Un adolescente solitario se adentra en las profundidades de una red criminal de la escuela secundaria para investigar la desaparición de su ex-novia.Un adolescente solitario se adentra en las profundidades de una red criminal de la escuela secundaria para investigar la desaparición de su ex-novia.Un adolescente solitario se adentra en las profundidades de una red criminal de la escuela secundaria para investigar la desaparición de su ex-novia.
- Premios
- 11 premios ganados y 23 nominaciones en total
Emilie de Ravin
- Emily
- (as Emilie De Ravin)
Tracy Bitterolf
- Straggler
- (as Tracy Wilcoxen)
Ari Welkom
- Tangles
- (as Ari Velkom)
McJoel Hamilton
- The Pin's Driver
- (sin créditos)
Lauren Johnson
- Woman Sweeping Backstage
- (sin créditos)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
'Brick' is a film noir murder mystery featuring contemporary high school students who talk and behave like 1940's-style gangsters.
I hastily bought a ticket to 'Brick' at the Sundance Film Festival, knowing nothing about it but what was written in the Sundance catalog. I almost didn't go to the 9:15am screening but I am so glad I did. 'Brick' was by far the best of the eight films I'd seen up until then. It's one of those rare movies that keeps me grinning throughout, delighted by every turn of the grim plot.
The slang is thick but contextual. Watch closely for little camera tricks like a clock that reads 5:45 until it comes into focus and suddenly reads 8:30.
I hastily bought a ticket to 'Brick' at the Sundance Film Festival, knowing nothing about it but what was written in the Sundance catalog. I almost didn't go to the 9:15am screening but I am so glad I did. 'Brick' was by far the best of the eight films I'd seen up until then. It's one of those rare movies that keeps me grinning throughout, delighted by every turn of the grim plot.
The slang is thick but contextual. Watch closely for little camera tricks like a clock that reads 5:45 until it comes into focus and suddenly reads 8:30.
An instant classic. At once, it demands respect for its efforts. Creating an original film amidst the money-press-like formulaic cookie-cutters is reminiscent an act of rebellion against "the man", and this film has done a beautiful job of sticking it to 'em.
This is just an example of how a movie should be made, and I don't say things like that lightly.
Hell, you know it's going to be interesting when Neilson can only compare and contrast it with things like Memento and Donnie Darko on their little questionnaire. Rock on for intelligent life out there, keep it coming! I for one can't wait till it's released so I can watch for the things I know I missed! -Cognac
This is just an example of how a movie should be made, and I don't say things like that lightly.
Hell, you know it's going to be interesting when Neilson can only compare and contrast it with things like Memento and Donnie Darko on their little questionnaire. Rock on for intelligent life out there, keep it coming! I for one can't wait till it's released so I can watch for the things I know I missed! -Cognac
While a touch (maybe 5-10 minutes) overlong, its clever dialogue requires absolute attention and shows how well versed in the language of noir the screenwriter is. (Terms like "yegs" and "sap" are rarely used these days but offer a direct and crtitical link to Hammett and Chandler).
It's also quite humorous, mixing David Lynch, "River's Edge", "Heathers", and any high-noir reference you care to make quite freely. And Lukas Haas' turn as an oddball kingpin is reminiscent of William Hurt's spin on the same in "A History of Violence" in that they are both highly stylized.
However, because the dialogue is so utterly complicated, discerning all the plot elements and making eventual sense of the film would probably have to be done over a period of time. The film lends itself to multiple viewings, and some people might not like that.
It's also quite humorous, mixing David Lynch, "River's Edge", "Heathers", and any high-noir reference you care to make quite freely. And Lukas Haas' turn as an oddball kingpin is reminiscent of William Hurt's spin on the same in "A History of Violence" in that they are both highly stylized.
However, because the dialogue is so utterly complicated, discerning all the plot elements and making eventual sense of the film would probably have to be done over a period of time. The film lends itself to multiple viewings, and some people might not like that.
I saw this film at a sneak preview the other night not knowing what to expect. To say the least I was pleasantly surprised. Film Noir being one of my favorite film genre's, "Brick" follows the same story structure, odd-ball characters, right down to the very smart and quick paced dialogue of a 30s/40s hard boiled detective thriller. The twist that lifts it above parody and even a mere homage is the presentation of these elements with high school kids in Southern California. The direction by Rian Johnson is very expert and confident in telling the story, giving the audience smooth and quick editing along with skewed and distorted camera angles. He manages to maintain suspense throughout the film, only in a couple of parts letting it drag (the scenes with the Drama Queen are some of the weakest). The actors are great, the most memorable being the "villains" Pen and Tugger. Rather than just being atypical baddies, their portrayals give them depth, sympathy, and at the same time a degree of likability. Kudos also goes to the actor who played Brain, the partner of Frye, who is nearly flawless in his somewhat small role. John Shaft himself, Richard Roundtree, shows up as the Vice Principal, but it is obvious they only had the budget to hire him for one day. I have to say this isn't a classic film by any means; I merely decided to give it such a high rating because it attempts something different and succeeds fairly successfully. I've been tired of the mundane films that get released every year, and for once this is something that is completely different; the use of archetypal characters in the setting and delivery not expected. It's a low budget film, but it is obvious to me that that this filmmaker will be heard from again. Keep an eye out.
OK...I have never actually commented on a movie on IMDb, but this movie was so great I really felt I had to let people know about it. When I first read the synopsis of Brick at Sundance I was immediately interested in seeing it. "Film Noir set in a high school." I started hearing really terrible reviews of it and almost did not go until the very last day I could. I am so glad I did. It is a very unique film, such a refreshing one for people who have seen it all. So if you want something new and different you will definitely enjoy this. Others may find it is too over-the top for them--it took me several minutes to understand what the characters were even saying at first, in their language that mixed old film noir slang with the new generation of slang. Its very dark and the sound design will even make a person feel uneasy. The director linked sound and image in ways I have never seen, completely enthralling me from beginning to end. This movie is not a relaxing ride. oh! but there are great comedic and ironic moments as well! I think a lot of the criticism I heard of this film was that it was too incomprehensible and unbelievable. I personally really got into the world of this film and it had me on the edge of my seat until the very end. It was so enjoyable to buy into the rules of the film noir/high school drama world and its characters. I did not even recognize the lead character as that kid from 3rd Rock until the end! I hated 3rd Rock, but I absolutely loved and believed in his character here. I loved it! One of my top picks at Sundance this year. sorry I have never written a review...I hope this reveals something about the movie. I really, really hope that it gets released soon! It is one of those interesting movies that could really be a cult classic.
¿Sabías que…?
- TriviaThere's a theory on Rian Johnson's official forum that the The Brain only exists inside Brendan's mind. While Rian will neither confirm nor deny the theory, he has said it is "without a trace of irony, my favorite post on the forum."
- ErroresWhen Brendan is talking to Assistant Vice Principal Trueman in his office, a reflection of the boom mic can be seen in a picture on his desk.
- Citas
Brendan Frye: Throw one at me if you want, hash head. I've got all five senses and I slept last night, that puts me six up on the lot of you.
- ConexionesFeatured in 2006 Independent Spirit Awards (2006)
- Bandas sonorasThe Sun Whose Rays Are All Ablaze
from "The Mikado"
Music by Arthur Sullivan
Lyrics by W.S. Gilbert
Arranged by Renato Neto
Performed by Nora Zehetner
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Detalles
Taquilla
- Presupuesto
- USD 475,000 (estimado)
- Total en EE. UU. y Canadá
- USD 2,075,743
- Fin de semana de estreno en EE. UU. y Canadá
- USD 83,574
- 2 abr 2006
- Total a nivel mundial
- USD 3,947,579
- Tiempo de ejecución
- 1h 50min(110 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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