CALIFICACIÓN DE IMDb
6.6/10
78 k
TU CALIFICACIÓN
Cuando un criminal violento chantajea a dos ejecutivos casados que mantienen una aventura, estos deberán cambiar las tornas para salvar a sus familias.Cuando un criminal violento chantajea a dos ejecutivos casados que mantienen una aventura, estos deberán cambiar las tornas para salvar a sus familias.Cuando un criminal violento chantajea a dos ejecutivos casados que mantienen una aventura, estos deberán cambiar las tornas para salvar a sus familias.
- Dirección
- Guionistas
- Elenco
Rachael Blake
- Susan Davis
- (as Rachel Blake)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
At first I thought wow, Clive Owen and Jennifer Aniston, 2 big names. Might be good. I was a bit disappointed. Aniston's character is very flat and one-dimensional in the movie - very forgettable. Clive's acting is convincing, but the plot sucks. The villain (Vincent Cassel) looked pathetic and hardly scary. Even though he commits lots of violent acts in the movie, he really doesn't inspire fear in me. He actually looked more convincing dressed up as an office colleague of Clive Owen's in one particular scene, than when he's dressed as a street thug. Perhaps its because he's a bit too skinny and his skin is too good, perhaps its because his facial features looking more like a 17th century European aristocrat than some Chicago street thug. I think he'd probably do better acting as a psycho-killer rather than a professional thug.
By the end of the movie, I was really unimpressed. Yes the plot didn't really turn out like anyone had suspected, but its more of a "oh right, so what?" feeling I had, rather than a "oh my god. I can't believe it" feeling. By then I was just waiting, sitting there, hoping that something good - something really good - better come along soon, because I've not even gotten excited yet. But it never happened - and I never got excited or scared once throughout the whole movie.
I really wouldn't pay to watch this at the cinema - it would be like when I watched SWAT at the movies a few years ago. It feels like my money would be better spent elsewhere. Probably okay to watch this at home if you didn't have to pay like full price to rent this - if this movie was in the bargain bins somewhere in the video store.
By the end of the movie, I was really unimpressed. Yes the plot didn't really turn out like anyone had suspected, but its more of a "oh right, so what?" feeling I had, rather than a "oh my god. I can't believe it" feeling. By then I was just waiting, sitting there, hoping that something good - something really good - better come along soon, because I've not even gotten excited yet. But it never happened - and I never got excited or scared once throughout the whole movie.
I really wouldn't pay to watch this at the cinema - it would be like when I watched SWAT at the movies a few years ago. It feels like my money would be better spent elsewhere. Probably okay to watch this at home if you didn't have to pay like full price to rent this - if this movie was in the bargain bins somewhere in the video store.
Clive Owen and Jennifer Aniston are two adulterer-wannabes who are "Derailed" from their plans in this 2005 film. It also stars Vincent Cassel, RZA, Tom Conti and Melissa George.
Charles Schine (Owen) and Lucinda Harris (Aniston) meet on a commuter train; on the night they take a hotel room to begin their affair, it's broken into by a criminal, LaRoche, who steals from both of them, rapes Lucinda repeatedly, and then continues to blackmail Charles for large sums of money.
Lucinda refuses to go to the police, saying that her husband will file for divorce and take her daughter away from her.
Normally I take a film for what it is, and even if it has holes, if I really like it, I'll accept those holes. "Derailed" doesn't have holes. It has gullies.
The character of Charles is completely unlikable throughout the film and a constant source of frustration. His diabetic daughter has had two or three kidney transplants, all of which were rejected by her body.
For seven years, he and his wife, a teacher, have been saving money for a new antirejection drug coming on the market that the insurance won't cover. And I'm supposed to believe that he just keeps meeting LaRoche, who beats him to a pulp every time they meet, and handing him this hard-earned money that will save his daughter's life.
Instead of going to the police, he honors the wishes of Lucinda. Well, forget it. Gulley number one.
Gulley number two. A young man at the office, Winston (RZA) who has been in prison decides to help out Schine. Knowing how violent and ruthless LaRoche is, Schine and Winston go alone, and Winston has an unloaded gun. Not a wise move. Didn't Winston have any buddies that could have gone along?
Gulley number three. Schine says he has two mortgages on his house and talks about how they've scrimped and saved. Question: a man, a woman, a child and a dog live in what looked to be a 10,000 square foot home in a ritzy neighborhood - gosh, ever heard of downsizing?
Bet the couple of million you'd have gotten for that place would buy a lot of antirejection drugs.
With a minimum of work, a terrific, exciting, scary story could have been made into a fantastic movie with just a little restructuring and some stronger motives that made sense.
Schine really didn't have a reason not to go to the police, even if he said he was mugged and left Lucinda out of it.
Clive Owen made a big splash in "Closer" and was considered for the role of James Bond. He's handsome and a wonderful actor, but if he wants a big-time film career, he's going to have to do better than this. Aniston did a good job as Lucinda, and Cassel was absolutely terrific as the revolting LaRoche.
At the end of the film, when the action and plot devices really pick up, I realized that the first hour and something had been a real waste. It had been badly DERAILED.
Charles Schine (Owen) and Lucinda Harris (Aniston) meet on a commuter train; on the night they take a hotel room to begin their affair, it's broken into by a criminal, LaRoche, who steals from both of them, rapes Lucinda repeatedly, and then continues to blackmail Charles for large sums of money.
Lucinda refuses to go to the police, saying that her husband will file for divorce and take her daughter away from her.
Normally I take a film for what it is, and even if it has holes, if I really like it, I'll accept those holes. "Derailed" doesn't have holes. It has gullies.
The character of Charles is completely unlikable throughout the film and a constant source of frustration. His diabetic daughter has had two or three kidney transplants, all of which were rejected by her body.
For seven years, he and his wife, a teacher, have been saving money for a new antirejection drug coming on the market that the insurance won't cover. And I'm supposed to believe that he just keeps meeting LaRoche, who beats him to a pulp every time they meet, and handing him this hard-earned money that will save his daughter's life.
Instead of going to the police, he honors the wishes of Lucinda. Well, forget it. Gulley number one.
Gulley number two. A young man at the office, Winston (RZA) who has been in prison decides to help out Schine. Knowing how violent and ruthless LaRoche is, Schine and Winston go alone, and Winston has an unloaded gun. Not a wise move. Didn't Winston have any buddies that could have gone along?
Gulley number three. Schine says he has two mortgages on his house and talks about how they've scrimped and saved. Question: a man, a woman, a child and a dog live in what looked to be a 10,000 square foot home in a ritzy neighborhood - gosh, ever heard of downsizing?
Bet the couple of million you'd have gotten for that place would buy a lot of antirejection drugs.
With a minimum of work, a terrific, exciting, scary story could have been made into a fantastic movie with just a little restructuring and some stronger motives that made sense.
Schine really didn't have a reason not to go to the police, even if he said he was mugged and left Lucinda out of it.
Clive Owen made a big splash in "Closer" and was considered for the role of James Bond. He's handsome and a wonderful actor, but if he wants a big-time film career, he's going to have to do better than this. Aniston did a good job as Lucinda, and Cassel was absolutely terrific as the revolting LaRoche.
At the end of the film, when the action and plot devices really pick up, I realized that the first hour and something had been a real waste. It had been badly DERAILED.
I was avoiding the film because of the lower ratings it had received but after several recommendations, I went and saw it and was surprisingly pleased with the whole film from start to finish. In my opinion, this could be very well one of the best thrillers of the year. The trailer for it really doesn't do it justice for what the movie really is; a dark, suspenseful, edge of your seat thriller. Jennifer Aniston does a great job breaking out of her Friends character that everyone associates her with and that so few sitcom actors have been able to do. Don't wait for this one to come out on DVD. You definitely want to catch this one in the theater.
Don't miss "Derailed". It is far from a big production, yet its twists and turmoil grip the spectator and force him to highly concentrate and attach to the movie's agitated rhythm. The Neanderthal chemistry between the couple of Owen and Anniston, translates to off screen, giving a satisfactory acting result, although individually many faults can be advised. Vincent Cassel plays the thief with a chilling magnitude."The book manipulates the reader so he cannot advise what is coming next", says Owen's character to her daughter, while analyzing a book together, as a hidden preface. Mikael Häfstrøm (who is quite unknown) cuts into the Hollywood formula and plays with the character psychological aspects while dipping and destroying their life's with certain Hitchcock reminiscences- Don't be confused; this thriller follows the book of Hollywood and has it's own particularities. Now, if you like fast, exciting rides where you remain in the dark and eager to know, this movie is for you. Otherwise, if you like intellectual films; maybe you won't pack to "rail in" to this movie.
Derailed is directed by Mikael Håfström and adapted to screenplay by Stuart Beattie from James Siegel's novel. It stars Clive Owen, Jennifer Aniston, Vincent Cassell, Melissa George and RZA. Music is scored by Ed Shearmur and cinematography by Peter Biziou.
Charles (Owen) and Lucinda (Aniston) meet on a commuter train and in spite of the fact they are married, start flirting. Ending up in a hotel one night, they're beaten and robbed by LaRoche (Cassell) who promptly starts blackmailing Charles......
There's a decent thriller in the mix here, if only it had had a director able to hide the surprises and a writer capable of not making his male protagonist such an unlikable git! It's a shame because the premise is a good one, and there are good performances from an agreeable cast. Film essentially asks us to root for Charles as he battles with a reoccurring villain of some nastiness (Cassell genuinely unnerving), yet not only is he a love cheat (a lovely wife at home and a very sick daughter), he also makes ridiculous errors of judgement. While the holes in logic for some sequences are bafflingly poor. Still, it does have thrills and it doesn't soft soap the violence. Taken on popcorn thriller terms, it's above average and worth a watch, but it's not half as clever as it thinks it is. 6/10
Charles (Owen) and Lucinda (Aniston) meet on a commuter train and in spite of the fact they are married, start flirting. Ending up in a hotel one night, they're beaten and robbed by LaRoche (Cassell) who promptly starts blackmailing Charles......
There's a decent thriller in the mix here, if only it had had a director able to hide the surprises and a writer capable of not making his male protagonist such an unlikable git! It's a shame because the premise is a good one, and there are good performances from an agreeable cast. Film essentially asks us to root for Charles as he battles with a reoccurring villain of some nastiness (Cassell genuinely unnerving), yet not only is he a love cheat (a lovely wife at home and a very sick daughter), he also makes ridiculous errors of judgement. While the holes in logic for some sequences are bafflingly poor. Still, it does have thrills and it doesn't soft soap the violence. Taken on popcorn thriller terms, it's above average and worth a watch, but it's not half as clever as it thinks it is. 6/10
¿Sabías que…?
- TriviaWhen LaRoche goes to Schine's house, he tells Schine's daughter in French: "Je m'appelle LaRoche, comme une petite roche qui va bientôt baiser ton père par derrière." This translates as: "My name is LaRoche, like a little rock who will soon screw your father from behind." Then, he tells her that in English, it means: "My name is LaRoche, it means a rock. Like the little rocks rolling down a river."
- ErroresWhen the police officer starts to tell Schine that he'd better not be in the alley when he comes back around the block, his lip movement doesn't match the words heard.
- Citas
Philippe LaRoche: [Holding Charles against a wall] Man, you ended up in the wrong prison, Charlie!
Charles Schine: LaRoche...
Philippe LaRoche: [smugly] Yeah?
Charles Schine: I CHOSE this prison.
[Schine stabs LaRoche with Winston's shank]
- Versiones alternativasAccording to the FAQ: 'On DVD, two versions of this thriller were released: the well-known theatrical version and an Unrated version, that runs approx. 5 and a half minutes longer. But even though it's labeled as Unrated, one can only find several unspectacular plot extensions and there are only two short scenes that are a bit raunchier.
- ConexionesFeatured in The Making of 'Derailed' (2006)
- Bandas sonorasGet Cha Bars Up
Written by Xzibit (as Alvin Joiner), Jelly Roll (as David Drew), Jason Smith, Mitchy Slick (as Charles Mitchell) and Marvin Jones
Performed by Strong Arm Steady featuring Xzibit and Jelly Roll (as Jellyroll)
Courtesy of Straight from the Shoulders Music
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Detalles
Taquilla
- Presupuesto
- USD 22,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 36,024,076
- Fin de semana de estreno en EE. UU. y Canadá
- USD 12,211,986
- 13 nov 2005
- Total a nivel mundial
- USD 57,479,076
- Tiempo de ejecución
- 1h 48min(108 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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