I Want Someone to Eat Cheese With

This movie is like an 80 minutes long episode of "Curb Your Enthusiasm", except there is no Larry David, and Jeff Garlin is now the main character. We can say that Jeff would be Larry, and David Pasquesi would be Jeff. This movie is so much like that show, that many of the actors have been on the show, and in some scenes even the soundtrack sounds exactly the same. I don't mean that this is all bad, but Jeff, some originality please.

The movie it self has quite funny parts, but most of the time you are just looking at the screen with no emotions, you are not bored, but you are amused, you don't want to laugh, and you don't want to cry, you are just watching and waiting for something to make you either give up on it, or really want to keep watching it. In fact, that is what I feel when I watch the TV Show also, one more common thing between them.

I was also expecting something more from this movie since most of the actors are well known (in the comedy area). It was a bit of a disappointment in that chapter.

Eitherway, if you like "Curb Your Enthusiasm" you should definitely watch this movie, if you hate it don't watch it. If you are like me and liked some and hated some, watch it because it's only 80 minutes long.

This film is about a struggling actor trying to find satisfaction in life, especially love which he has not had a taste of for 5 years.

It basically is a film featuring a man with very poor social skills, and he says wrong things all the time. The plot is hollow and contrived. The main character, James, is lonely, but this theme of loneliness is not adequately explored. It is more like an empty statement which other subplots stem from. Sadness and disappointment after being dumped are superficial. There is a serious lack of emotions in the film.

It is not funny as a comedy either. There are some funny one liners but that is it. It lacks the happy and uplifting atmosphere to infect people with happy mood. I don't find "I Want Someone to Eat Cheese With" funny.

Anybody expecting the acerbic wit of Curb Your Enthusiasm (due to Jeff Garlin's presence) or the belly laughs of Something About Mary (due to Sarah Silverman's presence) will be sorely disappointed. The film isn't bad, but "not bad" is hardly a recommendation, which is a shame, because there's some great talent involved. Jeff Garlin seems to have cashed in a lot of favors with Second city alumni and fellow stand-up comics to help him out on his feature film directorial debut, and I'm guessing that none of them will be putting this on their resumés. It's got several inspired plot mechanics that go nowhere, like the fake cast of "Streetcar Named Desire" starring Aaron Carter and Gina Gershon (who are both great at scene stealing, which is quite a feat when you read the laundry list of well known participants) but someone should have told director Garlin that cameos do not a film make. The film is essentially without plot and tends to meander from one situational set-up to the next without really developing a story. This lends an episodic feel at best and at its worst, it comes off as mundane. It seems to be going for an early 90s indie-comedy nostalgia, but it lacks the innovation and quite frankly the era that made those films appealing. It's shot well, but still has a stagy, direct-to-video look, and the music is so dinner-theater schmaltzy that you'd swear this was shot-in-Canada (it wasn't). The performers are obviously having a good time, but the whole project seems to be about ten years past relevance, and I -for one- have always hated watching performers have an obviously better time than their audience, but at least nobody is ghost walking through their roles, which lends an improvisational spirit even if it goes nowhere. It's not offensively bad; it's definitely watchable. But if you have any expectations arising from the supporting cast -actors from Little Miss Sunshine, Strangers With Candy, The Simpsons- you'll be more than aggravated that you wasted your time on this rather than rewatching one of those aforementioned titles instead. And with the title "I Want Someone To Eat Cheese With" they've all but assured that nobody's going to watch it anyways. You can do a lot worse, but you can do a whole lot better, too.

Garlin outdoes himself as writer-director-actor in his indie production about a big guy (Garlin) wandering around Chicago with an eye for every woman he sees. The laughs keep coming almost every minute. It's a somewhat dramatic and serious story about a man looking for love, but done with great comedic writing and acting. The supporting roles are also very well done and very funny and really make the movie rich.

Rose Abdoo is hysterical in her receptionist role taking you right into the mood of the rest of the film. Sara Silverman is awesome with some of the great bits she does with Jeff. Bonnie Hunt is classically great in her role. I only wish there was more of her in the film, as I think most will agree. It's certainly refreshing to see her in a tight leather outfit.

David Pasquesi was the aloof detached sidekick, and voice of reason. Mina Kolb plays Jeff's mother who he lives with. There were numerous other cameos, all of them done very well.

At the premier Jeff mentioned his inability to do more with Bonnie due to production issues. Still, it's good to leave you wanting more. I think it's that indie thing of keeping some things ambiguous to let the audience do some thinking for themselves to fill in the blanks. The wordy title should clue you in to this.

Jeff said some of the basic characters were based on his past relationships. This explains why they work so well. Real life people are always unusually colorful and makes great characters. He departs quite a bit from what you might expect, having seen Curb Your Enthusiasm and some of his other work. It's one of those break out things where an actor takes some risks to do something they maybe always wanted to do but couldn't.

I think it's noteworthy that Garlin's improv Second City background, and Hunt's for that matter, set the style here of acting being the focus of the story and the directing. It's perhaps a new innovative hybrid of improv meets indie film-making.

My original title for this review was going to be, "Ending disappoints, Film triumphs." But I actually thought about this one on the way home. It is not the fairy tale most of these films are, it takes turns that are different and while its ending is at first disappointing, it slowly sinks in and hits the core on a satisfying tone.

The plot follows a man named James Aaron(Curb Your Enthusiasm's Jeff Garlin, who also wrote and directed) a struggling actor who lives in Chicago with his mother and deals with both his obesity and his inability to find someone to love.

Yes, it sounds corny, but it experiments with elements that make it somewhat unpredictable, and actually makes you wish it were longer. The ending came kind of abruptly and had me saying, "that's it!?" But once it starts to take it's toll, it really makes you smile.

It does have many tones of seriousness throughout, but fear not, for it is also very funny. Some scenes offer huge laughs, and those who have seen Jeff Garlin's stand-up will recognize a couple (Primarily when he gives a speech at career day for his niece's kindergarten class and bombs). It begins on somewhat of a serious note that you do not expect, but what follows is very funny, entertaining, and quite poignant as well. It is the kind of movie that you keep watching and always enjoy. And as I said before, while the ending may seem absurd at first, once you take time to think about, it is a true joy.