Mrs. Harris

This is a case of someone speaking as though they saw an entirely different movie. And, I guess, the individual above did.

"Mrs. Harris" is another solid effort in a long line of memorable HBO movies. But, please, don't take my word for it. Click on the link in the upper left margin of this page, where is says "Awards & Nominations." Is there an Emmy Award that this movie was NOT nominated for? Along with two SAG nominations and a slew of other nominations. I rest my case on that. (No, I don't think it was favoritism.) Two very solid performances by Annette Benning & Sir Ben Kingsley, a strong supporting cast, and a very good script. (Nice soundtrack, too.) Ignore Beavis's drivel and give this one a look.

Having read Jean Harris' autobiography, as well as other materials on this case, I thought Annette Bening's portrayal of Jean Harris was excellent. She was Jean Harris. Ben Kingsley's performance was also excellent--he was given little to work with beyond witty/smug remarks/situations yet to his credit he was able to exude the charm that Tarnower reportedly had, and the chemistry between the Tarnower and Harris was obvious, which made their connection believable. I was drawn to this movie as a fan of both Bening and Kinglsey, and the chemistry between these two very charismatic actors did not disappoint.

What was bothersome was that the film seemed to fluctuate between serious drama and intentional camp. This made it difficult to get too involved in the story or feel empathy for the characters, which is often what people look for in a film of this genre. Even the soundtrack (which was excellent on its own) was used to this end—just when I was getting drawn into Harris' "withdrawal-induced perspective, a pop song from the 70's (was it Bread?) pulled me right out of it. But the more I thought about it (and read some viewer comments on this site) the more appropriate this approach felt. After all, the whole appeal of this story to the public was that a highly successful physician and the Headmistress of a prestigious boarding school were involved in a rather tawdry situation. Two highly educated, superior-acting, society folks who took themselves *way* too seriously were involved in affairs, drugs and cheap catfights. If the shooting scene at the beginning of the film seemed ridiculous and unbelievable, well, that was exactly how Jean Harris described the events herself. So after much consideration, I think that some aspects of the film that other viewers here have criticized were perhaps an effort by the filmmakers to underscore the absurd in this story. This makes "Mrs. Harris" not the typical murder drama/documentary and definitely worth seeing.

So comes down to this: Great cast, great performances (the cameo performances as well) and it accurately portrays the complexities of the situations and the people involved in this story. It is also somewhat disturbing--you won't leave with a feeling that justice was necessarily served, or that anything was really resolved, or with any sense of empathy for the characters. But hey, that's what happens in real life.

My husband and I sat through 20 films this year and this one, along with Michael Haneke's "Cache," was by a long way the best and the most surprising we saw. You go to a gala at a film festival and you're prepared for mostly safe stuff chock full of movie stars, so many of them, like curios in cabinets ("Walk the Line" and "North Country" are two such examples; there are others), that you lapse into a deep sleep just looking at the credits, knowing the exercises in taste and decorum that will follow. I wasn't encouraged by the cast list of "Mrs. Harris" but was really interested in the whole Jean Harris story so along we went to the screening.

For those of you who are not familiar with the tale, this is the murder of the Scarsdale Diet doctor saga in 1980. Jean Harris was an uptight headmistress who, so the media spun it at the time, in a fit of jealous rage drove from Virginia to New York in a blinding rainstorm and pumped the doctor full of bullets because he wanted to marry another woman.

What seems like a pretty straightforward narrative turns out to be anything but that, principally because of the way the story is told in this version and the incredible performances, not just from Annette Bening, though I have never seen such subtlety from this actress but also from Ben Kingsley, Cloris Leachman, Frances Fisher, Mary McDonnell and a host of others in truly perfectly judged cameos.

The first-time writer and director of "Mrs. Harris" never judges the characters and thus wisely puts the responsibility for making any judgments solely in the laps of the audience. The tonal shifts in this film are dizzying but never confusing and perhaps the most brilliant thing about it is the way in which you're seduced into laughing at or with all the insanity and then immediately are shown something that makes you question why you laughed in the first place.

It's not an easy ride or the most comfortable of films to watch, but it's one of the finest depictions of obsession, dependency and love gone wrong I've seen in a long time. It's not for everyone. My husband, who also loved it, had a heated debate with another couple we saw it with who hated it and mostly hated it because of the way it refuses to score easy victim versus villain points. It's divisive and from time to time you wonder about certain shots or the juxtaposition of certain scenes but these are minor quibbles. This is a debut feature that outclasses most of what I've seen in multiplexes this whole year. Go if you want to think and feel as a result of that thinking.

I heard a rumor that the film is not going to be released in movie theaters but will air on HBO. That, if true, is a pity because it's something that should be seen and the performances, writing and direction are first rate.

Despite two strong lead actors in Ben Kingsley and Annette Benning, Mrs Harris flops. The tone of the script is the problem. It should combust at the end after a slow, almost unbearable build-up of tension. The audience should FEEL Jean Harris' rage, frustration, and hopelessness. Instead, we're supposed to laugh. The script is written as farce, not drama. Good drama can contain cynical humour and pathos, as long as it's not dominated by either one. Then it's not drama. I'm sure Hollywood bigwigs said to the poor scriptwriter, "no one wants to watch a tragic love-story between two fiftyish neurotics, even if the broad murders the guy in the end." Of course, the producers would be too young to remember the case itself. So, they took the easy route and made the autumn romance a farce. They sporadically threw in some booty, and the murder as teasers to make the movie bearable to watch.

Yup, they missed the boat with this one.

MRS. HARRIS is an HBO dud movie, and that is primarily because of the content of the story, the writing, the direction, and the waste of some fine actors' time. Based on a book by Shana Alexander adapted for the screen and directed by Phyllis Nagy, the story relates in fractured pieces between a murder scene, a trial and flashbacks the pathetic story of the death of Dr. Herman Tarnower (a wasted Ben Kingsley) the Scarsdale Diet author/doctor/womanizer at the hands of Mrs. Jean Harris (Annette Bening) a upwardly climbing school marm who becomes Tarnower's live in lover and addicted to his prescribed drugs. Her life is plagued by Tarnower's inability to keep his apparent elephantine genitals (this is made clear in an extended ridiculously inane segment in a locker room!) in his pants and eventually her own shaky self perception leads her to a suicide attempt that results in Tarnower's murder. The story is based on fact so there is no giving away an ending.

The only reason to watch this bit of tripe is Annette Bening who is such a gifted actress that she can make a silk purse out of a sow's ear - and this screenplay is definitely the latter. A surprising squandering of money is obvious in the casting of bit parts to fine actors such as Cloris Leachman, Brett Butler, Ellen Burstyn, Mary McDonnell, Phillip Baker Hall, Chloë Sevigny, etc. Many have only one line! Otherwise this is a one of those films that relies on media blitz spectacle posing as a worthy story to create a movie. A must miss - except for Bening. Grady Harp, February 06