during that time, the audience's feelings and emotions are constantly touched and moved. This emotional play is perfect for the deep meanings of the movie: a reflexion and the presenting of different perspectives of homosexuality, drugs, sex and eutanasia.
14 years later, they meet again, but this time, the situation is totally different.
The filmmakers do an excellent job at the beginning of the movie, that is, making people dive deep into the story, the characters and the general atmosphere. This has as consequence, later after the middle of the movie, that the filmmakers start playing with the audience's emotions, leveraging on all the details presented during the beginning to force the audience into the main topic of the movie.
The second half of the movie is the sad part of it. There, the lives of all the people involved are bound together by an unexpected tragedy. The film has an obvious ending, but during that time, the audience's feelings and emotions are constantly touched and moved. This emotional play is perfect for the deep meanings of the movie: a reflexion and the presenting of different perspectives of homosexuality, drugs, sex and eutanasia.
I've read the reviews here, most of them from people living in the Netherlands. This movie seems to polarize these folk in ways that must be unique to the Dutch. I'd like to comment on it from a different cultural perspective.
Reviewers here make the point repeatedly that this is a quintessentially Dutch movie, and more or less insist that you have to be Dutch to comprehend it in toto. That may be true. I know a little German, enough to have heard the cadences and staccato rhythms in the dialog. And I could tell that the English translation, although working hard, was probably not able to do justice to the actual words. This is an instance where a dubbed version might be an improvement for non-Dutch speakers.
As an American, and a gay man, I found this movie totally accessible. The subject of euthanasia was not especially controversial to me, having known many gay men who chose that route in the 80s. Nor did the interaction between the two friends seem that unusual. I've had close friends who were straight and we could talk to each other in the same blunt, joking way Simon and Camiel do. I think this story could have been set in many other urban communities around the world, not just Amsterdam.
So I guess I'm saying I don't think this story is uniquely Dutch by any means. That it has an extra dimension for the Dutch because of the language, however, seems likely.
I liked the structure of the film, I liked the close and choppy editing, and I liked the progression of the story. In many ways the film's style is as unsentimental as the story, and that seemed appropriate.
Reviewers here make the point repeatedly that this is a quintessentially Dutch movie, and more or less insist that you have to be Dutch to comprehend it in toto. That may be true. I know a little German, enough to have heard the cadences and staccato rhythms in the dialog. And I could tell that the English translation, although working hard, was probably not able to do justice to the actual words. This is an instance where a dubbed version might be an improvement for non-Dutch speakers.
As an American, and a gay man, I found this movie totally accessible. The subject of euthanasia was not especially controversial to me, having known many gay men who chose that route in the 80s. Nor did the interaction between the two friends seem that unusual. I've had close friends who were straight and we could talk to each other in the same blunt, joking way Simon and Camiel do. I think this story could have been set in many other urban communities around the world, not just Amsterdam.
So I guess I'm saying I don't think this story is uniquely Dutch by any means. That it has an extra dimension for the Dutch because of the language, however, seems likely.
I liked the structure of the film, I liked the close and choppy editing, and I liked the progression of the story. In many ways the film's style is as unsentimental as the story, and that seemed appropriate.
¿Sabías que…?
- TriviaThe movie's budget was so low, that many of the actors (personal friends of director Eddy Terstall) worked for free. Multiple scenes had to be filmed each day, so most scenes needed to be filmed in one take. According to Terstall, the scenes shot at the end of each day, when cast and crew started to get weary, were often of poorer quality as a result.
- ErroresWhen Joy and Floris are descending the stairs at the wedding, he is on her right side, but in the next shot he is suddenly on her left.
- ConexionesFeatured in Barend en Van Dorp: Episode dated 17 September 2004 (2004)
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
- How long is Simon?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idiomas
- También se conoce como
- Симон
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- EUR 1,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 4,055
- Fin de semana de estreno en EE. UU. y Canadá
- USD 2,453
- 9 abr 2006
- Total a nivel mundial
- USD 1,107,774
- Tiempo de ejecución
- 1h 42min(102 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.78 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta